- ...partials.
- For an example of a
previous approach to this problem, see Wessel and Risset
[WR82]
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- ...tools
- The suite of analysis tools available at IRCAM include additive and Audiosculpt
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- ...performance.
- Our system uses an additive
analysis/resynthesis method developed by X.Rodet and Ph. Depalle with
synthesis based on the inverse FFT [RD92]
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- ...reeds.
- For an
up-to-date source of MIDI wind controllers, see the web sites
http://sunsite.unc.edu/emusic-l/info-docs-FAQs/wind-controllers-FAQ.html
or http://www.ucs.mun.ca/ andrew/wind/
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- ...controller/mapping.
- For the
purposes of this paper we consider mf to be the middle point in the
dynamic scale between pp and ff.
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- ...pitch.
- The WX7 does
provide some adjustments to change independently the response of its
individual sensors, including the choice of different breath-response
modes and lip-pressure curves.
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- ...``texture''
- By texture we mean the temporal behaviour
of the sound components which are not captured by the powerspectra.
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- ...graphs
- In terms of
statistical analysis, linear combination of two independent random
variables gives a new variable whose variance is the same linear
combination of the original variables' variances. Thus morphing the
frequency values is equivalent to averaging the variances.
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- ...dynamics
- In more precise terms, it was achieved by gradually
increasing the air flow, keeping an almost constant loose embouchure
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- ...frequency.
- Although this method is not a direct proof of the non-linear coupling
hypothesis, this effect can be shown more directly by application of
Higher Order Statistical methods[DR97]. Due to limits of space
in this paper, we will not present these results.
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