%0 Conference Proceedings
%A Bigand, E.
%A D'Adamo, D.
%A Madurell, F.
%A Poulin, B.
%D 2002
%T A preliminary investigation of the perceptual structure of musical materials in The Angel of Death
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Causal Productions, Adelaide [CD-ROM]
%1 6
%2 3
%F Bigand02b

%0 Journal Article
%A Bigand, E.
%A Madurell, F.
%A McAdams, S.
%D 1998
%T Quelques commentaires psychologiques sur le commentaire d'écoute
%B Musurgia
%V 5
%N 1
%P 71-81
%1 10
%2 3

%0 Conference Proceedings
%A Bigand, E.
%A McAdams, S.
%A Forêt, S.
%D 1994
%T Divided attention in polyphonic listening
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 237-238
%1 6
%2 3

%0 Journal Article
%A Bigand, E.
%A McAdams, S.
%A Forêt, S.
%D 2000
%T Divided attention in music
%B International Journal of Psychology
%V 35
%P 270-278
%8 jan2000
%1 1
%2 3
%F Bigand00a

%0 Conference Proceedings
%A Bigand, E.
%A Vieillard, S.
%A Madurell, F.
%A McAdams, S.
%A Poulin, B.
%D 2002
%T Effects of instrumentation on the memorization of musical materials
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 1
%2 3
%F Bigand02a

%0 Book Section
%A McAdams, S.
%D 1993
%T Recognition of sound sources and events
%E McAdams, S.
%E Bigand, E.
%B Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%P 146-198
%1 4
%2 3

%0 Book Section
%A McAdams, S.
%D 1994
%T Reconnaissance de sources et d'événements sonores
%E McAdams, S.
%E Bigand, E.
%B Penser les sons : Psychologie cognitive de l'audition
%C Paris
%I Presses Universitaires de France
%P 157-214
%1 4
%2 3

%0 Edited Book
%A McAdams, S.
%A Bigand, E.
%D 1993
%T Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%1 3
%2 3

%0 Book Section
%A McAdams, S.
%A Bigand, E.
%D 1993
%T Introduction to auditory cognition
%E McAdams, S.
%E Bigand, E.
%B Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%P 1-9
%1 4
%2 3

%0 Edited Book
%A McAdams, S.
%A Bigand, E.
%D 1994
%T Penser les sons: Psychologie cognitive de l1audition
%C Paris
%I Presses Universitaires de France
%1 3
%2 3

%0 Book Section
%A McAdams, S.
%A Bigand, E.
%D 1994
%T Introduction à la cognition auditive
%E McAdams, S.
%E Bigand, E.
%B Penser les sons : Psychologie cognitive de l'audition
%C Paris
%I Presses Universitaires de France
%P 1-10
%1 4
%2 3

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Drake, C.
%D 1993
%T Processus perceptifs et cognitifs dans l'écoute et dans l'interprétation musicales
%C Paris
%I Direction de la Musique et de la Danse, Minstère de la Culture
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Vieillard, S.
%D 2001
%T Composition et cognition musicales: Création, perception, appréciation
%I Programme Cognitique, MENRT
%9 Rapport intermédiaire
%1 9
%2 3
%F McAdams01d

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Vieillard, S.
%D 2002
%T Composition et cognition musicales: Création, perception, appréciation
%I Programme Cognitique, MENRT
%9 Rapport de fin de recherche
%1 9
%2 3
%F McAdams02h

%0 Conference Proceedings
%A McAdams, S.
%A Smith, B. K.
%A Vieillard, S.
%A Bigand, E.
%A Reynolds, R.
%D 2002
%T Real-time perception of a contemporary musical work in a live concert setting
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Causal Productions, Adelaide [CD-ROM]
%1 6
%2 3
%F McAdams02f

%0 Conference Proceedings
%A McAdams, S.
%A Winsberg, S.
%A Murail, T.
%A Fineberg, J.
%A Bigand, E.
%A Drake, C.
%D 1994
%T Dissonance: Allegories of the concept and Disintegrations of the preconceptions
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 317-318
%1 6
%2 3

%0 Conference Proceedings
%A Vieillard, S.
%A Bigand, E.
%A Madurell, F.
%A McAdams, S.
%A Reynolds, R.
%D 2002
%T Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 6
%2 3
%F Vieillard02b