%0 Thesis
%A Matzkin, D.
%D 1998
%T La perception de similarité musicale peut-elle être étudiée dans le cadre de la théorie de la modularité et de l'indépendance perceptive ?
%B Sciences Cognitives
%C Paris
%I EHESS
%9 Mémoire de DEA
%1 8
%2 1

%0 Thesis
%A Matzkin, D.
%D 2001
%T Perception de similarité de mélodies tonales et non tonales: Etude pluridisciplinaire
%B Cognitive Sciences
%C Paris
%I Ecole des Hautes Etudes en Sciences Sociales
%9 PhD thesis
%1 8
%2 1
%F Matzkin01a

%0 Conference Proceedings
%A Matzkin, D
%A McAdams, S.
%D 2000
%T Similarity perception of variations of tonal and twelve-tone melodies
%B 6th ICMPC Conference
%C Keele (UK)
%I ICMPC
%P cd-rom
%1 6
%2 3
%F Matzkin00a

%0 Journal Article
%A McAdams, S.
%A Matzkin, D.
%D 2001
%T Similarity, invariance and musical variation
%B Annals of the New York Academy of Sciences
%V 930
%P 62-76
%1 1
%2 3
%F McAdams01c
%K 1

%0 Book Section
%A McAdams, S.
%A Matzkin, D.
%D 2002
%T The roots of musical variation in perceptual similarity and invariance
%E Peretz, I.
%E Zatorre, R.
%B The Biological Foundations of Music
%C Oxford
%I Oxford University Press
%P 80-94
%1 4
%2 3
%F McAdams02b

%0 Book Section
%A McAdams, S.
%A Matzkin, D.
%D 2003
%T The roots of musical variation in perceptual similarity and invariance
%E Peretz, I.
%E Zatorre, R.
%B The Cognitive Neuroscience of Music
%C Oxford
%I Oxford University Press
%P 79-94
%1 4
%F McAdams03c