Sample description
In message
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| In message 1 | 0.65 | 
 | 
 | Image (telegraph) | Cartoon | |
| In message 2 | 1.63 | 
 | 
 | Image (telegraph) | Cartoon | |
| In message 3 | 0.35 | 
 | 
 | Abstract | Synth | |
| In message 4 | 0.78 | 
 | 
 | Image (telegraph) | Cartoon | |
| In message 5 | 0.88 | 
 | 
 | Image (boing) | Cartoon | |
| In message 6 | 0.72 | 
 | 
 | Image (dring !) | Realistic sound | 
Note :
Sounds 01, 02 et 04 -> metaphors or images
Sounds 03, 05, 06 > typical of " feedback degree +1 : positive unasked for alert"
In / out mail
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| In mail 1 | 1.05 | 
 | 
 | Cartoon | ||
| Out mail 1 | 0.93 | 
 | 
 | idem | ||
| link in/out 1 | Same sound - inverted | |||||
| In mail 2 | 0.772 | 
 | 
 | |||
| Out mail 2 | 0.785 | 
 | 
 | |||
| link in/out 2 | Same sound - inverted | |||||
| In mail 3 | 0.86 | 
 | 
 | cartoon | ||
| Out mail 3 | 0.99 | 
 | 
 | cartoon | ||
| link in/out 3 | Same sound - inverted | |||||
| In mail 4 | 1.36 | 
 | 
 | Sleigh bells | ||
| Out mail 4 | 1.90 | 
 | 
 | Ding | ||
| link in/out 4 | Meme source / sonorité (cloches metal) | |||||
| In mail 5 | 1.22 | 
 | 
 | Klaxon | ||
| Out mail 5 | 1.06 | 
 | 
 | Idem | ||
| link in/out 5 | Same sound - mel morph. inverted | |||||
| In mail 6 | 0.89 | 
 | 
 | Wood Block | ||
| Out mail 6 | 0.73 | 
 | 
 | Idem | ||
| link in/out 6 | Same sound - mel morph. inverted | |||||
In out radio couples
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| In radio 1 | 1.65 | 
 | 
 | synth | ||
| Out radio 1 | 1.72 | 
 | 
 | idem | ||
| link in/out 1 | Same sound - inverted | |||||
| In radio 2 | 1.46 | 
 | 
 | synth | ||
| Out radio 2 | 1.42 | 
 | 
 | |||
| link in/out 2 | same sample  morph mel différentes | |||||
| In radio 3 | 0.55 | 
 | 
 | almost sinus | ||
| Out radio 3 | 0.49 | 
 | 
 | idem | ||
| link in/out 3 | same sample  repeated differently | |||||
| In radio 4 | 1.55 | 
 | 
 | Granulous | ||
| Out radio 4 | 1.51 | 
 | 
 | idem | ||
| link in/out 4 | Same sound - inverted | |||||
| In radio 5 | 0.76 | 
 | 
 | Image : telephone noise | ||
| Out radio 5 | 0.44 | 
 | 
 | Image : camera | ||
| link in/out 5 | 2 images, short length | |||||
| In radio 6 | 1.53 | 
 | 
 | synth | ||
| Out radio 6 | 2.87 | 
 | 
 | synth | ||
| link in/out 6 | Same "synth" aspect | |||||
Note - differences between" in out mail " & " in out radio " :
" i/o mail " are more disturbing (more medium-high freqs) & generally shorter.
=> " i/o radio " are softer & generally longer
Alarms
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| (dun seul élem) | (dun seul élem) | |||||
| Alarm 1 | Repetitive - ad lib | 
 | 
 | synth | ||
| Alarm 2 | Repetitive - ad lib | 
 | 
 | cou-cou | cartoon | |
| Alarm 3 | Repetitive - ad lib | 
 | 
 | Kind of whistle | cartoon | |
| Alarm 4 | Repetitive - ad lib | 
 | 
 | Kind of flute | (cartoon) | |
| Alarm 5 | Repetitive - ad lib | 
 | 
 | Watch alarm | synth | |
| Alarm 6 | Repetitive - ad lib | 
 | 
 | Boing boing | cartoon | 
Feedback no
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| Feedback no 1 | 0.28 | 
 | 
 | low spectr. | ||
| Feedback no 2 | 0.23 | 
 | 
 | low spectr. | ||
| Feedback no 3 | 0.40 | 
 | 
 | Kind of ressort | Cartoon | |
| Feedback no 4 | 0.21 | 
 | 
 | Kind of car alarm | ||
| Feedback no 5 | 0.14 | 
 | 
 | Osc analog | low spectr. | |
| Feedback no 6 | 0.40 | 
 | 
 | Boing boing | Cartoon | 
Feedback yes
| length (sec.) | Mel. profile | Dyn. profile | Note 1 | Note 2 | ||
| Feedback yes 1 | 0.38 | 
 | 
 | whistle medium high freqs. +++ | Cartoon | |
| Feedback yes 2 | 0.5 | 
 | 
 | high spect. | Cartoon | |
| Feedback yes 3 | 0.25 | 
 | 
 | Pizz medium high freqs. +++ | Cartoon | |
| Feedback yes 4 | 0.25 | 
 | 
 | Pocs medium high freqs. +++ | ||
| Feedback yes 5 | 0.37 | 
 | 
 | Piano medium high freqs. +++ | Cartoon | |
| Feedback yes 6 | 0.22 | 
 | 
 | Xylo medium high freqs. +++ | Cartoon | 
Note : FB yes & no are differenciated using timbre as well as melodic profile.