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Index

#1
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#2
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#1 #2
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#1 window function
3.1.5 Windowing | 3.1.5 Windowing
#2
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A/D conversion
3.1.1 Sampling
accent
6.2 Amplitude Manipulations
access functions
Encapsulation
acoustic tube
The Acoustic Tube Model
Additive
3.5 The Software-Environment at
additive synthesis
3.2 Additive Analysis and
aliasing noise
3.1.1 Sampling
all-polefilter
4.2 LPC Spectral Envelope
Amplification
6.2 Amplitude Manipulations
amplitudemanipulation
6.2 Amplitude Manipulations
analysis
8.1 Some Words about
analysisfilter
4.2 LPC Spectral Envelope
angular frequency
3.1.3 Fourier Transform
anti-aliasing filter
3.1.1 Sampling
anti-resonances
The Acoustic Tube Model
architecture of a software system
8.2 The Architecture Notation
articulation
3.4 The Source-Filter Model
attenuation
6.2 Amplitude Manipulations
autocorrelation method
4.2 LPC Spectral Envelope
autocovariance method
4.2 LPC Spectral Envelope
Bartlett window function
3.1.5 Windowing
bin
5.3 Spectral Representation
Blackman window function
3.1.5 Windowing
Booch Method
8.2 The Architecture Notation
border points
4.5.4 Adding Points to
boundary ofthe object-oriented paradigm
8.4.2 Going from Analysis
break frequency
4.5.3 Logarithmic Frequency Scaling
break point function
5.4 Geometric Representation
break points
5.4 Geometric Representation
cepstrum
4.3 Cepstrum Spectral Envelope
Chant
3.5 The Software-Environment at
Cholesky algorithm
4.4 Discrete Cepstrum Spectral
chunks
8.5 The Spectral Envelope
cloud
4.5.2 Stochastic Smoothing (The
CNMAT
3.5 The Software-Environment at
compression of spectral envelopes
6.3 Other Manipulations
convolution
3.1.4 Convolution, Filtering and
cross synthesis
7.1 Additive Synthesis | 10.3 Possibilities of Artistic
D/A conversion
3.1.1 Sampling
decibel
3.1.2 Power and Energy
deconvolution
The Acoustic Tube Model
design
8.1 Some Words about
dilatation ofspectral envelopes
6.3 Other Manipulations
diphone
3.5 The Software-Environment at
Diphones
3.5 The Software-Environment at
dirac functions
3.1.3 Fourier Transform
discrete cepstrum
4.4 Discrete Cepstrum Spectral
discrete Fouriertransform
3.1.3 Fourier Transform
divide andconquer
3.1.3 Fourier Transform
documentation
8.1 Some Words about
Durbin-Levinson recursion
4.2 LPC Spectral Envelope
ease of manipulation
5.1 Requirements
Encapsulation
no title | Encapsulation
energy
3.1.2 Power and Energy
Envelope fit
3.3 Spectral Envelopes
Exactness
4.1 Requirements
extended waterfall model
8.1 Some Words about
Farinelli
4.6 Evaluation of Discrete
fast Fourier transform
3.1.3 Fourier Transform
Faster Than Sound
3.5 The Software-Environment at
File names
11.1.2.1 File names
filling points
4.5.4 Adding Points to
filtercoefficients
5.2 Filter Coefficients
filtering
3.1.4 Convolution, Filtering and
flexibility of manipulation
5.1 Requirements
FOF
5.5 Formants
formant tracks
5.5 Formants
Formant interpolation
6.1.2 Shifting Formants
formant region
5.5 Formants
formant representation
5.5 Formants
formant shift
6.1.2 Shifting Formants
Formant-wave functions
5.5 Formants
formantdetection
6.1.2 Shifting Formants
formants
The Acoustic Tube Model
format file
3.5 The Software-Environment at
Forme d'onde formantique
5.5 Formants
Fourier transform
3.1.3 Fourier Transform
frames
3.1.5 Windowing
frequency bin
5.3 Spectral Representation
frequency manipulations
6.3 Other Manipulations
frequency selective amplification or attenuation
6.2 Amplitude Manipulations
frequency shift
6.3 Other Manipulations
frequency spectrum
3.1.3 Fourier Transform
FTS
3.5 The Software-Environment at
fundamental frequency
3.2 Additive Analysis and
Fuzzy formants
definition
5.5 Formants
shifting
6.1.3 Shifting Fuzzy Formants
Gauss window function
3.1.5 Windowing
generalization relation
Inheritance
granulation
9.5 Conversion between Spectral
Hamming window function
3.1.5 Windowing
Hanning window function
3.1.5 Windowing
harmonic partials
3.2 Additive Analysis and
harmonics
3.2 Additive Analysis and
Hertz
3.1.3 Fourier Transform
Hidden Markov Model
3.5 The Software-Environment at
High Resolution Matching Pursuit
5.6 High Resolution Matching
HMM
3.5 The Software-Environment at
homomorphic deconvolution
4.3 Cepstrum Spectral Envelope
horizontalinterpolation of formants
6.1.3 Shifting Fuzzy Formants
implementation
8.1 Some Words about
impulse response
3.1.4 Convolution, Filtering and
inferior triangular matrix
4.4 Discrete Cepstrum Spectral
Inheritance
no title | Inheritance
initiation
3.4 The Source-Filter Model
interpolation betweenenvelopes
6.1.1 Interpolation between Spectral
interpolation factor
6.1.1 Interpolation between Spectral
inverse discreteFourier transform
3.1.3 Fourier Transform
inverse fast Fourier transform
3.1.3 Fourier Transform
IRCAM
2.2 Outline of the
IRCAM Signal Processing Workstation
3.5 The Software-Environment at
ISPW
3.5 The Software-Environment at
j-MAX
3.5 The Software-Environment at
jitter
3.1.1 Sampling
LAR
4.2 LPC Spectral Envelope
lattice filter
7.2 Filtering
line spectral pairs
4.2 LPC Spectral Envelope
linear interpolation
4.6 Evaluation of Discrete | 6.1 Interpolation
linear predictive coding
4.2 LPC Spectral Envelope
linear shift-invariantsystems
3.1.4 Convolution, Filtering and
linearity
3.1.4 Convolution, Filtering and
lineartime-invariant systems
3.1.4 Convolution, Filtering and
load set
11.1.2.2 Loading files
locality
5.1 Requirements
log area ratios
4.2 LPC Spectral Envelope
logarithmic frequencyscaling
4.5.3 Logarithmic Frequency Scaling
London
9.5 Conversion between Spectral
LPC analysis
4.2 LPC Spectral Envelope
LPC-coefficients
4.2 LPC Spectral Envelope
LTIsystems
3.1.4 Convolution, Filtering and
magnitude spectrum
3.1.3 Fourier Transform
maintenance
8.1 Some Words about
Manipulation
6. Manipulation of Spectral
Manual input
5.1 Requirements
MAX
3.5 The Software-Environment at
mel frequency scale
4.5.3 Logarithmic Frequency Scaling
memberfunction
Polymorphism
method
Polymorphism
mickey mouse effect
3.3.1 Spectral Envelope Correction
modulator
7. Sound Synthesis with
Name-Value Tables
8.5 The Spectral Envelope
nasal zeros
The Acoustic Tube Model
nontechnical areas
8.1 Some Words about
Nyquist
3.1.1 Sampling
Object Modeling Technique
8.2 The Architecture Notation
object-oriented programming
8.4.2 Going from Analysis
object-orientedparadigm
8.4.2 Going from Analysis
OMT
8.2 The Architecture Notation
order
Cepstrum
4.3 Cepstrum Spectral Envelope
Discrete cepstrum
4.4 Discrete Cepstrum Spectral
LPC
4.2 LPC Spectral Envelope
orthogonality
5.1 Requirements
parameter file
3.5 The Software-Environment at
partial trajectories
3.5 The Software-Environment at
phase spectrum
3.1.3 Fourier Transform
phonation
3.4 The Source-Filter Model
phoneme
3.3 Spectral Envelopes
phonetics
3.4 The Source-Filter Model
phonology
3.4 The Source-Filter Model
pitch
3.2 Additive Analysis and
Pm
3.5 The Software-Environment at
poles ofa filter
4.2 LPC Spectral Envelope
Polymorphism
no title | Polymorphism
power
3.1.2 Power and Energy
Precise formants
5.5 Formants
Preciseness
5.1 Requirements
predictor-coefficients
4.2 LPC Spectral Envelope
process models
8.1 Some Words about
programming in the large
8.1 Some Words about
programming in the small
8.1 Some Words about
project management
8.1 Some Words about
prosody
6.2 Amplitude Manipulations | 9.2 Synthesis of the
psychoacoustics
3.1.2 Power and Energy
pulmonal
3.4 The Source-Filter Model
qualityassurance
8.1 Some Words about
quantization
3.1.1 Sampling
quantization noise
3.1.1 Sampling
quefrency
4.3 Cepstrum Spectral Envelope
re-use of software
8.3 General Considerations for | 8.3 General Considerations for
Rectangle window function
3.1.5 Windowing
reflection coefficients
4.2 LPC Spectral Envelope
Regularity
Estimation
4.1 Requirements
Spectral envelope
3.3 Spectral Envelopes
regularization
4.5.1 Regularization
regularization term
4.5.1 Regularization
representation
5. Representation of Spectral
requirements
Estimation
4.1 Requirements
Representation
5.1 Requirements
requirements engineering
8.1 Some Words about
resonances
The Acoustic Tube Model
Robustness
4.1 Requirements
roots of the analysis filter
4.2 LPC Spectral Envelope
sample
3.1.1 Sampling
sampled spectral envelope
5.3 Spectral Representation
sampling
3.1.1 Sampling
sampling period
3.1.1 Sampling
sampling rate
3.1.1 Sampling
sampling theorem
3.1.1 Sampling
SDIF
3.5 The Software-Environment at | 8.5 The Spectral Envelope
SDIF-library
3.5 The Software-Environment at
shift-invariant systems
3.1.4 Convolution, Filtering and
skewing
6.3 Other Manipulations
smoothness
3.3 Spectral Envelopes
software development phases
8.1 Some Words about
software development process
8.1 Some Words about
software engineering
8.1 Some Words about
softwarelifecycle
8.1 Some Words about
Sound Data Interchange Format
3.5 The Software-Environment at | 8.5 The Spectral Envelope
Space
5.1 Requirements
specialization relation
Inheritance
spectral envelope
3.3 Spectral Envelopes
Definition
3.3 Spectral Envelopes
spectral representation
5.3 Spectral Representation
spectral tilt
6.2 Amplitude Manipulations
spectrogram
9.5 Conversion between Spectral
Speed of synthesis
5.1 Requirements
Splines
5.4 Geometric Representation
stability
5.1 Requirements
Steadyness
Estimation
4.1 Requirements
Spectral envelope
3.3 Spectral Envelopes
STtools
3.5 The Software-Environment at
subtype relation
Inheritance
superior triangular matrix
4.4 Discrete Cepstrum Spectral
synthesis
7. Sound Synthesis with
synthesis filter
4.2 LPC Spectral Envelope
synthesis by rule
3.5 The Software-Environment at
testing
8.1 Some Words about
time-frame
3.1.5 Windowing
time-invariance
3.1.4 Convolution, Filtering and
time-invariant systems
3.1.4 Convolution, Filtering and
tracks
3.5 The Software-Environment at
transfer function
3.1.4 Convolution, Filtering and
transposition of spectral envelopes
6.3 Other Manipulations
type-polymorphism
Polymorphism
UDI
3.5 The Software-Environment at
UML
8.2 The Architecture Notation
uniqueness
5.1 Requirements
unit impulse
3.1.4 Convolution, Filtering and
Universal DSP Interface
3.5 The Software-Environment at
Universal Modeling Language
8.2 The Architecture Notation
Unvoiced speech
3.4 The Source-Filter Model
version control
8.1 Some Words about
Vibrato tracing of spectral envelopes
3.3.2 Vibrato Tracing of
visualization
9.5 Conversion between Spectral
Viterbi algorithm
3.5 The Software-Environment at
Voiced speech
3.4 The Source-Filter Model
voicing
3.4 The Source-Filter Model
waterfall model
8.1 Some Words about
wavelets
5.7 Wavelets | 10.2.2 Wavelets for Representation
weighted sum
6.1.1 Interpolation between Spectral
weighting
4.5.2 Stochastic Smoothing (The
whitening
4.2 LPC Spectral Envelope
window function
3.1.5 Windowing
windows
3.1.5 Windowing
word length
3.1.1 Sampling
working area model
8.1 Some Words about
XGraph
3.5 The Software-Environment at
xspect
3.5 The Software-Environment at
XTraj
3.5 The Software-Environment at
Z-transform
3.1.3 Fourier Transform

Diemo Schwarz


next up previous contents
Next: About this document ... Up: Spectral Envelopes in Sound Previous: Bibliography
Diemo Schwarz
1998-09-07