Équipe Analyse/Synthèse

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Références

Marcelo M. Wanderley
IRCAM - Groupe Analyse/Synthèse

Mai/97

ACROE:

[1]

C. Cadoz, ``Instrumental gesture and musical composition,'' in Proc. Int. Computer Music Conf. (ICMC'88), pp. 1-12, 1988. Proceedings available at: Groupe Analyse/Synthèse

[2]

C. Cadoz and C. Ramstein, ``Capture, representation and «composition» of the instrumental gesture,'' in Proc. Int. Computer Music Conf. (ICMC'90), pp. 53-56, 1990. Available at: Médiathèque IRCAM - 386.2 ICMC 90

[3]

C. Cadoz, ``Le geste canal de communication homme-machine. la communication «instrumentale»,'' Sciences Informatiques - Numéro Spécial: Interface Homme-Machine, vol. 13, no. 1, pp. 31-61, 1994.

[4]

C. Cadoz, Les realites virtuelles. Collection DOMINOS, Paris: Flamarion, 1994.

[5]

C. Cadoz, A. Luciani, and J. L. Florens, ``Responsive imput devices and sound synthesis by simulation of instrumental mechanisms: The cordis system,'' Computer Music J., vol. 8, no. 3, pp. 60-73, 1984. Available at: Médiathèque IRCAM - 382 CMJ 8/3

[6]

C. Cadoz, L. Lisowski, and J. L. Florens, ``A modular feedback keyboard design,'' Computer Music J., vol. 14, no. 2, pp. 47-51, 1990. Available at: Médiathèque IRCAM - 382 CMJ 14/2

[7]

C. Cadoz, L. Lisowsky, and J. L. Florens, ``Modular feedback keyboard,'' in Proc. Int. Computer Music Conf. (ICMC'90), pp. 379-382, 1990. Available at: Médiathèque IRCAM - 386.2 ICMC 90

[8]

C. Cadoz, ``Realite du timbre? virtualite de l'instrument!,'' Analyse Musicale, pp. 68-72, 1990. Available at: Médiathèque IRCAM - 130 AM 10 .

[9]

S. Gibet, Codage, Représentation et Traitement du Geste Instrumental. PhD thesis, Institut National Polytechnique de Grenoble, 1987. Available at: Médiathèque IRCAM - 730 GIB Cod

[10]

S. Gibet and J. L. Florens, ``Instrumental gesture modeling by identification with time-varying mechanical models,'' in Proc. Int. Computer Music Conf. (ICMC'88), pp. 28-40, 1988. Proceedings available at: Groupe Analyse/Synthèse

[11]

S. Gibet and P. F. Marteau, ``Gestural control of sound synthesis,'' in Proc. Int. Computer Music Conf. (ICMC'90), pp. 387-391, 1990. Available at: Médiathèque IRCAM - 386.2 ICMC 90

Tod Machover - Brain Opera:

[12]

T. Machover, ``Hyperinstruments - a progress report 1987 - 1991,'' tech. rep., Massachusetts Institut of Technology, 1992.

[13]

T. Machover and J. Chung, ``Hyperinstruments: Musically intelligent and interactive performance and creativity systems,'' in Proc. Int. Computer Music Conf. (ICMC'89), pp. 186-190, 1989. Available at: Médiathèque IRCAM - 386.2 ICMC 89

[14]

T. Machover, ``Classic hyperinstruments - 1986-1992 - a composer's approach to the evolution of intelligent musical instruments.'' Available at: http://brainop.media.mit.edu/Archive/Hyperinstruments/classichyper.html.

[15]

T. Machover, ``Texhnology and creative expression,'' October 1995. Available at: http://brainop.media.mit.edu/Archive/Hyperinstruments/creative.html.

[16]

T. Machover, ``The brain opera and active music.'' Available from Brain Opera's home page: http://brainop.media.mit.edu/.

[17]

E. Métois, Musical Sound Information - Musical Gestures and Embedding Systems. PhD thesis, Massachusetts Institut of Technology, Available at: http://brainop.media.mit.edu/Archive/Metois/Thesis0.html, 1996.

[18]

E. B. Egozy, ``Deriving musical control features from a real-time timbre analysis of the clarinet,'' Master's thesis, Massachusetts Institut of Technology, 1995.

[19]

F. Matsumoto, ``Using simple controls to manipulate complex objects: Application to the drum-boy interactive percussion system,'' Master's thesis, Massachusetts Institut of Technology, 1993.

[20]

``Joystick music.'' MIT Media Lab., 1997. Hyperinstruments project. Available at: http://brainop.media.mit.edu/Archive/Hyperinstruments/joystick.html

[21]

T. A. Marrin, ``Toward an understanding of musical gesture: Mapping expressive intention with the digital baton,'' Master's thesis, Massachusetts Institut of Technology, Available at: http://brainop.media.mit.edu/Archive/Thesis.html, 1996.

[22]

N. Gershenfeld and J. Paradiso, ``Musical applications of electric field sensing.'' to be published in Computer Music J. Pdf Version at: http://physics.www.media.mit.edu/publications.html.

[23]

T. Zimmerman, J. Smith, J. Paradiso, and N. Gershenfeld, ``Applying electric field sensing to human-computer interfaces,'' in IEEE SIG - CHI, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1995.

Outils, Contrôleurs:

[24]

D. Keane and P. Gross, ``The midi baton,'' in Proc. Int. Computer Music Conf. (ICMC'89), pp. 151-154, 1989. Available at: Médiathèque IRCAM - 386.2 ICMC 89

[25]

D. Keane, G. Smecca, and K. Wood, ``The midi baton ii,'' in Proc. Int. Computer Music Conf. (ICMC'90), 1990. Available at: Médiathèque IRCAM - 386.2 ICMC 90

[26]

A. Camurri, ``Interactive dance/music systems,'' in Proc. Int. Computer Music Conf. (ICMC'95), pp. 245-252, 1995. Proceedings available at: Groupe Analyse/Synthèse

[27]

M. Waiswisz, ``The hands, a set of remote midi-controllers,'' in Proc. Int. Computer Music Conf. (ICMC'85), pp. 313-318, 1985. Available at: Médiathèque IRCAM - 386.2 ICMC 85

[28]

V. Krefeld, ``The hand in the web: An interview with michel waiswisz,'' Computer Music J., vol. 14, no. 2, pp. 28-33, 1990. Available at: Médiathèque IRCAM - 382 CMJ 14/2

[29]

B. Bongers, ``The use of active tactile and force feedback in timbre controlling electronic instruments,'' in Proc. Int. Computer Music Conf. (ICMC'94), pp. 171-174, 1994. Available at: Médiathèque IRCAM - 386.2 ICMC 949 .

[30]

R. Boie, M. Mathews, and A. Schloss, ``The radio drum as a synthesizer controller,'' in Proc. Int. Computer Music Conf. (ICMC'89), pp. 42-45, 1989. Available at: Médiathèque IRCAM - 386.2 ICMC 85

[31]

H. Katayose, T. Kanamori, and S. Inokuchi, ``An environment fo interactive art - sensor integration and applications,'' in Proc. Int. Computer Music Conf. (ICMC'96), pp. 173-176, 1996. Available at: Médiathèque IRCAM - 0386.2 ICMC 969

[32]

T. Demeyer, ``Bigeye 1.10 - realtime video to midi software,'' 1996.

[33]

P. M. Loccoz and al., ``Lutheries informatiques developpes au studio collectif et cie,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

[34]

D. Buchla, ``Lightning II midi controller.'' http://www.buchla.com/. Buchla and Associates' Homepage.

[35]

G. H. T. Lima, M. Maes, M. Bonfim, M. V. Lamar, and M. M. Wanderley, ``Dance-music interface based on ultrasound sensors and computers,'' in Proceedings of the 3rd Brazilian Symposium on Computer Music, pp. 12-16, Available at: http://www.eletr.ufpr.br/~morten/sbcmiii.html, 1996.

[36]

V. Auer, M. M. Maes, M. C. Bonfim, M. M. Wanderley, and M. V. Lamar., ``3d position signals acquisition system with application in real-time processing,'' in Proceedings of the International Congress on Signal Processing Applications Technology, 1996.

[37]

X. Chabot, ``Performance with electronics: Gesture interfaces and software toolkit,'' in Proc. Int. Computer Music Conf. (ICMC'89), pp. 65-68, 1989. Available at: Médiathèque IRCAM - 386.2 ICMC 89 .

[38]

X. Chabot, ``Gesture interfaces and a software toolkit for performance with electronics,'' Computer Music J., vol. 14, no. 2, pp. 15-27, 1990. Available at: Médiathèque IRCAM - 382 CMJ 14/2 .

[39]

H. Morita, S. Otheru, and S. Hashimoto, ``Computer music system which follows a human conductor,'' in Proc. Int. Computer Music Conf. (ICMC'89), pp. 207-210, 1989. Available at: Médiathèque IRCAM - 386.2 ICMC 89

[40]

D. Rubine and P. McAvinney, ``The videoharp,'' in Proc. Int. Computer Music Conf. (ICMC'88), pp. 49-55, 1988. Proceedings available at: Groupe Analyse/Synthèse

[41]

P. Pierrot and A. Terrier, ``Le violon midi,'' tech. rep., IRCAM, 1997.

[42]

``Atau tanaka: le musicien cyber.'' PC Team - hors serie, Printemps 1997. No. 2, pages 86 - 87.

[43]

M. Starkier and P. Prevot, ``Real-time gestural control,'' in Proc. Int. Computer Music Conf. (ICMC'86), pp. 423-426, 1986. Available at: Médiathèque IRCAM - 386.2 ICMC 86

[44]

J. Manzolli, ``The development of a gesture's interface laboratory,'' in Proceedings of the 2nd Brazilian Symposium on Computer Music, pp. 88-91, 1995.

[45]

R. Linz, ``Towards the design of a real-time interactive performance sound system,'' Leonardo Music Journal, vol. 6, pp. 99-107, 1996.

[46]

A. Mulder, ``Getting a grip on alternate controllers: Addressing the variability of gestural expression in musical instrument design,'' Leonardo Music Journal, vol. 6, pp. 33-40, 1996.

[47]

A. Mulder, ``Hand gestures for hci,'' tech. rep., Simon Fraser University, 1996. Hand Centered Studies of Human Movement Project. Available at: http://fas.sfu.ca/cs/people/ResearchStaff/amulder/personal/vmi/vmi.html

[48]

Infusion Systems Ltd., The I-Cube System.

[49]

A. Mulder, ``The i-cube system: moving towards sensor technology for artists,'' in Proceedings of the ISEA, 1995. http://fas.sfu.ca/cs/people/ResearchStaff/amulder/personal/vmi/publist.html.

[50]

A. Mulder, ``Virtual musical instruments: Accessing the sound synthesis universe as a performer,'' in Proceddings of the First Brazilian Symposium on Computer Music, http://fas.sfu.ca/cs/people/ResearchStaff/amulder/personal/vmi/publist.html, 1994.

[51]

A. Mulder, ``Human movement tracking technology,'' tech. rep., Simon Fraser University, 1994. Hand Centered Studies of Human Movement Project. http://fas.sfu.ca/cs/people/ResearchStaff/amulder/personal/vmi/vmi.html

[52]

A. Mulder, ``How to build an instrumented glove based on hte powerglove flex sensors,'' PCVR Magazine, vol. 16, pp. 10-14, http://fas.sfu.ca/cs/people/ResearchStaff/amulder/personal/vmi/publist.html, 1994.

[53]

R. Vertegaal and B. Eaglestone, ``Comparison of imput devices in an isee direct timbre manipulation task,'' Interacting with Computers, vol. 8, no. 1, pp. 13-30, 1996.

[54]

R. Vertegaal, ``An evaluation of imput devices for timbre space navigation,'' Master's thesis, Department of Computing - University of Bradford, 1994.

[55]

R. Vertegaal and E. Bonis, ``Isee: An intuitive sound edditing environment,'' Computer Music J., vol. 18, no. 2, pp. 212-29, 1994. Available at: Médiathèque IRCAM - 382 CMJ 18/2 .

[56]

M. Wright, D. Wessel, and A. Freed, ``New musical control structrures from standard gestural controllers.'' Demonstration Porposal.

[57]

W. Bauer and B. Foss, ``Gams: An integrated media controller system,'' Computer Music J., vol. 16, no. 1, pp. 19-24, 1992. Available at: Médiathèque IRCAM - 382 CMJ 16/1 .

Articles - Colloque à Marseille:

[58]

M. Laliberte, ``Archetypes et paradoxes des nouveaux instruments de musique,'' L'Aventure humaine, pp. 11-22, Automme-Hiver 1995.

[59]

C. Besnainou, ``Changer la voix des instruments de musique par stimulation modale, une voie vers les realites augmentees,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

[60]

S. Ystad, ``De la facture informatique au jeu instrumental,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

[61]

J. C. Risset, ``Nouveaux gestes musicaux: quelques points de repere historiques,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

[62]

M. Pascal, ``Le studio instrumental: les donnes d'une virtuosite a l'interieur meme du son,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

[63]

S. de Laubier, ``Le meta-instrument a t'il un son? emergence de lois ou de constantes dans le development d'instruments virtuels,'' in Colloque Les Nouveaux Gestes de la Musique, GMEM - Marseille, 1997.

Mapping et Acquisition de Gestes:

[64]

I. Choi, R. Bargar, and C. Goudeseune, ``A manifold interface for a high dimensional control space,'' in Proc. Int. Computer Music Conf. (ICMC'95), pp. 385-392, 1995. Proceedings available at: Groupe Analyse/Synthèse

[65]

I. Bowler, A. Purvis, P. Manning, and N. J. Bailey, ``On mapping n articulation onto m synthesiser-control parameters,'' in Proc. Int. Computer Music Conf. (ICMC'90), pp. 181-184, 1990. Available at: Médiathèque IRCAM - 386.2 ICMC 90

[66]

D. Phillips, ``The control freaks,'' Electronic Musician, pp. 48-59, June 1992.

[67]

M. Lee, A. Freed, and D. Wessel, ``Real-time neural network processing of gestural and acoustic signals,'' in Proc. Int. Computer Music Conf. (ICMC'91), pp. 277-280, 1991. Available at: Médiathèque IRCAM - 386.2 ICMC 91

[68]

D. Wessel, ``Improvisation with highly interactive real-time performance systems,'' in Proc. Int. Computer Music Conf. (ICMC'91), pp. 344-347, 1991. Available at: Médiathèque IRCAM - 386.2 ICMC 91

[69]

A. Freed and D. Wessel, ``Max objects for media integration,'' in Proc. Int. Computer Music Conf. (ICMC'91), pp. 397-400, 1991. Available at: Médiathèque IRCAM - 386.2 ICMC 91

[70]

D. Wessel, ``Instruments that learn, refined controllers, and source model loudspeakers,'' Computer Music J., vol. 15, no. 4, pp. 82-86, 1991. Available at: Médiathèque IRCAM - 382 CMJ 15/4 .

[71]

M. Lee and D. Wessel, ``Connectionist models for real-time control of synthesis and compositional algorithms,'' in Proc. Int. Computer Music Conf. (ICMC'92), pp. 277-280, 1992.

[72]

M. Lee, G. Garnet, and D. Wessel, ``An adaptative conductor follower,'' in Proc. Int. Computer Music Conf. (ICMC'92), pp. 454-455, 1992. Proceedings available at: Groupe Analyse/Synthèse

[73]

M. Lee and D. Wessel, ``Real-time neuro-fuzzy systems for adaptative control of musical processes,'' in Proc. Int. Computer Music Conf. (ICMC'93), pp. 172-175, 1993. Available at: Médiathèque IRCAM - 386.2 ICMC 939

[74]

N. J. Bailey, A. Purvis, I. W. Bowler, and P. D. Manning, ``Applications of the phase vocoder in the control of real-time electronic musical instruments,'' Interface, vol. 22, pp. 259-275, 1993.

[75]

L. Chu, ``Haptic feedback in computer music performance,'' in Proc. Int. Computer Music Conf. (ICMC'96), pp. 57-58, 1996. Available at: Médiathèque IRCAM - 0386.2 ICMC 969

Interaction:

[76]

C. Lippe, ``A look at performer/machine interaction using real-time systems,'' in Proc. Int. Computer Music Conf. (ICMC'96), pp. 116-117, 1996. Available at: Médiathèque IRCAM - 0386.2 ICMC 969

[77]

S. Pope, ``Real-time performance via user interfaces to musical structures,'' Interface, vol. 22, pp. 195-212, 1993.

[78]

A. Shloss and D. Jaffe, ``Intelligent musical instruments: The future of musical performance or the demise of the performer?,'' Interface, vol. 22, pp. 183-193, 1993.

[79]

D. Jaffe and A. Schloss, ``The computer-extended ensemble.'' Transcription of a speech at CNMAT.

[80]

J. C. Risset and S. V. Duyne, ``Real-time performance interaction with a computer-controlled acoustic piano,'' Computer Music J., vol. 20, no. 1, pp. 62-75, 1996. Available at: Médiathèque IRCAM - 382 CMJ 20/1 .

[81]

N. Jayant, ``Human machine interaction by voice and gesture,'' in Proceedings of the ICASSP, pp. 175-177, 1997.

Technologie - Capteurs:

[82]

C. Verplaetse, ``Inertial prioceptive devices: Self-motion sensing toys and tools,'' IBM Systems Journal, vol. 35, no. 3/4, pp. 639-650, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1996.

[83]

R. Fletcher, ``Aplying transduction materials for human-technology interfaces,'' IBM Systems Journal, vol. 35, no. 3/4, pp. 630-638, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1996.

[84]

T. G. Zimmerman, ``Personal area networks: Near-field intrabody communication,'' IBM Systems Journal, vol. 35, no. 3/4, pp. 609-617, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1996.

[85]

J. R. Smith, ``Field mice: Extracting hand geometry from electric filed measurements,'' IBM Systems Journal, vol. 35, no. 3/4, pp. 587-608, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1996.

[86]

J. Paradiso, ``The interactive ballon: Sensing, actuation, and behavior in a common object,'' IBM Systems Journal, vol. 35, no. 3/4, pp. 473-487, Pdf Version at: http://physics.www.media.mit.edu/publications.html, 1996.

Segmentation - Gestes:

[87]

S. Rossignol, ``Segmentation - extraction du vibrato,'' tech. rep., IRCAM, 1997. Rapport d' Activite.

[88]

B. Zagonel, ``Le geste musical,'' Master's thesis, IRCAM - Ecole de Hautes Etudes en Sciences Sociales, 1990. Memoire de DEA em Musique et Musicologie du XXeme siecle. Available at: Médiathèque IRCAM - 381 ZAG Ber .

[89]

J. Cassell, A Framework for Gesture Generation and Interpretation. Cambridge University Press. in Computer Vision in human-Machine Interaction, in press. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[90]

A. D. Wilson and A. F. Bobick, ``Recognition and interpretation of parametric gesture,'' in International Conference on Computer Vision, 1998. Submitted for publication. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[91]

T. J. Darrel and A. Pentland, ``Recognition of space-time gestures using a distributed representation,'' Tech. Rep. 197, MIT Media Laboratory Vision and modeling Group. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[92]

A. D. Wilson and A. F. Bobick, ``Using configuration states for the representation and recognition of gesture,'' in ICCV, 1995. Extended version. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[93]

A. D. Wilson, A. F. Bobick, and J. Cassell, ``Recovering the temporal structure of natural gesture,'' in Proceedings of the Second Internationalo Conference on Automatic Face and Gesture Recognition, October 1996. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[94]

A. Azarbayejani, C. Wren, and A. Pentland, ``Real-time 3-d tracking of the human body,'' in Proceedings of the IMAGE'COM96, May 1996. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[95]

Y. Weiss and E. H. Adelson, ``Motion extimation and segmentation using a recurrent mixture of experts architecture,'' in IEEE Workshop on Neural Networks for Signal Processing, 1995. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[96]

F. Liu and R. Picard, ``Detecting and segmenting periodic motion,'' Tech. Rep. 400, MIT MEdia Laboratory Perceptual Computing Section. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

[97]

L. Campbell, D. Becker, A. Azarbayejani, A. Bobick, and A. Pentland, ``Invariant features for 3-d gesture recognition,'' in Second International Workshop pn Face and Gesture Recognition, Oct. 1996. Available at: http://vismod.www.media.mit.edu/cgi-bin/tr_pagemaker.

Livres - Général:

[98]

M. V. Mathews and J. R. Pierce, Current Directions in Computer Music Research. System development foundation benchmark series, MIT Press, 1989. Available at: Médiathèque IRCAM - 386.4 MAT Cur .

[99]

C. Roads, Computer Music Tutorial. MIT Press, 1996. Available at: Médiathèque IRCAM - 386 ROA Com .

[100]

R. Rowe, Interactive Music Systems - Machine Listening and Composing. MIT Press, 1993. Available at: Médiathèque IRCAM - 386 ROW Int .

[101]

R. M. Baecker, J. Grudin, W. A. S. Buxton, and S. Greenberg, Readings in Human-Computer Interaction: Toward the Year 2000. Morgan-Kauffmann, 2nd edition ed., 1995. Part III, Chapter 7.

[102]

F. R. Moore, ``The disfunctions of midi,'' in Proc. Int. Computer Music Conf. (ICMC'87), pp. 256-262, 1987. Available at: Médiathèque IRCAM - 386.2 ICMC 87

[103]

N. J. Bailey, ``Personal communication,'' 1995.

[104]

J. Rovan, ``Personal communication,'' 1997.

[105]

S. Dubnov, ``Personal communication,'' 1997.

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