Publications choisies relatives a la thèse
- Pressnitzer, D. and McAdams, S. (in press). ``Two phase effects in roughness perception.'' Journal of the Acoustical Society of America.
- Pressnitzer, D., McAdams, S., Winsberg, S. and Fineberg, J. (in
press). ``Perception of musical tension for non-tonal orchestral
timbres and its relation to psychoacoustic roughness.'' Perception
and Psychophysics.
- Pressnitzer, D. and McAdams, S. (in press). ``Acoustics, psychoacoustics
and spectral music.'' Contemporary Music Review.
- Pressnitzer, D. and McAdams, S. (in press) ``Summation of
roughness across frequency regions''. In B. Kollmeir and T. Dau
(Eds.), ``Temporal processing in the auditory system: Psychophysics,
physiology and models of hearing'', World Scientific Publishing,
Singapore.
- Pressnitzer, D. and McAdams, S. (1998). ``Phase effects in roughness
perception''. In A. Rees, A. Q. Summerfield & R. Meddis (Eds.),
Psychophysical and Physiological Advances in Hearing, Whurr
Publishers, Londres.
- Pressnitzer, D. and McAdams, S. (1997). ``Influence of phase
effects on roughness modeling'', Proceedings of the International
Computer Music Conference, pp. 31-34.
- Pressnitzer, D. (1997). ``Sons rugueux, sons tendus.'' Pour la
Science, (240), pp. 34.
- Pressnitzer, D., McAdams, S., Winsberg, S. and Fineberg,
J. (1996). ``Roughness and tension of orchestral timbres.''
Proceedings of the 4th International Conference on Music Perception
and Cognition, McGill University, Montreal, Canada, pp. 85-90.
- McAdams, S. and Pressnitzer, D. (1996). ``Psychoacoustic
factors contributing to musical tension in Western non-tonal music.''
International Journal of Psychology, 31 (3-4), 148.