Projects
This year we would like to realize the following projects:
1) the creation of a web site. This web site includes a presentation
of the research topics and teams in the Paris area and a data base of
articles and references, sound examples and tutorials. We want to set
up a mailing list for the communication between researchers in PECA.
2) continue our monthly reunions in the form of workshops hosted by
specilalists in various disciplines.
3)
4) the organisation of a training on the modelisation of auditory
processes, animated by two membres of PECA,
Christian Lorenzi et
Daniel Pressnitzer.
We also have plans for the coming years:
5) the organisation of a training on temporal organisation in 1999.
6) the organisation of a training on the audition and education in
1999. The training will be accompanied by graphics, sound examples,
demonstration and downloadable software on the PECA web site.
7)
8) continue the yearly academy, the Journées d'Etudes Françaises de la
Psychologie de la Musique.
The Journées d'Etudes Françaises de la Psychologie de la Musique
The academy takes two days during which the participant can present
their current work and can participate at workhops. Recent years we
have had a lot of success with our academy and we have seen the
development in France of a community interested in our research
topic. This has the contacts and communication between researchers in
various fields of interest (psychology, acoustics, neurosciences,
neuropsychology, musicology, ethnomusicology, computer science, etc.).
Previous academies were held at:
La Hercerie, 19-21 mai, 1995
La Hercerie, 3-5 mai, 1996
Bréau, 23-25 mai, 1997
Bréau, 7-9 mai, 1998
The PECA Workshops
"La théorie générative de la Musique de Lerdahl
et Jackendoff", Emmanuel Bigand.
"Towards a theory of the principle monaural pathway: pitch, time and
auditory grouping", Neil Todd, Université de Manchester.
Abstract (English) .
"Cognitive bases of music performance", Caroline Palmer,
Université de l'Etat de l'Ohio, USA.
Abstract (English) .
"Tracking rhythmic structure in real time", Edward Large
"I Can't Get That Song Out of My Head: Is memory for music relative or
absolute?", Daniel Levitin, Stanford University.
Abstract (English) .
"Improvement over time in memory for melodies", Jay W. Dowling,
l'Université de Texas à Dallas
"Perception de la musique et imagerie cerebrale", Mireille Besson,
CNRS-CRNC, Marseille.
Abstract (French) .
"Ecoute active a SONY CSL", Francois Pachet, Sony Computer Science
Lab, Paris.
Abstract (French) .
"Perception de la musique et imagerie cerebrale 2", Mireille Besson
(CNRS-CRNC, Marseille) et Hervé Platel.
"The Fourth Dimension in Hearing: Auditory Images of Music and Speech
Sounds", Roy D. Patterson, Centre for the Neural Basis of Hearing,
Univ. of Cambridge.
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