@proceedings{Bigand02b,
   author = {E. Bigand and D. D'Adamo and F. Madurell and B. Poulin},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {A preliminary investigation of the perceptual structure of musical materials in The Angel of Death},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Causal Productions, Adelaide [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@article{Bigand98,
   author = {E. Bigand and F. Madurell and S. McAdams},
   title = {Quelques commentaires psychologiques sur le commentaire d'{\'e}coute},
   journal = {Musurgia},
   volume = {5},
   number = {1},
   pages = {71-81},
   year = {1998},
   labintel = {10}
}

@proceedings{Bigand94,
   author = {E. Bigand and S. McAdams and S. For{\^e}t},
   editor = {Deli{\`e}ge, I.,},
   title = {Divided attention in polyphonic listening},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {237-238},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@article{Bigand00a,
   author = {E. Bigand and S. McAdams and S. For{\^e}t},
   title = {Divided attention in music},
   journal = {International Journal of Psychology},
   volume = {35},
   pages = {270-278},
   month = {jan2000},
   year = {2000},
   labintel = {1}
}

@proceedings{Bigand02a,
   author = {E. Bigand and S. Vieillard and F. Madurell and S. McAdams and B. Poulin},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Effects of instrumentation on the memorization of musical materials},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {1}
}

@incollection{McAdams93,
   author = {S. McAdams},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Recognition of sound sources and events},
   booktitle = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   pages = {146-198},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {4}
}

@incollection{McAdams94,
   author = {S. McAdams},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Reconnaissance de sources et d'{\'e}v{\'e}nements sonores},
   booktitle = {Penser les sons : Psychologie cognitive de l'audition},
   pages = {157-214},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {4}
}

@book{McAdams93a,
   author = {S. McAdams and E. Bigand},
   title = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {3}
}

@incollection{McAdams93b,
   author = {S. McAdams and E. Bigand},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Introduction to auditory cognition},
   booktitle = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   pages = {1-9},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {4}
}

@book{McAdams94a,
   author = {S. McAdams and E. Bigand},
   title = {Penser les sons: Psychologie cognitive de l1audition},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {3}
}

@incollection{McAdams94b,
   author = {S. McAdams and E. Bigand},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Introduction {\`a} la cognition auditive},
   booktitle = {Penser les sons~: Psychologie cognitive de l'audition},
   pages = {1-10},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {4}
}

@techreport{McAdams93c,
   author = {S. McAdams and E. Bigand and C. Drake},
   title = {Processus perceptifs et cognitifs dans l'{\'e}coute et dans l'interpr{\'e}tation musicales},
   institution = {Direction de la Musique et de la Danse, Minst{\`e}re de la Culture},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1993},
   labintel = {9}
}

@techreport{McAdams01d,
   author = {S. McAdams and E. Bigand and S. Vieillard},
   title = {Composition et cognition musicales: Cr{\'e}ation, perception, appr{\'e}ciation},
   institution = {Programme Cognitique, MENRT},
   type = {Rapport interm{\'e}diaire},
   year = {2001},
   labintel = {9}
}

@techreport{McAdams02h,
   author = {S. McAdams and E. Bigand and S. Vieillard},
   title = {Composition et cognition musicales: Cr{\'e}ation, perception, appr{\'e}ciation},
   institution = {Programme Cognitique, MENRT},
   type = {Rapport de fin de recherche},
   year = {2002},
   labintel = {9}
}

@proceedings{McAdams02f,
   author = {S. McAdams and B. K. Smith and S. Vieillard and E. Bigand and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Real-time perception of a contemporary musical work in a live concert setting},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Causal Productions, Adelaide [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@proceedings{McAdams94c,
   author = {S. McAdams and S. Winsberg and T. Murail and J. Fineberg and E. Bigand and C. Drake},
   editor = {Deli{\`e}ge, I.,},
   title = {Dissonance: Allegories of the concept and Disintegrations of the preconceptions},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {317-318},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@proceedings{Vieillard02b,
   author = {S. Vieillard and E. Bigand and F. Madurell and S. McAdams and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}