Sample description

 

In message

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

In message 1

0.65

Image

(telegraph)

Cartoon

In message 2

1.63

Image

(telegraph)

Cartoon

In message 3

0.35

Abstract

Synth

In message 4

0.78

Image

(telegraph)

Cartoon

In message 5

0.88

Image

(boing)

Cartoon

In message 6

0.72

Image

(dring !)

Realistic sound

Note :

Sounds 01, 02 et 04 -> metaphors or images

Sounds 03, 05, 06 —> typical of " feedback degree +1 : positive unasked for alert"

 

In / out mail

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

In mail 1

1.05

 

Cartoon

Out mail 1

0.93

 

idem

link in/out 1

       

Same sound - inverted

In mail 2

0.772

   

Out mail 2

0.785

   

link in/out 2

       

Same sound - inverted

In mail 3

0.86

 

cartoon

Out mail 3

0.99

 

cartoon

link in/out 3

       

Same sound - inverted

In mail 4

1.36

 

Sleigh bells

Out mail 4

1.90

 

Ding

link in/out 4

       

Meme source / sonorité (cloches metal)

In mail 5

1.22

 

Klaxon

Out mail 5

1.06

 

Idem

link in/out 5

       

Same sound - mel morph. inverted

In mail 6

0.89

 

Wood Block

Out mail 6

0.73

 

Idem

link in/out 6

       

Same sound - mel morph. inverted

 

In out radio couples

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

In radio 1

1.65

 

synth

Out radio 1

1.72

 

idem

link in/out 1

       

Same sound - inverted

In radio 2

1.46

 

synth

Out radio 2

1.42

   

link in/out 2

       

same sample — morph mel différentes

In radio 3

0.55

almost sinus

 

Out radio 3

0.49

idem

 

link in/out 3

       

same sample — repeated differently

In radio 4

1.55

 

Granulous

Out radio 4

1.51

 

idem

link in/out 4

       

Same sound - inverted

In radio 5

0.76

Image :

telephone noise

 

Out radio 5

0.44

Image :

camera

 

link in/out 5

       

2 images, short length

In radio 6

1.53

 

synth

Out radio 6

2.87

 

synth

link in/out 6

       

Same "synth" aspect

Note - differences between" in out mail " & " in out radio " :

" i/o mail " are more disturbing (more medium-high freqs) & generally shorter.

=> " i/o radio " are softer & generally longer

 

Alarms

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

     

(d’un seul élem)

(d’un seul élem)

   

Alarm 1

Repetitive - ad lib

 

synth

Alarm 2

Repetitive - ad lib

cou-cou

cartoon

Alarm 3

Repetitive - ad lib

Kind of whistle

cartoon

Alarm 4

Repetitive - ad lib

Kind of flute

(cartoon)

Alarm 5

Repetitive - ad lib

Watch alarm

synth

Alarm 6

Repetitive - ad lib

Boing boing

cartoon

 

Feedback no

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

Feedback no 1

0.28

low spectr.

 

Feedback no 2

0.23

low spectr.

 

Feedback no 3

0.40

Kind of

ressort

Cartoon

Feedback no 4

0.21

Kind of

car alarm

 

Feedback no 5

0.14

Osc analog

low spectr.

Feedback no 6

0.40

Boing boing

Cartoon

 

Feedback yes

   

length (sec.)

Mel. profile

Dyn. profile

Note 1

Note 2

Feedback yes 1

0.38

whistle medium high freqs. +++

Cartoon

Feedback yes 2

0.5

high spect.

Cartoon

Feedback yes 3

0.25

Pizz medium high freqs. +++

Cartoon

Feedback yes 4

0.25

Pocs medium high freqs. +++

 

Feedback yes 5

0.37

Piano medium high freqs. +++

Cartoon

Feedback yes 6

0.22

Xylo medium high freqs. +++

Cartoon

 Note : FB yes & no are differenciated using timbre as well as melodic profile.