@incollection{Ayari02a,
   author = {M. Ayari and S. McAdams},
   editor = {L{\'e}vy, F., and Chouvel, J.-M.,},
   title = {Le sch{\'e}ma cognitif culturel de l'improvisation  modale: Forme musicale et analyse perceptive},
   booktitle = {Observation, analyse, mod{\`e}le. Peut-on parler  d'art avec les outils de la science ?},
   pages = {395-418},
   publisher = {Harmattan},
   address = {Paris},
   year = {2002},
   labintel = {4}
}

@proceedings{Ayari02b,
   author = {M. Ayari and S. McAdams},
   title = {Le sch{\'e}ma cognitif culturel de  l'improvisation: forme musicale et analyse  perceptive (Psychologie exp{\'e}rimentale et probl{\`e}me  d'universalisation de donn{\'e}es)},
   booktitle = {2e colloque international d'{\'e}pist{\'e}mologie  musicale (colloque organis{\'e} par la SFAM, l'IRCAM  et l'Universit{\'e} Paris X)},
   address = {IRCAM, Paris},
   year = {2002},
   labintel = {7}
}

@article{Ayari03a,
   author = {M. Ayari and S. McAdams},
   title = {Aural analysis of arabic improvised instrumental Music (taqs{\^i}m)},
   journal = {Music Perception},
   volume = {21},
   pages = {159-216},
   year = {2003},
   labintel = {1}
}

@incollection{Ayari04a,
   author = {M. Ayari and S. McAdams},
   editor = {Madurell, F.,},
   title = {Polys{\'e}mie et multidimensionnalit{\'e} du ph{\'e}nom{\`e}ne  de l'improvisation instrumentale arabe},
   booktitle = {Les pratiques d'{\'e}coute individuelles},
   pages = {({\`a} para{\^i}tre)},
   publisher = {Universit{\'e} de Paris-Sorbonne},
   address = {Paris},
   year = {2004},
   labintel = {4}
}

@proceedings{Beauchamp95,
   author = {J. Beauchamp and A. Horner and S. McAdams},
   title = {Musical sounds, data reduction, and perceptual control parameters},
   booktitle = {SMPC95 Conference},
   pages = {8-9(A)},
   publisher = {SMPC},
   address = {Berkeley},
   year = {1995},
   labintel = {7}
}

@article{Beauchamp97,
   author = {J. W. Beauchamp and S. McAdams and S. Meneguzzi},
   title = {Perceptual effects of simplifying musical instrument sound time-frequency representations},
   journal = {Journal of the Acoustical Society of America},
   volume = {101},
   pages = {3167(A)},
   year = {1997},
   labintel = {5}
}

@article{Beauvois96,
   author = {M. W. Beauvois and S. McAdams},
   title = {Stimulus intensity and auditory stream formation},
   journal = {Acustica},
   volume = {82},
   pages = {S85(A)},
   year = {1996},
   labintel = {5}
}

@article{Belin98,
   author = {P. Belin and S. McAdams and B. Smith and S. Savel and L. Thivard and S. Samson and Y. Samson},
   title = {The functional anatomy of sound intensity discrimination},
   journal = {Journal of Neuroscience},
   volume = {18},
   pages = {6388-6394},
   year = {1998},
   labintel = {1}
}

@article{Belin02a,
   author = {P. Belin and S. McAdams and L. Thivard and B. Smith and S. Savel and M. Zilbovicius and S. Samson and Y. Samson},
   title = {The neuroanatomical substrate of sound duration discrimination},
   journal = {Neuropsychologia},
   volume = {40},
   pages = {1956-1964},
   year = {2002},
   labintel = {1}
}

@article{Bertoncini89,
   author = {J. Bertoncini and J. Morais and R. Bijeljac-Babic and S. McAdams and I. Peretz and J. Mehler},
   title = {Dichotic perception and laterality in neonates},
   journal = {Brain and Langauge},
   volume = {37},
   pages = {591-605},
   year = {1989},
   labintel = {1}
}

@proceedings{Bey97,
   author = {C. Bey and S. McAdams},
   title = {Implication des processus descendants dans la formation des flux auditifs},
   booktitle = {La perception: Du natural {\`a} l'artificiel, Journ{\'e}es Internationales d'Orsay sur les Sciences Cognitives 1997},
   pages = {29-32},
   address = {Orsay},
   year = {1997},
   labintel = {6}
}

@proceedings{Bey97a,
   author = {C. Bey and S. McAdams},
   title = {Etudes des processus de formation des flux auditifs par une m{\'e}thode objective},
   booktitle = {4e Congr{\`e}s Fran{\c{c}}ais d'Acoustique},
   volume = {1},
   pages = {531-534},
   publisher = {Teknea},
   address = {Marseille},
   year = {1997},
   labintel = {6}
}

@proceedings{Bey98,
   author = {C. Bey and S. McAdams},
   editor = {Kayser, D., and Nguyen-Xuan, A., and Holley, A.,},
   title = {Perception de m{\'e}lodies intercal{\'e}es : Implication des processus descendants dans l'organisation auditive},
   booktitle = {VIIe Colloque de l'Association pour la Recherche Cognitive},
   pages = {255-260},
   address = {Paris},
   year = {1998},
   labintel = {7}
}

@proceedings{Bey98a,
   author = {C. Bey and S. McAdams},
   title = {Implication of top-down processes in auditory streaming},
   booktitle = {39th Meeting of the Psychonomic Society},
   pages = {25(A)},
   address = {Dallas},
   year = {1998},
   labintel = {6}
}

@article{Bey02a,
   author = {C. Bey and S. McAdams},
   title = {Schema-based processing in auditory scene analysis},
   journal = {Perception and Psychophysics},
   volume = {64},
   pages = {844-854},
   year = {2002},
   labintel = {1}
}

@article{Bey03a,
   author = {C. Bey and S. McAdams},
   title = {Post-recognition of interleaved melodies as an indirect measure of auditory stream formation},
   journal = {Journal of Experimental Psychology: Human Perception and Performance},
   volume = {{\`a} para{\^i}tre.},
   year = {2003}
}

@article{Bigand98,
   author = {E. Bigand and F. Madurell and S. McAdams},
   title = {Quelques commentaires psychologiques sur le commentaire d'{\'e}coute},
   journal = {Musurgia},
   volume = {5},
   number = {1},
   pages = {71-81},
   year = {1998},
   labintel = {10}
}

@proceedings{Bigand94,
   author = {E. Bigand and S. McAdams and S. For{\^e}t},
   editor = {Deli{\`e}ge, I.,},
   title = {Divided attention in polyphonic listening},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {237-238},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@article{Bigand00a,
   author = {E. Bigand and S. McAdams and S. For{\^e}t},
   title = {Divided attention in music},
   journal = {International Journal of Psychology},
   volume = {35},
   pages = {270-278},
   month = {jan2000},
   year = {2000},
   labintel = {1}
}

@proceedings{Bigand02a,
   author = {E. Bigand and S. Vieillard and F. Madurell and S. McAdams and B. Poulin},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Effects of instrumentation on the memorization of musical materials},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {1}
}

@article{Botte97,
   author = {M.-C. Botte and C. Drake and R. Brochard and S. McAdams},
   title = {Perceptual attenuation of non-focused auditory streams},
   journal = {Perception and Psychophysics},
   volume = {59},
   pages = {419-425},
   year = {1997},
   labintel = {1}
}

@article{Botte94,
   author = {M.-C. Botte and C. Drake and R. Brochard and S. McAdams and A.-M. Argenti},
   title = {Focalisation attentionelle appliqu{\'e}e aux flux auditifs. Premi{\`e}res mesures},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {407-410},
   year = {1994},
   labintel = {5}
}

@article{Botte94a,
   author = {M.C. Botte and C. Drake and R. Brochard and S. McAdams and A.M. Argenti},
   title = {Preliminary measures of the focusing of attention on auditory streams},
   journal = {Journal of the Acoustical Society of America},
   volume = {95},
   pages = {2965(A)},
   year = {1994},
   labintel = {5}
}

@article{Botte92,
   author = {M.C. Botte and S. McAdams},
   title = {Organisation perceptive dans l'audition},
   journal = {Les Cahiers de l'Audition},
   volume = {5},
   number = {5},
   pages = {22-26},
   year = {1992},
   labintel = {10}
}

@incollection{Botte95,
   author = {M.C. Botte and S. McAdams and C. Drake},
   editor = {Lechevalier, B., and Eustache, F.,},
   title = {La perception des sons et de la musique},
   booktitle = {Perception et agnosies : S{\'e}minaire Jean-Louis Signoret},
   pages = {55-99},
   publisher = {De Boeck},
   address = {Bruxelles},
   year = {1995},
   labintel = {4}
}

@proceedings{Brochard95,
   author = {R. Brochard and C. Drake and M-C. Botte and S. McAdams},
   title = {Focusing attention on one auditory stream does not depend on the number of simultaneous streams},
   booktitle = {Fechner Day 95.  11th Annual Meeting of the International Society for Psychophysics},
   pages = {155-160},
   publisher = {ISP},
   address = {Cassis},
   year = {1995},
   labintel = {7}
}

@article{Brochard99a,
   author = {R. Brochard and C. Drake and M.-C. Botte and S. McAdams},
   title = {Perceptual organization of complex auditory sequences: Effect of number of simultaneous subsequences and frequency separation},
   journal = {Journal of Experimental Psychology: Human Perception and Performance},
   volume = {25},
   pages = {1742-1759},
   year = {1999},
   labintel = {1}
}

@article{Brochard96,
   author = {R. Brochard and C. Drake and S. McAdams and M.-C. Botte},
   title = {Effect of the number of distracting streams on the focusing of attention on one auditory stream},
   journal = {Journal of the Acoustical Society of America},
   volume = {99},
   pages = {2597(A)},
   year = {1996},
   labintel = {5}
}

@article{Brown01a,
   author = {J. Brown and O. Houix and S. McAdams},
   title = {Feature dependence in the automatic identification of musical woodwind instruments},
   journal = {Journal of the Acoustical Soceity of America},
   volume = {109},
   pages = {1064-1072},
   year = {2001},
   keywords = {1},
   labintel = {1}
}

@article{Caclin02a,
   author = {A. Caclin and E. Brattico and B. Smith and M. Ternaviemi and M.-H. Giard and S. McAdams},
   title = {Electrophysiological correlates of musical timbre perception},
   journal = {Journal of the Acoustical Society of America},
   volume = {112},
   pages = {2240 (A)},
   year = {2002},
   labintel = {5}
}

@proceedings{Caclin02b,
   author = {A. Caclin and E. Brattico and B. Smith and M. Ternaviemi and P. Toiviainen and R. N{\"a}{\"a}t{\"a}nen and M.-H. Giard and S. McAdams},
   title = {Musical timbre perception: A combined psychophysical and electrophysiological study},
   booktitle = {ICON8},
   pages = {70},
   address = {Porquerolles},
   year = {2002},
   labintel = {6}
}

@article{Cheveigne94,
   author = {A. de Cheveign{\'e} and S. McAdams and J. Laroche and M. Rosenberg},
   title = {Identification de voyelles simultan{\'e}es harmoniques et inharmoniques},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {533-536},
   year = {1994},
   labintel = {5}
}

@article{Cheveigne95,
   author = {A. de Cheveign{\'e} and S. McAdams and J. Laroche and M. Rosenberg},
   title = {Identification of concurrent harmonic and inharmonic vowels: A test of the theory of harmonic cancellation and enhancement},
   journal = {Journal of the Acoustical Society of America},
   volume = {97},
   pages = {3736-3748},
   year = {1995},
   labintel = {1}
}

@article{deCh97-JASA2,
   author = {A. de Cheveign{\'e} and S. McAdams and C. Marin},
   title = {Concurrent vowel identification II: Effects of phase, harmonicity and task},
   journal = {Journal of the Acoustical Society of America},
   volume = {101},
   pages = {2848-2856},
   year = {1997},
   url = {$<$a href="http://www.ircam.fr/pcm/cheveign/abstracts/97\_concurrent\_vowel\_II.html"$>$abstract$<$/a$>$},
   labintel = {1}
}

@article{Demany92,
   author = {L. Demany and S. McAdams},
   title = {L'audition organisatrice: Le syst{\`e}me auditif humain est un organisateur de spectres},
   journal = {Le Courrier du CNRS},
   volume = {79},
   pages = {43},
   year = {1992},
   labintel = {10}
}

@proceedings{Donnadieu96,
   author = {S. Donnadieu and S. McAdams},
   title = {Effects of context change on dissimilarity, discrimination, and categorisation tasks on timbre perception},
   booktitle = {Fechner Day 96. 12th Annual Meeting of the International Society for Psychophysics},
   pages = {239-244},
   publisher = {ISP},
   address = {Padova},
   year = {1996},
   labintel = {7}
}

@proceedings{Donnadieu94,
   author = {S. Donnadieu and S. McAdams and S. Winsberg},
   editor = {Deli{\`e}ge, I.,},
   title = {Context effects in "timbre space"},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {311-312},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@article{Donnadieu94a,
   author = {S. Donnadieu and S. McAdams and S. Winsberg},
   title = {Caract{\'e}risation du timbre des sons complexes. I : Analyse multidimensionnelle},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {593-596},
   year = {1994},
   labintel = {5}
}

@proceedings{Donnadieu95,
   author = {S. Donnadieu and S. McAdams and S. Winsberg},
   title = {Effects of context change on timbre perception},
   booktitle = {SMPC95 Conference},
   pages = {12(A)},
   publisher = {SMPC},
   address = {Berkeley},
   year = {1995},
   labintel = {7}
}

@proceedings{Donnadieu96a,
   author = {S. Donnadieu and S. McAdams and S. Winsberg},
   title = {Categorization, discrimination, and context effects in the perception of natural and interpolated timbres},
   booktitle = {4th International Conference on Music Perception and Cognition},
   pages = {73-78},
   publisher = {Faculty of Music, McGill University},
   address = {Montr{\'e}al},
   year = {1996},
   labintel = {6}
}

@article{Drake99a,
   author = {C. Drake and S. McAdams},
   title = {The continuity illusion: Role of temporal sequence structure},
   journal = {Journal of the Acoustical Society of America},
   volume = {106},
   pages = {3529-3538},
   year = {1999},
   labintel = {1}
}

@proceedings{Dufournet01a,
   author = {D. Dufournet and P. Susini and M. Slama and S. McAdams},
   title = {An annoyance meter for squeak-and-rattle diagnostics},
   booktitle = {17th International Congress on Acoustics},
   volume = {X, session 8\_10},
   pages = {38-39 [CD-ROM]},
   address = {Rome},
   year = {2001},
   keywords = {6},
   labintel = {6}
}

@proceedings{Fales94,
   author = {C. Fales and S. McAdams},
   editor = {Deli{\`e}ge, I.,},
   title = {Tone/noise fusion and timbre in African musical instruments},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {105-106},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@article{Fales94a,
   author = {C. Fales and S. McAdams},
   title = {The fusion and layering of noise and tone: Implications for timbre in African instruments},
   journal = {Leonardo Music Journal},
   volume = {4},
   pages = {69-77},
   year = {1994},
   labintel = {1}
}

@proceedings{Faure97,
   author = {A. Faure and S. McAdams},
   editor = {Meunier, Sabine, and Mangiante, G{\'e}rard, and Can{\'e}vet, Georges,},
   title = {Comparaison de profils s{\'e}mantiques et de l'espace perceptif des timbres musicaux},
   booktitle = {4eme Congr{\`e}s Fran{\c{c}}ais d'Acoustique},
   volume = {1},
   pages = {625-628},
   publisher = {Teknea},
   address = {Marseille, France},
   year = {1997},
   labintel = {acoustique, perception, audition, verbalisation, s{\'e}mantique}
}

@proceedings{Faure98,
   author = {A. Faure and S. McAdams},
   editor = {Besson, M.J.,},
   title = {Du percept au concept : comment parle-t-on du timbre des instruments de musique ?},
   booktitle = {6i{\`e}me colloque du l'{\'e}cole doctorale Neurobiologie \& Comportement},
   pages = {C9},
   address = {Paris},
   year = {1998},
   labintel = {timbre, verbalisation}
}

@incollection{Faure01a,
   author = {A. Faure and S. McAdams},
   editor = {Viader, F., and Eustache, F.,},
   title = {Des sons aux mots : comment parle-t-on du timbre musical ?},
   booktitle = {Langage et pens{\'e}e: 10{\`e}me S{\'e}minaire Jean-Louis Signoret},
   publisher = {De Boeck},
   address = {Brussels},
   year = {2001},
   keywords = {4},
   labintel = {4}
}

@proceedings{Faure96,
   author = {A. Faure and S. McAdams and V. Nosulenko},
   title = {Verbal correlates of perceptual dimensions of timbre},
   booktitle = {4th International Conference on Music Perception and Cognition},
   pages = {79-84},
   publisher = {Faculty of Music, McGill University},
   address = {Montr{\'e}al},
   year = {1996},
   labintel = {6}
}

@article{Hartmann85,
   author = {W.M. Hartmann and S. McAdams},
   title = {Discrimination of spectral density},
   journal = {Journal of the Acoustical Society of America},
   volume = {78},
   pages = {S46(A)},
   year = {1985},
   labintel = {5}
}

@article{Hartmann86,
   author = {W.M. Hartmann and S. McAdams and A. Gerzso and P. Boulez},
   title = {The discrimination of spectral density},
   journal = {Journal of the Acoustical Society of America},
   volume = {79},
   pages = {1915-1925},
   year = {1986},
   labintel = {1}
}

@article{Hartmann86a,
   author = {W.M. Hartmann and S. McAdams and B.K. Smith},
   title = {Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone},
   journal = {Journal of the Acoustical Society of America},
   volume = {80},
   pages = {S93(A)},
   year = {1986},
   labintel = {5}
}

@techreport{Hartmann86b,
   author = {W.M. Hartmann and S. McAdams and B.K. Smith},
   title = {L'appariement de la hauteur d'un harmonique d{\'e}saccord{\'e} dans un son complexe},
   institution = {IRCAM},
   type = {Rapport Annuel},
   pages = {57-65},
   address = {Paris},
   month = {1986},
   year = {1986},
   labintel = {9}
}

@article{Hartmann90,
   author = {W. M. Hartmann and S. McAdams and B. K. Smith},
   title = {Hearing a mistuned harmonic in an otherwise periodic complex tone},
   journal = {Journal of the Acoustical Society of America},
   volume = {88},
   pages = {1712-1724},
   year = {1990},
   labintel = {1}
}

@incollection{Houix99a,
   author = {O. Houix and S. McAdams and R. Causs{\'e}},
   editor = {Grealy and M. A. and Thomson and J. A.},
   title = {Auditory categorization of sound sources},
   booktitle = {Studies in Perception and Action},
   volume = {V},
   pages = {47-51},
   publisher = {Lawrence Erlbaum Associates},
   address = {Mahwah, NJ},
   year = {1999},
   labintel = {4}
}

@proceedings{Houix01a,
   author = {O. Houix and S. McAdams and R. Causs{\'e}},
   title = {Structures vibrantes et cat{\'e}gorisation auditive},
   booktitle = {5{\`e}me Congr{\`e}s Fran{\c{c}}ais d'Acoustique},
   pages = {437-440},
   address = {Lausanne},
   year = {2000},
   keywords = {6},
   labintel = {6}
}

@article{Krimphoff94,
   author = {J. Krimphoff and S. McAdams and S. Winsberg},
   title = {Caract{\'e}risation du timbre des sons complexes. II: Analyses acoustiques et quantification psychophysique},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {625-628},
   year = {1994},
   labintel = {5}
}

@proceedings{Lakatos95,
   author = {S. Lakatos and S. McAdams},
   title = {Scaling of harmonic and percussive timbres: Perceptual spaces and verbal attributes},
   booktitle = {SMPC95 Conference},
   pages = {10(A)},
   publisher = {SMPC},
   address = {Berkeley},
   year = {1995},
   labintel = {7}
}

@article{Lakatos96,
   author = {S. Lakatos and S. McAdams and R. Causs{\'e}},
   title = {Perception of auditory source characteristics: Simple geometric form},
   journal = {Journal of the Acoustical Society of America},
   volume = {100},
   pages = {2719(A)},
   year = {1996},
   labintel = {5}
}

@article{Lakatos97,
   author = {S. Lakatos and S. McAdams and R. Causs{\'e}},
   title = {The representation of auditory source characteristics: Simple geometric form},
   journal = {Perception \& Psychophysics},
   volume = {59},
   pages = {1180-1190},
   year = {1997},
   labintel = {1}
}

@techreport{Lemaitre01a,
   author = {G. Lemaitre and P. Susini and S. McAdams and S. Winsberg},
   title = {Etude de l'effet du mode de fixation des avertisseurs sonores  automibles sur la perception du son},
   type = {Rapport interm{\'e}diaire, contrat Klaxon-Ircam-Universit{\'e} du Maine},
   year = {2001},
   keywords = {9},
   labintel = {9}
}

@techreport{Lemaitre02b,
   author = {G. Lemaitre and P. Susini and S. McAdams and S. Winsberg},
   title = {Etude de la perception du timbre des avertisseurs sonores (Rapport interm{\'e}diaire)},
   institution = {Contrat Klaxon-Ircam-Universit{\'e} du Maine},
   year = {2002},
   labintel = {9}
}

@proceedings{Lemaitre02a,
   author = {G. Lemaitre and P. Susini and S. Winsberg and S. McAdams},
   title = {Perception of the timbre of car horns},
   booktitle = {Forum Acusticum},
   publisher = {S. Hirzel Verlag [CD-ROM]},
   address = {Sevilla, Spain},
   year = {2002},
   labintel = {6}
}

@article{Lemaitre02c,
   author = {G. Lemaitre and P. Susini and S. Winsberg and S. McAdams},
   title = {Perception of the timbre of car horns},
   journal = {Acta Acustica},
   volume = {88},
   pages = {S123 (A)},
   year = {2002},
   labintel = {5}
}

@proceedings{Lemaitre03a,
   author = {G. Lemaitre and P. Susini and S. Winsberg and S. McAdams},
   editor = {Shinn-Cunningham and Eoin Brazil and Barbara},
   title = {Perceptively based design of new car horns sounds},
   booktitle = {International Conference on Auditory Display},
   pages = {47-50},
   publisher = {the Boston University Publications Production Department},
   address = {University of Boston},
   year = {2003}
}

@proceedings{Lemaitre04a,
   author = {G. Lemaitre and P. Susini and S. Winsberg and S. McAdams},
   title = {A method to assess the ecological validity of laboratory-recorded car horn sounds},
   booktitle = {CFA/DAGA},
   address = {Strasbourg, France},
   year = {2004}
}

@article{Levitin02a,
   author = {D. Levitin and S. McAdams and R. Adams},
   title = {Control parameters for musical instruments: A foundation for new mappings of gesture to sound},
   journal = {Organised Sound},
   volume = {7},
   pages = {171-189},
   year = {2002},
   labintel = {1}
}

@techreport{Marin87,
   author = {C. Marin and S. McAdams},
   title = {R{\^o}le de l'enveloppe spectrale dans la s{\'e}paration de sources sonores},
   institution = {IRCAM},
   type = {Rapport Annuel},
   number = {pp. 75-92},
   address = {Paris},
   year = {1987},
   labintel = {9}
}

@article{Marin96,
   author = {C. Marin and S. McAdams},
   title = {The role of frequency modulation, polyperiodicity, and auditory beats in the recognition of spectrally embedded complex target sounds},
   journal = {Journal of the Acoustical Society of America},
   volume = {100},
   pages = {v},
   year = {1996},
   labintel = {1}
}

@techreport{Marin87a,
   author = {C{\'e}cile M.H. Marin and Stephen McAdams},
   title = {The role of spectral envelope in the segregation of sound sources},
   institution = {IRCAM},
   type = {Rapport annuel},
   pages = {75-92},
   year = {1987},
   labintel = {9}
}

@article{Marin90,
   author = {C.M.H. Marin and S. McAdams},
   title = {Interactions among cues contributing to concurrent sound segregation},
   journal = {Journal of the Acoustical Society of America},
   volume = {88},
   pages = {S146(A)},
   year = {1990},
   labintel = {5}
}

@article{Marin91,
   author = {C{\'e}cile M.H. Marin and Stephen McAdams},
   title = {Segregation of concurrent sounds II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width},
   journal = {Journal of the Acoustical Society of America},
   volume = {89},
   pages = {341-351},
   year = {1991},
   labintel = {1}
}

@article{Marin96a,
   author = {C{\'e}cile M.H. Marin and Stephen McAdams},
   title = {The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds},
   journal = {Journal of the Acoustical Society of America},
   volume = {100},
   pages = {1736-1753},
   year = {1996},
   labintel = {1}
}

@proceedings{Marin89,
   author = {C.M.H. Marin and S. McAdams and J.S. Li{\'e}nard},
   title = {The role of beats in concurrent sound segregation based on frequency modulation cues},
   booktitle = {Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics},
   pages = {120-125},
   publisher = {ISP},
   address = {Cassis},
   year = {1989},
   labintel = {7}
}

@article{Marin90a,
   author = {C.M.H. Marin and S. McAdams and J.S. Li{\'e}nard},
   title = {Le r{\^o}le des battements sur la s{\'e}paration perceptive de sources sonores simultan{\'e}es due {\`a} l'indice de modulation de fr{\'e}quence},
   journal = {Journal de Physique},
   volume = {2},
   number = {C2},
   pages = {167-170},
   year = {1990},
   labintel = {5}
}

@article{Marin90b,
   author = {C.M.H. Marin and S. McAdams and J.S. Li{\`e}nard},
   title = {The role of beats in the segregation of concurrent sounds based on frequency modulation coherence},
   journal = {Journal of the Acoustical Society of America},
   volume = {87},
   pages = {S157(A)},
   year = {1990},
   labintel = {5}
}

@article{Marozeau01a,
   author = {J. Marozeau and A. de Cheveign{\'e} and S. McAdams and S. Winsberg},
   title = {The perceptual interaction between the pitch and timbre of musical sound},
   journal = {Journal of the Acoustical Society of America},
   volume = {109},
   pages = {2288 (A)},
   year = {2001},
   keywords = {5},
   labintel = {1}
}

@article{Marozeau01b,
   author = {J. Marozeau and A. de Cheveign{\'e} and S. McAdams and S. Winsberg},
   title = {The perceptual interaction between pitch and timbre of musical sound},
   journal = {J. Acoust. Soc. Am.},
   volume = {109},
   pages = {2288},
   year = {2001},
   labintel = {5}
}

@article{Marozeau03a,
   author = {J. Marozeau and A. de Cheveign{\'e} and S. McAdams and S. Winsberg},
   title = {The dependency of timbre on fundamental frequency},
   journal = {Journal of the Acoustical Society of America},
   volume = {114},
   pages = {2946-2957},
   year = {2003},
   labintel = {1}
}

@proceedings{Matzkin00a,
   author = {D Matzkin and S. McAdams},
   title = {Similarity perception of variations of tonal and twelve-tone melodies},
   booktitle = {6th ICMPC Conference},
   pages = {cd-rom},
   publisher = {ICMPC},
   address = {Keele (UK)},
   year = {2000},
   labintel = {6}
}

@article{McAdams81,
   author = {S. McAdams},
   title = {The effects of spectral fusion on the perception of pitch for complex tones},
   journal = {Journal of the Acoustical Society of America},
   volume = {68},
   number = {S109(A)},
   year = {1981},
   labintel = {5}
}

@incollection{McAdams82,
   author = {S. McAdams},
   editor = {Clynes, M.,},
   title = {Spectral fusion and the creation of auditory images},
   booktitle = {Music, Mind and Brain: The Neuropsychology of Music},
   pages = {278-298},
   publisher = {Plenum Press},
   address = {New York},
   year = {1982},
   labintel = {4}
}

@article{McAdams82a,
   author = {S. McAdams},
   title = {Contributions of sub-audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones},
   journal = {Journal of the Acoustical Society of America},
   volume = {72},
   pages = {S11(A)},
   year = {1982},
   labintel = {5}
}

@incollection{McAdams83,
   author = {S. McAdams},
   editor = {Battier, M., and Bernard, P., and Charbonneau, G.,},
   title = {Les fondements de l'acoustique},
   booktitle = {Musique et ordinateur},
   pages = {67-91},
   publisher = {Universit{\'e} de Paris-Orsay},
   address = {Orsay},
   year = {1983},
   labintel = {10}
}

@proceedings{McAdams83a,
   author = {S. McAdams},
   title = {Acoustic cues contributing to spectral fusion},
   booktitle = {1983 International Congress of Acoustics},
   volume = {3},
   pages = {127-130},
   address = {Paris},
   year = {1983},
   labintel = {6}
}

@phdthesis{McAdams84,
   author = {S. McAdams},
   title = {Spectral Fusion, Spectral Parsing, and the Formation of Auditory Images},
   booktitle = {Hearing and Speech Sciences},
   school = {Stanford University},
   type = {Th{\`e}se de Doctorat},
   address = {Stanford},
   year = {1984},
   labintel = {8}
}

@incollection{McAdams84a,
   author = {S. McAdams},
   editor = {Crozier and W. R. and Chapman and A. J.},
   title = {The auditory image: A metaphor for musical and psychological research on auditory organization},
   booktitle = {Cognitive Processes in the Perception of Art},
   pages = {289-323},
   publisher = {North-Holland},
   address = {Amsterdam},
   year = {1984},
   labintel = {4}
}

@booklet{McAdams87,
   author = {S. McAdams},
   title = {Music and Psychology: A Mutual Regard},
   booktitle = {Contemporary Music Review},
   volume = {2(1)},
   year = {1987},
   labintel = {3}
}

@article{McAdams87a,
   author = {S. McAdams},
   title = {Music: A science of the mind?},
   journal = {Contemporary Music Review},
   volume = {2},
   number = {1},
   pages = {1-61},
   year = {1987},
   labintel = {1}
}

@article{McAdams87b,
   author = {S. McAdams},
   title = {Les formes du plaisir musical},
   journal = {Science et Vie},
   volume = {158},
   pages = {116-121},
   year = {1987},
   labintel = {10}
}

@article{McAdams88,
   author = {S. McAdams},
   title = {Review of Sound Color by Wayne Slawson},
   journal = {Journal of the Acoustical Society of America},
   volume = {84},
   pages = {1957-1958(B)},
   year = {1988},
   labintel = {11}
}

@article{McAdams88a,
   author = {S. McAdams},
   title = {Perception et intuition : Calculs tacites},
   journal = {InHarmoniques},
   volume = {3},
   pages = {86-103},
   year = {1988},
   labintel = {10}
}

@article{McAdams89,
   author = {S. McAdams},
   title = {Segregation of concurrent sounds. I: Effects of frequency modulation coherence},
   journal = {Journal of the Acoustical Society of America},
   volume = {86},
   pages = {2148-2159},
   year = {1989},
   labintel = {1}
}

@article{McAdams89a,
   author = {S. McAdams},
   title = {Review of Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, edited by John A. Sloboda},
   journal = {Music Perception},
   volume = {7},
   pages = {195-201(B)},
   year = {1989},
   labintel = {11}
}

@article{McAdams89b,
   author = {S. McAdams},
   title = {Psychological constraints on form-bearing dimensions in music},
   journal = {Contemporary Music Review},
   volume = {4},
   number = {1},
   pages = {181-198},
   year = {1989},
   labintel = {1}
}

@proceedings{McAdams89c,
   author = {S. McAdams},
   title = {Music and psychoacoustics},
   booktitle = {Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics},
   pages = {1-4},
   publisher = {ISP},
   address = {Cassis},
   year = {1989},
   labintel = {7}
}

@incollection{McAdams89d,
   author = {S. McAdams},
   editor = {McAdams, S., and Deli{\`e}ge, I.,},
   title = {Les nombreux visages de la cognition humaine dans la recherche et la pratique musicales},
   booktitle = {La musique et les sciences cognitives},
   pages = {11-20},
   publisher = {Editions Pierre Mardaga},
   address = {Bruxelles},
   year = {1989},
   labintel = {4}
}

@article{McAdams89e,
   author = {S. McAdams},
   title = {Introduction: The many faces of human cognition in musical research and practice},
   journal = {Contemporary Music Review},
   volume = {4},
   number = {1},
   pages = {1-7},
   year = {1989},
   labintel = {1}
}

@incollection{McAdams89f,
   author = {S. McAdams},
   editor = {McAdams, S., and Deli{\`e}ge, I.,},
   title = {Contraintes psychologiques sur les dimensions porteuses de forme en musique},
   booktitle = {La musique et les sciences cognitives},
   pages = {257-284},
   publisher = {Editions Pierre Mardaga},
   address = {Bruxelles},
   year = {1989},
   labintel = {4}
}

@article{McAdams90,
   author = {S. McAdams},
   title = {Reply to "Comments on S. McAdams' review of Sound Color" [J. Acoust. Soc. Am. 86, 2469-2471 (1989)]},
   journal = {Journal of the Acoustical Society of America},
   volume = {86},
   pages = {2471(B)},
   year = {1990},
   labintel = {11}
}

@techreport{McAdams90a,
   author = {S. McAdams},
   title = {L'organisation perceptive du monde sonore},
   institution = {Fondation Fyssen},
   type = {Rapport scientifique},
   address = {Paris},
   year = {1990},
   labintel = {9}
}

@incollection{McAdams91,
   author = {S. McAdams},
   editor = {Nosulenko, V.,},
   title = {Pertseptivnaya organizatsiya akusticheskoy sryedy [L'organisation perceptive du monde sonore]},
   booktitle = {Problemy ekologicheskoy psykhoakustiki [Probl{\`e}mes de psychoacoustique {\'e}cologique]},
   pages = {28-50},
   publisher = {Institut de Psychologie},
   address = {Moscow},
   year = {1991},
   labintel = {4}
}

@article{McAdams92,
   author = {S. McAdams},
   title = {Perception and memory of musical timbre},
   journal = {International Journal of Psychology},
   volume = {27},
   number = {3-4},
   pages = {146(A)},
   year = {1992},
   labintel = {5}
}

@techreport{McAdams92a,
   author = {S. McAdams},
   title = {Aspects cognitifs de l'audition humaine},
   institution = {DRET},
   number = {Rapport de fin de contrat},
   address = {Paris},
   year = {1992},
   labintel = {9}
}

@incollection{McAdams93,
   author = {S. McAdams},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Recognition of sound sources and events},
   booktitle = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   pages = {146-198},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {4}
}

@article{McAdams93a,
   author = {S. McAdams},
   title = {L'utopie d'une psychoacoustique musicale},
   journal = {Les Cahiers de l'IRCAM},
   volume = {4},
   pages = {v},
   year = {1993},
   labintel = {10}
}

@article{McAdams93b,
   author = {S. McAdams},
   title = {Analyse de Auditory Scene Analysis de Albert S. Bregman},
   journal = {L'Ann{\'e}e Psychologique},
   volume = {93},
   pages = {609},
   year = {1993},
   labintel = {11}
}

@article{McAdams94,
   author = {S. McAdams},
   title = {Review of Auditory Scene Analysis by Albert S. Bregman},
   journal = {Journal of the Acoustical Society of America},
   volume = {95},
   pages = {1177-1178},
   year = {1994},
   labintel = {11}
}

@incollection{McAdams94a,
   author = {S. McAdams},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Reconnaissance de sources et d'{\'e}v{\'e}nements sonores},
   booktitle = {Penser les sons : Psychologie cognitive de l'audition},
   pages = {157-214},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {4}
}

@proceedings{McAdams94b,
   author = {S. McAdams},
   editor = {Deli{\`e}ge, I.,},
   title = {Big sister Pitch's little brother Timbre comes of age},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {41-45},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@incollection{McAdams94c,
   author = {S. McAdams},
   editor = {Richelle, M., and Requin, J., and Robert, M.,},
   title = {Audition: physiologie, perception et cognition},
   booktitle = {Trait{\'e} de psychologie exp{\'e}rimentale},
   volume = {1},
   pages = {283-344},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {4}
}

@incollection{McAdams96,
   author = {S. McAdams},
   editor = {Borio, M., and Sauvageot, A.,},
   title = {Strat{\'e}gies d'{\'e}coute: L'auditeur et la musique {\'e}lectroacoustique},
   booktitle = {Les cinq sens de la cr{\'e}ation},
   pages = {70-76},
   publisher = {Editions Champ Vallon},
   address = {Seyssel},
   year = {1996},
   labintel = {10}
}

@article{McAdams96a,
   author = {S. McAdams},
   title = {Perception des sources sonores},
   journal = {BIO : Lettres du D{\'e}partement des Sciences de la Vie, CNRS},
   volume = {62},
   pages = {5},
   year = {1996},
   labintel = {10}
}

@phdthesis{McAdams96b,
   author = {S. McAdams},
   title = {Organisation et repr{\'e}sentation perceptives en audition},
   booktitle = {Psychologie},
   school = {Universit{\'e} Ren{\'e} Descartes (Paris V)},
   type = {Habilitation {\`a} Diriger des Recherches},
   address = {Paris},
   year = {1996},
   labintel = {8}
}

@article{McAdams96c,
   author = {S. McAdams},
   title = {L'organisation perceptive du monde sonore},
   journal = {M{\'e}decine des Arts},
   volume = {18},
   pages = {15-17},
   year = {1996},
   labintel = {10}
}

@incollection{McAdams96d,
   author = {S. McAdams},
   editor = {Llin{\'a}s, R., and Churchland, P.,},
   title = {Audition: Cognitive psychology of music},
   booktitle = {The Mind-Brain Continuum},
   pages = {251-279},
   publisher = {MIT Press},
   address = {Cambridge, MA},
   year = {1996},
   labintel = {4}
}

@incollection{McAdams97,
   author = {S. McAdams},
   editor = {Christen, Y., and Collet, L., and Droy-Lefaix, M.-T.,},
   title = {L'organisation perceptive de l'environnement sonore},
   booktitle = {Rencontres IPSEN en ORL},
   pages = {91-102},
   publisher = {Editions Irvinn},
   address = {Boulogne},
   year = {1997},
   labintel = {4}
}

@article{McAdams99a,
   author = {S. McAdams},
   title = {Perspectives on the contribution of timbre to musical structure},
   journal = {Computer Music Journal},
   volume = {23},
   number = {2},
   pages = {96-113},
   year = {1999},
   labintel = {1}
}

@article{McAdams99e,
   author = {S. McAdams},
   title = {Basic and applied psychoacoustics in France},
   journal = {Acustica},
   volume = {85},
   pages = {636-638},
   year = {1999},
   labintel = {10}
}

@article{McAdams00b,
   author = {S. McAdams},
   title = {The psychomechanics of real and simulated sound sources},
   journal = {Journal of the Acoustical Society of America},
   volume = {107},
   pages = {2792(A)},
   year = {2000},
   labintel = {5}
}

@proceedings{McAdams00c,
   author = {S. McAdams},
   title = {La psychom{\'e}chanique des sources sonores simples},
   booktitle = {Actes du 5{\`e}me Congr{\`e}s Fran{\c{c}}ais d'Acoustique},
   pages = {XXI},
   publisher = {Ecole Polytechnique de Lausanne},
   address = {Lausanne},
   year = {2000},
   labintel = {6}
}

@incollection{McAdams01a,
   author = {S. McAdams},
   editor = {Sadie, S., and Tyrell, J.,},
   title = {Psychology of music: Perception/Cognition: Timbre},
   booktitle = {The New Grove Dictionary of Music and Musicians, 2nd ed.},
   volume = {20},
   pages = {538-539},
   publisher = {Grove Music},
   address = {London},
   year = {2001},
   url = {http://www.grovemusic.com/},
   labintel = {10}
}

@article{McAdams01b,
   author = {S. McAdams},
   title = {Le concert des sens reste sous le joug du biologique},
   journal = {Revue du Palais de la D{\'e}couverte},
   volume = {284},
   pages = {53},
   year = {2001},
   labintel = {10}
}

@proceedings{McAdams02g,
   author = {S. McAdams},
   title = {Musical similarity and dynamic processing in musical contexts},
   booktitle = {International Symposium on Musical Acoustics},
   publisher = {ENM/UNAM, Mexico City [CD-ROM]},
   address = {Mexico City},
   year = {2002},
   labintel = {6}
}

@article{McAdams03b,
   author = {S. McAdams},
   title = {Perceptual characterization of real and simulated sound sources},
   journal = {Journal of the Acoustical Society of America},
   volume = {107 ({\`a} para{\^i}tre)},
   year = {2003},
   labintel = {5}
}

@article{McAdams03ba,
   author = {S. McAdams},
   title = {Perception of musical timbre},
   journal = {Bulletin of Psychology and the Arts},
   volume = {4},
   pages = {39-42},
   year = {2003},
   labintel = {10}
}

@techreport{McAdams03d,
   author = {S. McAdams},
   title = {Qualification du typage sonore},
   type = {Rapport final, consultation aupr{\`e}s de PSA Peugeot-Citro{\"e}n},
   year = {2003},
   labintel = {9}
}

@article{McAdams04a,
   author = {S. McAdams},
   title = {Problem-solving strategies in music composition: A case study},
   journal = {Music Perception},
   volume = {21},
   number = {3},
   pages = {({\`a} para{\^i}tre)},
   year = {2004},
   labintel = {1}
}

@article{McAdams99d,
   author = {S. McAdams and J. Beauchamp and S. Meneguzzi},
   title = {Discrimination of of musical instrument sounds resynthesized with simplified spectrotemporal parameters},
   journal = {Journal of the Acoustical Society of America},
   volume = {105},
   pages = {882-897},
   year = {1999},
   labintel = {1}
}

@article{McAdams97a,
   author = {S. McAdams and J. Bertoncini},
   title = {Organization and discrimination of repeating sound sequences by newborn infants},
   journal = {Journal of the Acoustical Society of America},
   volume = {102},
   pages = {2945-2953},
   year = {1997},
   labintel = {1}
}

@article{McAdams90b,
   author = {S. McAdams and J. Bertoncini and J. Bobrow},
   title = {Organization and discrimination of repeating sound sequences by newborn infants},
   journal = {Journal of the Acoustical Society of America},
   volume = {88},
   pages = {S91(A)},
   year = {1990},
   labintel = {5}
}

@article{McAdams96e,
   author = {S. McAdams and J. J. Bharucha},
   title = {Cognitive processing of musical structure},
   journal = {International Journal of Psychology},
   volume = {31},
   number = {3-4},
   pages = {148(A)},
   year = {1996},
   labintel = {5}
}

@book{McAdams93c,
   author = {S. McAdams and E. Bigand},
   title = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {3}
}

@incollection{McAdams93d,
   author = {S. McAdams and E. Bigand},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Introduction to auditory cognition},
   booktitle = {Thinking in Sound: The Cognitive Psychology of Human Audition},
   pages = {1-9},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {1993},
   labintel = {4}
}

@book{McAdams94d,
   author = {S. McAdams and E. Bigand},
   title = {Penser les sons: Psychologie cognitive de l1audition},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {3}
}

@incollection{McAdams94e,
   author = {S. McAdams and E. Bigand},
   editor = {McAdams, S., and Bigand, E.,},
   title = {Introduction {\`a} la cognition auditive},
   booktitle = {Penser les sons~: Psychologie cognitive de l'audition},
   pages = {1-10},
   publisher = {Presses Universitaires de France},
   address = {Paris},
   year = {1994},
   labintel = {4}
}

@techreport{McAdams93e,
   author = {S. McAdams and E. Bigand and C. Drake},
   title = {Processus perceptifs et cognitifs dans l'{\'e}coute et dans l'interpr{\'e}tation musicales},
   institution = {Direction de la Musique et de la Danse, Minst{\`e}re de la Culture},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1993},
   labintel = {9}
}

@techreport{McAdams01d,
   author = {S. McAdams and E. Bigand and S. Vieillard},
   title = {Composition et cognition musicales: Cr{\'e}ation, perception, appr{\'e}ciation},
   institution = {Programme Cognitique, MENRT},
   type = {Rapport interm{\'e}diaire},
   year = {2001},
   labintel = {9}
}

@techreport{McAdams02h,
   author = {S. McAdams and E. Bigand and S. Vieillard},
   title = {Composition et cognition musicales: Cr{\'e}ation, perception, appr{\'e}ciation},
   institution = {Programme Cognitique, MENRT},
   type = {Rapport de fin de recherche},
   year = {2002},
   labintel = {9}
}

@proceedings{McAdams94f,
   author = {S. McAdams and M.-C. Botte and F. Banide and X. Durot and C. Drake},
   title = {The computation of loudness in the auditory continuity phenomenon},
   booktitle = {ATR Workshop on "A Biological Framework for Speech Perception and Production},
   volume = {TR-H-121},
   pages = {81-86},
   publisher = {ATR Technical Report},
   address = {Kyoto},
   year = {1994},
   labintel = {6}
}

@article{McAdams94g,
   author = {S. McAdams and M.-C. Botte and C. Drake},
   title = {Le ph{\'e}nom{\`e}ne de la continuit{\'e} auditive et la r{\'e}partition de la sonie entre flux auditifs},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {383-386},
   year = {1994},
   labintel = {5}
}

@proceedings{McAdams95,
   author = {S. McAdams and M-C. Botte and C. Drake},
   title = {The partitioning of loudness in the auditory continuity phenomenon},
   booktitle = {Fechner Day 95. 11th Annual Meeting of the International Society for Psychophysics},
   pages = {109-114},
   publisher = {ISP},
   address = {Cassis},
   year = {1995},
   labintel = {7}
}

@article{McAdams98,
   author = {S. McAdams and M.-C. Botte and C. Drake},
   title = {Auditory continuity and loudness computation},
   journal = {Journal of the Acoustical Society of America},
   volume = {103},
   pages = {1580-1591},
   year = {1998},
   labintel = {1}
}

@article{McAdams79,
   author = {S. McAdams and A. S. Bregman},
   title = {Hearing musical streams},
   journal = {Computer Music Journal},
   volume = {3},
   number = {4},
   pages = {26-43},
   year = {1979},
   labintel = {1}
}

@article{McAdams02d,
   author = {S. McAdams and A. Caclin and B. Smith},
   title = {A confirmatory analysis of four acoustic correlates of timbre space},
   journal = {Journal of the Acoustical Society of America},
   volume = {112},
   pages = {2239 (A)},
   year = {2002},
   labintel = {5}
}

@article{McAdams04b,
   author = {S. McAdams and A. Chaigne and V. Roussarie},
   title = {The psychomechanics of simple sound sources: Material properties of impacted bars},
   journal = {Journal of the Acoustical Society of America},
   volume = {115},
   pages = {1306-1320},
   year = {2004},
   labintel = {1}
}

@techreport{McAdams89g,
   author = {S. McAdams and E. Clarke},
   title = {Bases psychologiques de l'ex{\'e}cution musicale experte},
   institution = {Formation 95699, Programme Franco-britannique, CNRS},
   type = {Rapport Final},
   address = {Paris},
   year = {1989},
   labintel = {9}
}

@article{McAdams92b,
   author = {S. McAdams and J.C. Cunibile},
   title = {Perception of timbral analogies},
   journal = {Philosophical Transactions of the Royal Society, London, series B},
   volume = {336},
   pages = {383-389},
   year = {1992},
   labintel = {1}
}

@techreport{McAdams95a,
   author = {S. McAdams and A. de Cheveign{\'e}},
   title = {Processus d'organisation auditive: Exp{\'e}rimentation psychologique et mod{\'e}lisation informatique},
   institution = {Action concert{\'e}e "Sciences de la Cognition", Minist{\`e}re de l'Enseignement Sup{\'e}rieur et de la Recherche},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1995},
   labintel = {9}
}

@booklet{McAdams89h,
   author = {S. McAdams and I. Deli{\`e}ge},
   title = {Music and the Cognitive Sciences},
   booktitle = {Contemporary Music Review},
   volume = {4(1)},
   year = {1989},
   labintel = {3}
}

@book{McAdams89i,
   author = {S. McAdams and I. Deli{\`e}ge},
   title = {La musique et les sciences cognitives},
   publisher = {Editions Pierre Mardaga},
   address = {Bruxelles},
   year = {1989},
   labintel = {3}
}

@booklet{McAdams90c,
   author = {S. McAdams and I. Deli{\`e}ge},
   title = {Special issue},
   booktitle = {Psychology of Music},
   volume = {18(1)},
   year = {1990},
   labintel = {3}
}

@incollection{McAdams03a,
   author = {S. McAdams and P. Depalle and E. Clarke},
   editor = {Clarke, E., and Cook, N.,},
   title = {Analysing musical sounds ({\`a} para{\^i}tre)},
   booktitle = {Empirical Musicology: Aims, Methods, Prospects},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {2003},
   labintel = {4}
}

@techreport{McAdams97b,
   author = {S. McAdams and S. Donnadieu and V. Roussarie and O. Houix},
   title = {Repr{\'e}sentation auditive des sons {\'e}mis par les structures vibrantes. Tome II: Etude psychoacoustique des sons r{\'e}els et des sons de synth{\`e}se},
   institution = {Minist{\`e}re de l'Environnement},
   type = {Rapport de fin de contrat},
   year = {1997},
   labintel = {9}
}

@techreport{McAdams98a,
   author = {S. McAdams and C. Drake},
   title = {Intensit{\'e} subjective des sources sonores multiples : R{\^o}le des m{\'e}canismes perceptifs d'organisation en flux auditifs},
   institution = {Minist{\`e}re de l'Environnement},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1998},
   labintel = {9}
}

@incollection{McAdams02a,
   author = {S. McAdams and C. Drake},
   editor = {Pashler, H., and Yantis, S.,},
   title = {Auditory perception and cognition},
   booktitle = {Stevens' Handbook of Experimental Psychology: Vol. 1. Sensation and Perception},
   edition = {3rd},
   pages = {397-452},
   publisher = {Wiley},
   address = {New York},
   year = {2002},
   labintel = {4}
}

@proceedings{McAdams85,
   author = {S. McAdams and S. Gladkoff and J.-P. Keller},
   title = {AISE: A prototype laboratory for musical research and the development of conceptual tools},
   booktitle = {1984 International Computer Music Conference},
   pages = {143-162},
   publisher = {Computer Music Association},
   address = {Paris},
   year = {1985},
   labintel = {6}
}

@article{McAdams98b,
   author = {S. McAdams and K. Kudo and H. Kirchner},
   title = {Perceptual interaction of exciter and resonator properties in percussive instrument sounds},
   journal = {Journal of the Acoustical Society of America},
   volume = {103},
   pages = {2966(A)},
   year = {1998},
   labintel = {5}
}

@article{McAdams90d,
   author = {S. McAdams and C.M.H. Marin},
   title = {Within- and cross-channel mechanisms in the detection of frequency modulation coherence and incoherence},
   journal = {Journal of the Acoustical Society of America},
   volume = {87},
   pages = {S157(A)},
   year = {1990},
   labintel = {5}
}

@proceedings{McAdams90e,
   author = {S. McAdams and C. M. H. Marin},
   title = {Auditory processing of frequency modulation coherence},
   booktitle = {Fechner Day 90. 6th Annual Meeting of the International Society for Psychophysics},
   pages = {175-180},
   publisher = {ISP},
   address = {W{\"u}rzburg},
   year = {1990},
   labintel = {7}
}

@article{McAdams01c,
   author = {S. McAdams and D. Matzkin},
   title = {Similarity, invariance and musical variation},
   journal = {Annals of the New York Academy of Sciences},
   volume = {930},
   pages = {62-76},
   year = {2001},
   keywords = {1},
   labintel = {1}
}

@incollection{McAdams02b,
   author = {S. McAdams and D. Matzkin},
   editor = {Peretz, I., and Zatorre, R.,},
   title = {The roots of musical variation in perceptual similarity and invariance},
   booktitle = {The Biological Foundations of Music},
   pages = {80-94},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {2002},
   labintel = {4}
}

@incollection{McAdams03c,
   author = {S. McAdams and D. Matzkin},
   editor = {Peretz, I., and Zatorre, R.,},
   title = {The roots of musical variation in perceptual similarity and invariance},
   booktitle = {The Cognitive Neuroscience of Music},
   pages = {79-94},
   publisher = {Oxford University Press},
   address = {Oxford},
   year = {2003},
   labintel = {4}
}

@proceedings{McAdams99b,
   author = {S. McAdams and N. Misdariis},
   editor = {Lenca, P.,},
   title = {Perceptual-based retrieval in large musical sound databases},
   booktitle = {Human Centred Processes '99},
   pages = {445-450},
   publisher = {ENST Bretagne},
   address = {Brest},
   year = {1999},
   labintel = {6}
}

@article{McAdams96a,
   author = {S. McAdams and D. Pressnitzer},
   title = {Psychoacoustic factors contributing to musical tension in Western non-tonal music},
   journal = {International Journal of Psychology},
   volume = {31},
   number = {3-4},
   pages = {148(A)},
   year = {1996},
   labintel = {5}
}

@techreport{McAdams96f,
   author = {S. McAdams and D. Pressnitzer},
   title = {L'approche de la psychoacoustique musicale et de la psychologie cognitive de la musique},
   institution = {Biblioth{\`e}que nationale de France},
   type = {Rapport du groupe Ecoute Interactive de la Musique},
   address = {Paris},
   year = {1996},
   labintel = {9}
}

@proceedings{McAdams02e,
   author = {S. McAdams and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Problem-solving strategies in the composition of The Angel of Death},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@article{McAdams84b,
   author = {S. McAdams and X. Rodet},
   title = {The coupling of sub-audio amplitude and frequency modulations and the perception of spectral envelope characteristics},
   journal = {Journal of the Acoustical Society of America},
   volume = {76},
   pages = {S13(A)},
   year = {1984},
   labintel = {5}
}

@incollection{McAdams88b,
   author = {S. McAdams and X. Rodet},
   editor = {Duifhuis, H., and Horst, J.W., and Wit, H.P.,},
   title = {The role of FM-induced AM in dynamic spectral profile analysis},
   booktitle = {Basic Issues in Hearing},
   pages = {359-369},
   publisher = {Academic Press},
   address = {London},
   year = {1988},
   labintel = {4}
}

@proceedings{McAdams85a,
   author = {S. McAdams and K. Saariaho},
   title = {Qualities and functions of musical timbre},
   booktitle = {1985 International Computer Music Conference},
   pages = {367-374},
   publisher = {Computer Music Association},
   address = {Vancouver},
   year = {1985},
   labintel = {6}
}

@techreport{McAdams85b,
   author = {S. McAdams and K. Saariaho},
   title = {Processus perceptifs et cognitifs},
   institution = {IRCAM},
   type = {Rapport Annuel},
   pages = {22-23},
   address = {Paris},
   year = {1985},
   labintel = {9}
}

@incollection{McAdams91a,
   author = {S. McAdams and K. Saariaho},
   editor = {Barri{\`e}re, J.B.,},
   title = {Qualit{\'e}s et fonctions du timbre musical},
   booktitle = {Le timbre : M{\'e}taphores pour la composition},
   pages = {164-181},
   publisher = {Editions Christian Bourgois},
   address = {Paris},
   year = {1991},
   labintel = {4}
}

@incollection{McAdams97c,
   author = {S. McAdams and B.K. Smith and M. Maillot and B. Frachet},
   editor = {Christen, Y., and Collet, L., and Droy-Lefaix, M.-T.,},
   title = {S{\'e}lectivit{\'e} fr{\'e}quentielle et identification de voyelles simultan{\'e}es chez des auditeurs normo-entendants et malentendants},
   booktitle = {Rencontres IPSEN en ORL},
   pages = {131-145},
   publisher = {Editions Irvinn},
   address = {Boulogne},
   year = {1997},
   labintel = {4}
}

@proceedings{McAdams02f,
   author = {S. McAdams and B. K. Smith and S. Vieillard and E. Bigand and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Real-time perception of a contemporary musical work in a live concert setting},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Causal Productions, Adelaide [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@proceedings{McAdams98c,
   author = {S. McAdams and P. Susini},
   title = {Caract{\'e}risation perceptive des bruits de v{\'e}hicules},
   booktitle = {Actes du Congr{\`e}s SIA/SFA},
   address = {Paris, France},
   year = {1998}
}

@article{McAdams??,
   author = {S. McAdams and P. Susini and J. Krimphoff and N. Misdariis and B. Smith},
   title = {A meta-analysis of timbre space. II: Psychophysical quantification of common dimensions},
   journal = {Journal of the Acoustical Society of America},
   year = {(en pr{\'e}paration)}
}

@proceedings{McAdams98d,
   author = {S. McAdams and P. Susini and N. Misdariis and S. Winsberg},
   title = {Multidimensional characterisation of perceptual and preference judgements of vehicle and environmental noises},
   booktitle = {Proceedings of Euro-Noise 98},
   volume = {1},
   pages = {561-566},
   address = {Munich, Allemagne},
   year = {1998}
}

@techreport{McAdams95b,
   author = {S. McAdams and P. Susini and S. Winsberg},
   title = {Perception acoustique des sons de v{\'e}hicules},
   institution = {GIE PSA/Renault},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1995},
   labintel = {9}
}

@proceedings{McAdams81a,
   author = {S. McAdams and D. Wessel},
   title = {A general synthesis package based on principles of auditory perception},
   booktitle = {1981 International Computer Music Conference},
   pages = {308(A)},
   publisher = {Computer Music Association},
   address = {Denton, Texas},
   year = {1981},
   labintel = {6}
}

@article{McAdams78,
   author = {S. McAdams and F. Wightman},
   title = {Subharmonic pitch extraction or pitch memory?},
   journal = {Journal of the Acoustical Society of America},
   volume = {64},
   number = {S39-S40(A)},
   year = {1978},
   labintel = {5}
}

@article{McAdams99c,
   author = {S. McAdams and S. Winsberg},
   title = {Multidimensional scaling of musical timbre constrained by physical parameters},
   journal = {Journal of the Acoustical Society of America},
   volume = {105},
   pages = {1273(A)},
   year = {1999},
   labintel = {5}
}

@incollection{McAdams00a,
   author = {S. McAdams and S. Winsberg},
   editor = {Schick, A., and Meis, M., and Reckhardt, C.,},
   title = {Psychophysical quantification of individual differences in timbre perception},
   booktitle = {Contributions to Psychological Acoustics: Results of the 8th Oldenburg Symposium on Psychological Acoustics},
   pages = {165-182},
   publisher = {Bis},
   address = {Oldenburg},
   year = {2000},
   labintel = {4}
}

@article{McAdams95c,
   author = {S. McAdams and S. Winsberg and S. Donnadieu and G. De Soete and J. Krimphoff},
   title = {Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes},
   journal = {Psychological Research},
   volume = {58},
   pages = {177-192},
   year = {1995},
   labintel = {1}
}

@proceedings{McAdams94h,
   author = {S. McAdams and S. Winsberg and T. Murail and J. Fineberg and E. Bigand and C. Drake},
   editor = {Deli{\`e}ge, I.,},
   title = {Dissonance: Allegories of the concept and Disintegrations of the preconceptions},
   booktitle = {3rd International Conference on Music Perception and Cognition},
   pages = {317-318},
   publisher = {ESCOM},
   address = {Li{\`e}ge},
   year = {1994},
   labintel = {6}
}

@article{Menon02a,
   author = {V. Menon and D. J. Levitin and B. K. Smith and A. Lembke and B. Kraznow and D. Glazer and G. H. Glover and S. McAdams},
   title = {Neural correlates of timbre change in harmonic sounds},
   journal = {Neuroimage},
   volume = {17},
   pages = {1742-1754},
   year = {2002},
   labintel = {1}
}

@techreport{Misdariis97,
   author = {N. Misdariis and S. McAdams and S. Winsberg},
   title = {Caract{\'e}risation perceptive des bruits de passage de v{\'e}hicules de transport},
   institution = {SNCF},
   type = {Rapport de fin de contrat},
   year = {1997},
   labintel = {9}
}

@article{misdariis98,
   author = {N. Misdariis and B. Smith and D. Pressnitzer and P. Susini and S. McAdams},
   title = {Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres},
   journal = {Journal of the Acoustical Society of America},
   volume = {103},
   pages = {3005},
   year = {1998}
}

@article{Nosulenko94,
   author = {V.N. Nosulenko and E.S. Samoylenko and S. McAdams},
   title = {L'analyse de descriptions verbales dans l'{\'e}tude des comparaisons de timbres musicaux},
   journal = {Journal de Physique},
   volume = {4},
   number = {C5},
   pages = {637-640},
   year = {1994},
   labintel = {5}
}

@proceedings{Paraskeva97,
   author = {S. Paraskeva and S. McAdams},
   title = {Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of tension/relaxation schemas of musical phrases},
   booktitle = {1997 International Computer Music Conference},
   pages = {438-441},
   publisher = {ICMA},
   address = {Thessaloniki},
   year = {1997},
   labintel = {6}
}

@proceedings{Peeters00a,
   author = {G. Peeters and S. McAdams and P. Herrera},
   title = {Instrument sound description in the context of MPEG-7},
   booktitle = {Proceedings of the 2000 International Computer Music Conference},
   pages = {166 -169},
   address = {Berlin},
   year = {2000},
   labintel = {6}
}

@misc{Peeters01a,
   author = {G. Peeters and S. McAdams and P. Susini and N. Misdariis and J. Krimphoff and B.K. Smith},
   title = {Proc{\'e}d{\'e} de caract{\'e}risation du timbre d'un signal sonore selon au moins un descripteur},
   booktitle = {Dossier de demande de brevet 016091.FR-FT170 (en cours de d{\'e}position)},
   publisher = {CNRS, Ircam, France T{\'e}l{\'e}com},
   address = {USA},
   year = {2001},
   keywords = {12},
   labintel = {12}
}

@book{Pressnitzer04a,
   author = {D. Pressnitzer and A. de Cheveign{\'e} and S. McAdams and L. Collet},
   title = {Auditory Signal Processing: Psychophysics, Physiology and Modeling},
   publisher = {Springer-Verlag},
   address = {New York},
   year = {2004},
   labintel = {3}
}

@incollection{pressnitzer97icmc,
   author = {D. Pressnitzer and S. McAdams},
   title = {Influence of phase effects on roughness modelling},
   booktitle = {Proceedings of the International Computer Music Conference},
   pages = {31-34},
   address = {Thessaloniki},
   year = {1997}
}

@proceedings{Pressnitzer97,
   author = {D. Pressnitzer and S. McAdams},
   title = {Influence of phase effects on roughness modeling and control},
   booktitle = {1997 International Computer Music Conference},
   pages = {31-34},
   publisher = {ICMA},
   address = {Thessaloniki},
   year = {1997},
   labintel = {6}
}

@proceedings{Pressnitzer97a,
   author = {D. Pressnitzer and S. McAdams},
   title = {Influence de la phase sur la perception de rugosit{\'e} de sons complexes},
   booktitle = {4e Congr{\`e}s Fran{\c{c}}ais d'Acoustique},
   volume = {1},
   pages = {535-538},
   publisher = {Teknea},
   address = {Marseille},
   year = {1997},
   labintel = {6}
}

@incollection{pressnitzer97c,
   author = {D. Pressnitzer and S. McAdams},
   editor = {A. Rees and A. Q. Summerfield and A. R. Palmer and R. Meddis},
   title = {Phase effects in roughness perception},
   booktitle = {Psychophysical and Physiological Advances in Hearing},
   pages = {286-292},
   publisher = {Whurr Publishers},
   address = {London},
   year = {1998},
   labintel = {4}
}

@article{Pressnitzer99d,
   author = {D. Pressnitzer and S. McAdams},
   title = {Two phase effects on roughness perception},
   journal = {Journal of the Acoustical Society of America},
   volume = {105},
   number = {5},
   pages = {2773-2782},
   year = {1999},
   url = {$<$A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-roughness\_phase.pdf"$>$PDF$<$/A$>$},
   labintel = {1}
}

@incollection{Pressnitzer99e,
   author = {D. Pressnitzer and S. McAdams},
   editor = {T. Dau and V. Hohmann and B. Kollmeier},
   title = {Summation of roughness across frequency regions},
   booktitle = {Temporal processing in the auditory system: Psychophysics, physiology and models of hearing},
   pages = {105-108},
   publisher = {World Scientific Publishing},
   address = {Singapore},
   year = {1999},
   url = {$<$A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-roughness$\backslash$\_summation.pdf"$>$PDF$<$/A$>$},
   labintel = {4}
}

@incollection{Pressnitzer99a,
   author = {D. Pressnitzer and S. McAdams},
   editor = {Dau, T., and Hohmann, V., and Kollmeier, B.,},
   title = {An effect of the coherence between envelopes across frequency regions on the perception of roughness},
   booktitle = {Psychophysics, Physiology and Modesl of Hearing},
   pages = {105-108},
   publisher = {World Scientific},
   address = {London},
   year = {1999},
   labintel = {4}
}

@article{Pressnitzer00b,
   author = {D. Pressnitzer and S. McAdams},
   title = {Acoustics, psychoacoustics and spectral music},
   booktitle = {Contemporary Music Review},
   journal = {Contemporary Music Review},
   volume = {19},
   number = {2},
   pages = {33-60},
   year = {2000},
   url = {$<$A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-spectral$\backslash$\_music.pdf"$>$PDF$<$/A$>$},
   labintel = {1}
}

@proceedings{Pressnitzer96,
   author = {D. Pressnitzer and S. McAdams and S. Winsberg and J. Fineberg},
   title = {Tension musicale et rugosit{\'e} psychoacoustique dans la musique non-tonale},
   booktitle = {Journ{\'e}es d'Informatique Musicale},
   pages = {147-156},
   address = {Caen},
   year = {1996},
   labintel = {7}
}

@incollection{pressnitzer96jim,
   author = {D. Pressnitzer and S. McAdams and S. Winsberg and J. Fineberg},
   title = {Tension et rugosit{\'e} dans une musique non tonale.},
   booktitle = {Acte des Journ{\'e}es d'Informatique Musicale},
   pages = {147-156},
   address = {Caen},
   year = {1996}
}

@incollection{pressnitzer96icmpc,
   author = {D. Pressnitzer and S. McAdams and S. Winsberg and J. Fineberg},
   title = {Roughness and tension of orchestral timbres},
   booktitle = {Proceedings of the 4th International Conference on Music Perception and Cognition},
   pages = {85-90},
   publisher = {McGill University},
   address = {Montreal},
   year = {1996}
}

@proceedings{Pressnitzer96a,
   author = {D. Pressnitzer and S. McAdams and S. Winsberg and J. Fineberg},
   title = {Roughness and musical tension of orchestral timbres},
   booktitle = {4th International Conference on Music Perception and Cognition},
   pages = {85-90},
   publisher = {Faculty of Music, McGill University},
   address = {Montr{\'e}al},
   year = {1996},
   labintel = {6}
}

@article{Pressnitzer99c,
   author = {D. Pressnitzer and S. McAdams and S. Winsberg and J. Fineberg},
   title = {Perception of musical tension for non-tonal orchestral timbres and its relation to psychoacoustic roughness},
   journal = {Perception and Psychophysics: Human Perception and Performance},
   volume = {62},
   number = {1},
   pages = {66-80},
   year = {2000},
   url = {$<$A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-2000-orchestral\_timbres.pdf"$>$PDF$<$/A$>$},
   labintel = {1}
}

@book{Reynolds02a,
   author = {R. Reynolds},
   editor = {McAdams, S.,},
   title = {Form and Method: Composing Music (The Rothschild Essays)},
   publisher = {Routledge},
   address = {New York},
   year = {2002},
   labintel = {3}
}

@misc{Reynolds03a,
   author = {R. Reynolds},
   editor = {(Ed.) and S. McAdams},
   title = {Form and Method: Composing Music ({\`a} para{\^i}tre)},
   publisher = {Contemporary Music Studies, Harwood Academic Press},
   address = {London},
   year = {2003},
   labintel = {3}
}

@proceedings{Roussarie98,
   author = {V. Roussarie and S. McAdams and A. Chaigne},
   title = {Perceptual analysis of vibrating bars synthesized with a physical model},
   booktitle = {16th International Congress on Acoustics},
   pages = {2227-2228},
   address = {Seattle},
   year = {1998},
   note = {CECI N'EST PAS UN DOUBLON!!!!!},
   labintel = {6}
}

@article{Samoylenko96,
   author = {E. S. Samoylenko and S. McAdams and V. N. Nosulenko},
   title = {Systematic analysis of verbalizations produced in comparing musical timbres},
   journal = {International Journal of Psychology},
   volume = {31},
   pages = {255-278},
   year = {1996},
   labintel = {1}
}

@techreport{Susini97,
   author = {P. Susini and S. McAdams},
   title = {Revue bibliographique des m{\'e}thodes de jugement perceptif continu de sons non stationnaires},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1997},
   labintel = {9}
}

@techreport{Susini97a,
   author = {P. Susini and S. McAdams},
   title = {M{\'e}thode d'appariement inter-modal},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1997},
   labintel = {9}
}

@techreport{Susini97b,
   author = {P. Susini and S. McAdams},
   title = {Jugements instantan{\'e}s et jugement global de l'intensit{\'e} acoustique d'un son dynamique de 1000 Hz en utilisant deux m{\'e}thods},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1997},
   labintel = {9}
}

@article{Susini98,
   author = {P. Susini and S. McAdams},
   title = {Global and continuous judgments of sounds with time-varying intensity: Cross-modal matching with a proprioceptive input device},
   journal = {Journal of the Acoustical Society of America},
   volume = {103},
   pages = {2812(A)},
   year = {1998},
   labintel = {5}
}

@techreport{Susini98a,
   author = {P. Susini and S. McAdams},
   title = {Evaluation de la sonie de sons extraits de l'environnement urbain par appariement inter-modal},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1998},
   labintel = {9}
}

@techreport{Susini98b,
   author = {P. Susini and S. McAdams},
   title = {Application de la m{\'e}thode d'{\'e}valuation de l'intensit{\'e} per{\c{c}}ue par appareiement inter-modal aux sons d'acc{\'e}l{\'e}ration de voitures},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   year = {1998},
   labintel = {9}
}

@techreport{susini99e,
   author = {P. Susini and S. McAdams},
   title = {Contr{\^o}le et {\'e}valuation des caract{\'e}ristiques temporelles de mont{\'e}e en r{\'e}gime moteur},
   institution = {GIE PSA/Renault},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1999},
   labintel = {9}
}

@proceedings{Susini00a,
   author = {P. Susini and S. McAdams},
   title = {Effet de r{\'e}cence dans une t{\^a}che de jugement de la sonie},
   booktitle = {5{\`e}me Congr{\`e}s fran{\c{c}}ais d'acoustique},
   address = {Lausanne, Suisse},
   year = {2000},
   labintel = {6}
}

@techreport{Susini00d,
   author = {P. Susini and S. McAdams},
   title = {L'approche psychoacoustique de la qualit{\'e} sonore},
   institution = {Pr{\'e}dit - Minist{\`e}re de l'am{\'e}nagement du territoire et de l'environnement},
   type = {Rapport interm{\'e}diare},
   pages = {1 - 38},
   address = {France},
   year = {2000},
   labintel = {9}
}

@article{Susini00e,
   author = {P. Susini and S. McAdams},
   title = {Psychophysical validation of a proprioceptive device by cross-modal matching of loudness},
   journal = {Acustica},
   volume = {86},
   pages = {515-525},
   year = {2000},
   labintel = {1}
}

@proceedings{Susini02b,
   author = {P. Susini and S. McAdams},
   title = {Influence of sound-directed attentional focus on overall loudness ratings},
   booktitle = {Forum Acusticum},
   publisher = {S. Hirzel Verlag},
   address = {Sevilla, Spain},
   year = {2002},
   labintel = {6}
}

@proceedings{Susini04b,
   author = {P. Susini and S. McAdams},
   title = {Temporal asymetry in loudness},
   booktitle = {CFA/DAGA},
   address = {Strasbourg, France},
   year = {2004}
}

@techreport{Susini99,
   author = {P. Susini and S. McAdams and I. Perry and X. Rodet},
   title = {Etude psychoacoustique de bruits d'unit{\'e}s int{\'e}rieures de climatisation},
   institution = {EDF},
   type = {Rapport interm{\'e}diaire},
   address = {Paris},
   year = {1999},
   labintel = {9}
}

@article{Susini02a,
   author = {P. Susini and S. McAdams and B. Smith},
   title = {Global and continuous loudness estimation of time-varying levels},
   journal = {ACUSTICA - acta acustica},
   volume = {88},
   pages = {536-548},
   year = {2002}
}

@techreport{Susini96,
   author = {P. Susini and S. McAdams and S. Winsberg},
   title = {Perception acoustique des sons de v{\'e}hicules {\'e}galis{\'e}s en sonie},
   institution = {GIE PSA/Renault},
   type = {Rapport de fin de contrat},
   year = {1996},
   labintel = {9}
}

@proceedings{Susini97c,
   author = {P. Susini and S. McAdams and S. Winsberg},
   title = {Perceptual characterisation of vehicules noises},
   booktitle = {EEA Symposium: Psychoacoustic in Industry and Universities},
   address = {Eindhoven, The Netherlands},
   year = {1997}
}

@proceedings{Susini97d,
   author = {P. Susini and S. McAdams and S. Winsberg},
   title = {Caract{\'e}risation perceptive des bruits de v{\'e}hicules},
   booktitle = {4e Congr{\`e}s Fran{\c{c}}ais d'Acoutique},
   volume = {1},
   pages = {543-546},
   publisher = {Teknea},
   address = {Marseille},
   year = {1997},
   labintel = {6}
}

@article{Susini99a,
   author = {P. Susini and S. McAdams and S. Winsberg},
   title = {A multidimensional technique for sound quality assessment},
   journal = {Acustica},
   volume = {85},
   pages = {650-656},
   year = {1999},
   labintel = {1}
}

@techreport{susini00c,
   author = {P. Susini and S. McAdams and S. Winsberg},
   title = {Etude psychoacoustique de bruits d'unit{\'e}s int{\'e}rieures de climatisation},
   type = {Rapport final, contrat d'association avec EDF, LNE \& Inra},
   year = {2000},
   keywords = {9},
   labintel = {9}
}

@article{Susini04a,
   author = {P. Susini and S. McAdams and S. Winsberg and I. Perry and S. Vieillard and X. Rodet},
   title = {Characterising the sound quality of air-conditiong noise},
   journal = {Applied Acoustics},
   pages = {({\`a} para{\^i}tre)},
   year = {2004},
   labintel = {1}
}

@article{Susini98c,
   author = {P. Susini and N. Misdariis and S. Winsberg and S. McAdams},
   title = {Caract{\'e}risation perceptive de bruits},
   journal = {Acoustique et Techniques},
   volume = {13},
   pages = {11-15},
   year = {1998}
}

@proceedings{Susini01a,
   author = {P. Susini and I. Perry and S. Vieillard and S. Winsberg and S. McAdams and X. Rodet},
   title = {Sensory evaluation of air-conditioning noise: Sound design and psychoacoustic evaluation},
   booktitle = {17th International Congress on Acoustics},
   volume = {III, session 6\_09},
   pages = {20-21 [CD-ROM]},
   address = {Rome},
   year = {2001},
   keywords = {6}
}

@techreport{susini00b,
   author = {P. Susini and M. Slama and S. McAdams},
   title = {Etude psychoacoustique de bruits parasites {\`a} l'int{\'e}rieur d'un habitacle de voiture},
   type = {Rapport interm{\'e}diaire, PREDIT projet SQUAD, Minist{\`e}re de l'Am{\'e}nagement du Territoire et de l'Environnement},
   year = {2000},
   keywords = {9},
   labintel = {9}
}

@techreport{susini01g,
   author = {P. Susini and S. Vieillard and S. McAdams and B. Smith},
   title = {Elaboration d'un mod{\`e}le de d{\'e}tection automatique et d'un estimateur de d{\'e}sagr{\'e}ment de bruits parasites.},
   institution = {PREDIT - Minist{\`e}re de l'{\'e}ducation nationale, de la recherche et de la technologie.},
   year = {2001},
   labintel = {9}
}

@article{Tillmann04a,
   author = {B. Tillmann and S. McAdams},
   title = {Implicit learning of musical timbre sequences: Statistical regularities confronted with acoustical (dis)similarities},
   journal = {Journal of Experimental Psychology: Learning, Memory and Cognition},
   pages = {({\`a} para{\^i}tre)},
   year = {2004},
   labintel = {1}
}

@article{Tillmann04b,
   author = {B. Tillmann and S. McAdams},
   title = {Apprentissage implicite en modalit{\'e} auditive : Statistique et acoustique},
   journal = {Neuropsychologie},
   pages = {({\`a} para{\^i}tre)},
   year = {2004},
   labintel = {1}
}

@techreport{topalovie99a,
   author = {N. Topalovic and B. Smith and S. McAdams},
   title = {Pr{\'e}vision du bruit rayonn{\'e} par des structures en vue d'une {\'e}valuation perceptive. Tome III. Etudes psychoacoustiques},
   institution = {PREDIT, Minist{\`e}re de l'Am{\'e}nagement du Territoire et de l'Environnement},
   type = {Rapport de fin de contrat},
   address = {Paris},
   year = {1999},
   labintel = {9}
}

@proceedings{Turgeon00c,
   author = {M. Turgeon and S. McAdams and C Drake and Y. Samson},
   title = {The relative contribution of the visual and auditory signals to the dynamic reproduction of a rhythmic pattern},
   booktitle = {8th International Workshop on Rhythm Perception and Production},
   pages = {38-39},
   address = {Castleton, UK.},
   year = {2000},
   labintel = {6}
}

@proceedings{Vieillard02b,
   author = {S. Vieillard and E. Bigand and F. Madurell and S. McAdams and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@proceedings{Vieillard02a,
   author = {S. Vieillard and S. McAdams and O. Houix and R. Reynolds},
   editor = {Stevens, C., and Burnham, D., and McPherson, G., and Schubert, E., and Renwick, J.,},
   title = {Perceptual and cognitive criteria used in the categorization of thematic excerpts from a contemporary musical piece},
   booktitle = {7th International Conference on Music Perception and Cognition},
   publisher = {Adelaide: Causal Productions [CD-ROM]},
   address = {Sydney},
   year = {2002},
   labintel = {6}
}

@article{Wightman78,
   author = {F. Wightman and S. McAdams},
   title = {Pitch perception of complex tones for normal and hearing-impaired listeners},
   journal = {Journal of the Acoustical Society of America},
   volume = {64},
   number = {S39(A)},
   year = {1978},
   labintel = {5}
}