%0 Book Section
%A Ayari, M.
%A McAdams, S.
%D 2002
%T Le schéma cognitif culturel de l'improvisation  modale: Forme musicale et analyse perceptive
%E Lévy, F.
%E Chouvel, J.-M.
%B Observation, analyse, modèle. Peut-on parler  d'art avec les outils de la science ?
%C Paris
%I Harmattan
%P 395-418
%1 4
%2 3
%F Ayari02a

%0 Conference Proceedings
%A Ayari, M.
%A McAdams, S.
%D 2002
%T Le schéma cognitif culturel de  l'improvisation: forme musicale et analyse  perceptive (Psychologie expérimentale et problème  d'universalisation de données)
%B 2e colloque international d'épistémologie  musicale (colloque organisé par la SFAM, l'IRCAM  et l'Université Paris X)
%C IRCAM, Paris
%1 7
%2 3
%F Ayari02b

%0 Journal Article
%A Ayari, M.
%A McAdams, S.
%D 2003
%T Aural analysis of arabic improvised instrumental Music (taqsîm)
%B Music Perception
%V 21
%P 159-216
%1 1
%F Ayari03a

%0 Book Section
%A Ayari, M.
%A McAdams, S.
%D 2004
%T Polysémie et multidimensionnalité du phénomène  de l'improvisation instrumentale arabe
%E Madurell, F.
%B Les pratiques d'écoute individuelles
%C Paris
%I Université de Paris-Sorbonne
%P (à paraître)
%1 4
%F Ayari04a

%0 Conference Proceedings
%A Beauchamp, J.
%A Horner, A.
%A McAdams, S.
%D 1995
%T Musical sounds, data reduction, and perceptual control parameters
%B SMPC95 Conference
%C Berkeley
%I SMPC
%P 8-9(A)
%1 7
%2 3

%0 Journal Article
%A Beauchamp, J. W.
%A McAdams, S.
%A Meneguzzi, S.
%D 1997
%T Perceptual effects of simplifying musical instrument sound time-frequency representations
%B Journal of the Acoustical Society of America
%V 101
%P 3167(A)
%1 5
%2 3

%0 Journal Article
%A Beauvois, M. W.
%A McAdams, S.
%D 1996
%T Stimulus intensity and auditory stream formation
%B Acustica
%V 82
%P S85(A)
%1 5
%2 3

%0 Journal Article
%A Belin, P.
%A McAdams, S.
%A Smith, B.
%A Savel, S.
%A Thivard, L.
%A Samson, S.
%A Samson, Y.
%D 1998
%T The functional anatomy of sound intensity discrimination
%B Journal of Neuroscience
%V 18
%P 6388-6394
%1 1
%2 3

%0 Journal Article
%A Belin, P.
%A McAdams, S.
%A Thivard, L.
%A Smith, B.
%A Savel, S.
%A Zilbovicius, M.
%A Samson, S.
%A Samson, Y.
%D 2002
%T The neuroanatomical substrate of sound duration discrimination
%B Neuropsychologia
%V 40
%P 1956-1964
%1 1
%2 3
%F Belin02a

%0 Journal Article
%A Bertoncini, J.
%A Morais, J.
%A Bijeljac-Babic, R.
%A McAdams, S.
%A Peretz, I.
%A Mehler, J.
%D 1989
%T Dichotic perception and laterality in neonates
%B Brain and Langauge
%V 37
%P 591-605
%1 1
%2 3

%0 Conference Proceedings
%A Bey, C.
%A McAdams, S.
%D 1997
%T Implication des processus descendants dans la formation des flux auditifs
%B La perception: Du natural à l'artificiel, Journées Internationales d'Orsay sur les Sciences Cognitives 1997
%C Orsay
%P 29-32
%1 6
%2 3

%0 Conference Proceedings
%A Bey, C.
%A McAdams, S.
%D 1997
%T Etudes des processus de formation des flux auditifs par une méthode objective
%B 4e Congrès Français d'Acoustique
%C Marseille
%I Teknea
%V 1
%P 531-534
%1 6
%2 3

%0 Conference Proceedings
%A Bey, C.
%A McAdams, S.
%D 1998
%T Perception de mélodies intercalées : Implication des processus descendants dans l'organisation auditive
%E Kayser, D.
%E Nguyen-Xuan, A.
%E Holley, A.
%B VIIe Colloque de l'Association pour la Recherche Cognitive
%C Paris
%P 255-260
%1 7
%2 3

%0 Conference Proceedings
%A Bey, C.
%A McAdams, S.
%D 1998
%T Implication of top-down processes in auditory streaming
%B 39th Meeting of the Psychonomic Society
%C Dallas
%P 25(A)
%1 6
%2 3

%0 Journal Article
%A Bey, C.
%A McAdams, S.
%D 2002
%T Schema-based processing in auditory scene analysis
%B Perception and Psychophysics
%V 64
%P 844-854
%1 1
%2 3
%F Bey02a

%0 Journal Article
%A Bey, C. 
%A McAdams, S.
%D 2003
%T Post-recognition of interleaved melodies as an indirect measure of auditory stream formation
%B Journal of Experimental Psychology: Human Perception and Performance
%V à paraître.
%2 3
%F Bey03a

%0 Journal Article
%A Bigand, E.
%A Madurell, F.
%A McAdams, S.
%D 1998
%T Quelques commentaires psychologiques sur le commentaire d'écoute
%B Musurgia
%V 5
%N 1
%P 71-81
%1 10
%2 3

%0 Conference Proceedings
%A Bigand, E.
%A McAdams, S.
%A Forêt, S.
%D 1994
%T Divided attention in polyphonic listening
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 237-238
%1 6
%2 3

%0 Journal Article
%A Bigand, E.
%A McAdams, S.
%A Forêt, S.
%D 2000
%T Divided attention in music
%B International Journal of Psychology
%V 35
%P 270-278
%8 jan2000
%1 1
%2 3
%F Bigand00a

%0 Conference Proceedings
%A Bigand, E.
%A Vieillard, S.
%A Madurell, F.
%A McAdams, S.
%A Poulin, B.
%D 2002
%T Effects of instrumentation on the memorization of musical materials
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 1
%2 3
%F Bigand02a

%0 Journal Article
%A Botte, M.-C.
%A Drake, C.
%A Brochard, R.
%A McAdams, S.
%D 1997
%T Perceptual attenuation of non-focused auditory streams
%B Perception and Psychophysics
%V 59
%P 419-425
%1 1
%2 3

%0 Journal Article
%A Botte, M.-C.
%A Drake, C.
%A Brochard, R.
%A McAdams, S.
%A Argenti, A.-M.
%D 1994
%T Focalisation attentionelle appliquée aux flux auditifs. Premières mesures
%B Journal de Physique
%V 4
%N C5
%P 407-410
%1 5
%2 3

%0 Journal Article
%A Botte, M.C.
%A Drake, C.
%A Brochard, R.
%A McAdams, S.
%A Argenti, A.M.
%D 1994
%T Preliminary measures of the focusing of attention on auditory streams
%B Journal of the Acoustical Society of America
%V 95
%P 2965(A)
%1 5
%2 3

%0 Journal Article
%A Botte, M.C.
%A McAdams, S.
%D 1992
%T Organisation perceptive dans l'audition
%B Les Cahiers de l'Audition
%V 5
%N 5
%P 22-26
%1 10
%2 3

%0 Book Section
%A Botte, M.C.
%A McAdams, S.
%A Drake, C.
%D 1995
%T La perception des sons et de la musique
%E Lechevalier, B.
%E Eustache, F.
%B Perception et agnosies : Séminaire Jean-Louis Signoret
%C Bruxelles
%I De Boeck
%P 55-99
%1 4
%2 3

%0 Conference Proceedings
%A Brochard, R.
%A Drake, C.
%A Botte, M-C.
%A McAdams, S.
%D 1995
%T Focusing attention on one auditory stream does not depend on the number of simultaneous streams
%B Fechner Day 95.  11th Annual Meeting of the International Society for Psychophysics
%C Cassis
%I ISP
%P 155-160
%1 7
%2 3

%0 Journal Article
%A Brochard, R.
%A Drake, C.
%A Botte, M.-C.
%A McAdams, S.
%D 1999
%T Perceptual organization of complex auditory sequences: Effect of number of simultaneous subsequences and frequency separation
%B Journal of Experimental Psychology: Human Perception and Performance
%V 25
%P 1742-1759
%1 1
%2 3
%F Brochard99a

%0 Journal Article
%A Brochard, R.
%A Drake, C.
%A McAdams, S.
%A Botte, M.-C.
%D 1996
%T Effect of the number of distracting streams on the focusing of attention on one auditory stream
%B Journal of the Acoustical Society of America
%V 99
%P 2597(A)
%1 5
%2 3

%0 Journal Article
%A Brown, J.
%A Houix, O.
%A McAdams, S.
%D 2001
%T Feature dependence in the automatic identification of musical woodwind instruments
%B Journal of the Acoustical Soceity of America
%V 109
%P 1064-1072
%1 1
%2 3
%F Brown01a
%K 1

%0 Journal Article
%A Caclin, A.
%A Brattico, E.
%A Smith, B.
%A Ternaviemi, M.
%A Giard, M.-H.
%A McAdams, S.
%D 2002
%T Electrophysiological correlates of musical timbre perception
%B Journal of the Acoustical Society of America
%V 112
%P 2240 (A)
%1 5
%2 3
%F Caclin02a

%0 Conference Proceedings
%A Caclin, A.
%A Brattico, E.
%A Smith, B.
%A Ternaviemi, M.
%A Toiviainen, P.
%A Näätänen, R.
%A Giard, M.-H.
%A McAdams, S.
%D 2002
%T Musical timbre perception: A combined psychophysical and electrophysiological study
%B ICON8
%C Porquerolles
%P 70
%1 6
%2 3
%F Caclin02b

%0 Journal Article
%A de Cheveigné, A.
%A McAdams, S.
%A Laroche, J.
%A Rosenberg, M.
%D 1994
%T Identification de voyelles simultanées harmoniques et inharmoniques
%B Journal de Physique
%V 4
%N C5
%P 533-536
%1 5
%2 3

%0 Journal Article
%A de Cheveigné, A.
%A McAdams, S.
%A Laroche, J.
%A Rosenberg, M.
%D 1995
%T Identification of concurrent harmonic and inharmonic vowels: A test of the theory of harmonic cancellation and enhancement
%B Journal of the Acoustical Society of America
%V 97
%P 3736-3748
%1 1
%2 3

%0 Journal Article
%A de Cheveigné, A.
%A McAdams, S.
%A Marin, C.
%D 1997
%T Concurrent vowel identification II: Effects of phase, harmonicity and task
%B Journal of the Acoustical Society of America
%V 101
%P 2848-2856
%1 1
%2 3
%F deCh97-JASA2
%U <a href="http://www.ircam.fr/pcm/cheveign/abstracts/97_concurrent_vowel_II.html">abstract</a>

%0 Magazine Article
%A Demany, L.
%A McAdams, S.
%D 1992
%T L'audition organisatrice: Le système auditif humain est un organisateur de spectres
%B Le Courrier du CNRS
%V 79
%P 43
%1 10
%2 3

%0 Conference Proceedings
%A Donnadieu, S.
%A McAdams, S.
%D 1996
%T Effects of context change on dissimilarity, discrimination, and categorisation tasks on timbre perception
%B Fechner Day 96. 12th Annual Meeting of the International Society for Psychophysics
%C Padova
%I ISP
%P 239-244
%1 7
%2 3

%0 Conference Proceedings
%A Donnadieu, S.
%A McAdams, S.
%A Winsberg, S.
%D 1994
%T Context effects in "timbre space"
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 311-312
%1 6
%2 3

%0 Journal Article
%A Donnadieu, S.
%A McAdams, S.
%A Winsberg, S.
%D 1994
%T Caractérisation du timbre des sons complexes. I : Analyse multidimensionnelle
%B Journal de Physique
%V 4
%N C5
%P 593-596
%1 5
%2 3

%0 Conference Proceedings
%A Donnadieu, S.
%A McAdams, S.
%A Winsberg, S.
%D 1995
%T Effects of context change on timbre perception
%B SMPC95 Conference
%C Berkeley
%I SMPC
%P 12(A)
%1 7
%2 3

%0 Conference Proceedings
%A Donnadieu, S.
%A McAdams, S.
%A Winsberg, S.
%D 1996
%T Categorization, discrimination, and context effects in the perception of natural and interpolated timbres
%B 4th International Conference on Music Perception and Cognition
%C Montréal
%I Faculty of Music, McGill University
%P 73-78
%1 6
%2 3

%0 Journal Article
%A Drake, C.
%A McAdams, S.
%D 1999
%T The continuity illusion: Role of temporal sequence structure
%B Journal of the Acoustical Society of America
%V 106
%P 3529-3538
%1 1
%2 3
%F Drake99a

%0 Conference Proceedings
%A Dufournet, D.
%A Susini, P.
%A Slama, M.
%A McAdams, S.
%D 2001
%T An annoyance meter for squeak-and-rattle diagnostics
%B 17th International Congress on Acoustics
%C Rome
%V X, session 8_10
%P 38-39 [CD-ROM]
%1 6
%2 3
%F Dufournet01a
%K 6

%0 Conference Proceedings
%A Fales, C.
%A McAdams, S.
%D 1994
%T Tone/noise fusion and timbre in African musical instruments
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 105-106
%1 6
%2 3

%0 Journal Article
%A Fales, C.
%A McAdams, S.
%D 1994
%T The fusion and layering of noise and tone: Implications for timbre in African instruments
%B Leonardo Music Journal
%V 4
%P 69-77
%1 1
%2 3

%0 Conference Proceedings
%A Faure, A.
%A McAdams, S.
%D 1997
%T Comparaison de profils sémantiques et de l'espace perceptif des timbres musicaux
%E Meunier, Sabine
%E Mangiante, Gérard
%E Canévet, Georges
%B 4eme Congrès Français d'Acoustique
%C Marseille, France
%I Teknea
%V 1
%P 625-628
%1 acoustique, perception, audition, verbalisation, sémantique
%2 3

%0 Conference Proceedings
%A Faure, A.
%A McAdams, S.
%D 1998
%T Du percept au concept : comment parle-t-on du timbre des instruments de musique ?
%E Besson, M.J.
%B 6ième colloque du l'école doctorale Neurobiologie & Comportement
%C Paris
%P C9
%1 timbre, verbalisation
%2 3

%0 Book Section
%A Faure, A.
%A McAdams, S.
%D 2001
%T Des sons aux mots : comment parle-t-on du timbre musical ?
%E Viader, F.
%E Eustache, F.
%B Langage et pensée: 10ème Séminaire Jean-Louis Signoret
%C Brussels
%I De Boeck
%1 4
%2 3
%F Faure01a
%K 4

%0 Conference Proceedings
%A Faure, A.
%A McAdams, S.
%A Nosulenko, V.
%D 1996
%T Verbal correlates of perceptual dimensions of timbre
%B 4th International Conference on Music Perception and Cognition
%C Montréal
%I Faculty of Music, McGill University
%P 79-84
%1 6
%2 3

%0 Journal Article
%A Hartmann, W.M.
%A McAdams, S.
%D 1985
%T Discrimination of spectral density
%B Journal of the Acoustical Society of America
%V 78
%P S46(A)
%1 5
%2 3

%0 Journal Article
%A Hartmann, W.M.
%A McAdams, S.
%A Gerzso, A.
%A Boulez, P.
%D 1986
%T The discrimination of spectral density
%B Journal of the Acoustical Society of America
%V 79
%P 1915-1925
%1 1
%2 3

%0 Journal Article
%A Hartmann, W.M.
%A McAdams, S.
%A Smith, B.K.
%D 1986
%T Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone
%B Journal of the Acoustical Society of America
%V 80
%P S93(A)
%1 5
%2 3

%0 Report
%A Hartmann, W.M.
%A McAdams, S.
%A Smith, B.K.
%D 1986
%T L'appariement de la hauteur d'un harmonique désaccordé dans un son complexe
%C Paris
%I IRCAM
%P 57-65
%8 1986
%9 Rapport Annuel
%1 9
%2 3

%0 Journal Article
%A Hartmann, W. M.
%A McAdams, S.
%A Smith, B. K.
%D 1990
%T Hearing a mistuned harmonic in an otherwise periodic complex tone
%B Journal of the Acoustical Society of America
%V 88
%P 1712-1724
%1 1
%2 3

%0 Book Section
%A Houix, O.
%A McAdams, S.
%A Caussé, R.
%D 1999
%T Auditory categorization of sound sources
%E Grealy, M. A.
%E Thomson, J. A.
%B Studies in Perception and Action
%C Mahwah, NJ
%I Lawrence Erlbaum Associates
%V V
%P 47-51
%1 4
%2 3
%F Houix99a

%0 Conference Proceedings
%A Houix, O.
%A McAdams, S.
%A Caussé, R.
%D 2000
%T Structures vibrantes et catégorisation auditive
%B 5ème Congrès Français d'Acoustique
%C Lausanne
%P 437-440
%1 6
%2 3
%F Houix01a
%K 6

%0 Journal Article
%A Krimphoff, J.
%A McAdams, S.
%A Winsberg, S.
%D 1994
%T Caractérisation du timbre des sons complexes. II: Analyses acoustiques et quantification psychophysique
%B Journal de Physique
%V 4
%N C5
%P 625-628
%1 5
%2 3

%0 Conference Proceedings
%A Lakatos, S.
%A McAdams, S.
%D 1995
%T Scaling of harmonic and percussive timbres: Perceptual spaces and verbal attributes
%B SMPC95 Conference
%C Berkeley
%I SMPC
%P 10(A)
%1 7
%2 3

%0 Journal Article
%A Lakatos, S.
%A McAdams, S.
%A Caussé, R.
%D 1996
%T Perception of auditory source characteristics: Simple geometric form
%B Journal of the Acoustical Society of America
%V 100
%P 2719(A)
%1 5
%2 3

%0 Journal Article
%A Lakatos, S.
%A McAdams, S.
%A Caussé, R.
%D 1997
%T The representation of auditory source characteristics: Simple geometric form
%B Perception & Psychophysics
%V 59
%P 1180-1190
%1 1
%2 3

%0 Report
%A Lemaitre, G.
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 2001
%T Etude de l'effet du mode de fixation des avertisseurs sonores  automibles sur la perception du son
%9 Rapport intermédiaire, contrat Klaxon-Ircam-Université du Maine
%1 9
%2 3
%F Lemaitre01a
%K 9

%0 Report
%A Lemaitre, G.
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 2002
%T Etude de la perception du timbre des avertisseurs sonores (Rapport intermédiaire)
%I Contrat Klaxon-Ircam-Université du Maine
%1 9
%2 3
%F Lemaitre02b

%0 Conference Proceedings
%A Lemaitre, G.
%A Susini, P.
%A Winsberg, S.
%A McAdams, S.
%D 2002
%T Perception of the timbre of car horns
%B Forum Acusticum
%C Sevilla, Spain
%I S. Hirzel Verlag [CD-ROM]
%1 6
%2 3
%F Lemaitre02a

%0 Journal Article
%A Lemaitre, G.
%A Susini, P.
%A Winsberg, S.
%A McAdams, S.
%D 2002
%T Perception of the timbre of car horns
%B Acta Acustica
%V 88
%P S123 (A)
%1 5
%2 3
%F Lemaitre02c

%0 Conference Proceedings
%A Lemaitre, G.
%A Susini, P.
%A Winsberg, S.
%A McAdams, S.
%D 2003
%T Perceptively based design of new car horns sounds
%E Shinn-Cunningham, Eoin Brazil and Barbara
%B International Conference on Auditory Display
%C University of Boston
%I the Boston University Publications Production Department
%P 47-50
%F Lemaitre03a

%0 Conference Proceedings
%A Lemaitre, G.
%A Susini, P.
%A Winsberg, S.
%A McAdams, S.
%D 2004
%T A method to assess the ecological validity of laboratory-recorded car horn sounds
%B CFA/DAGA
%C Strasbourg, France
%F Lemaitre04a

%0 Journal Article
%A Levitin, D.
%A McAdams, S.
%A Adams, R.
%D 2002
%T Control parameters for musical instruments: A foundation for new mappings of gesture to sound
%B Organised Sound
%V 7
%P 171-189
%1 1
%2 3
%F Levitin02a

%0 Report
%A Marin, C.
%A McAdams, S.
%D 1987
%T Rôle de l'enveloppe spectrale dans la séparation de sources sonores
%C Paris
%I IRCAM
%9 Rapport Annuel
%@ pp. 75-92
%1 9
%2 3

%0 Journal Article
%A Marin, C.
%A McAdams, S.
%D 1996
%T The role of frequency modulation, polyperiodicity, and auditory beats in the recognition of spectrally embedded complex target sounds
%B Journal of the Acoustical Society of America
%V 100
%P v
%1 1
%2 3

%0 Report
%A Marin, Cécile M.H.
%A McAdams, Stephen
%D 1987
%T The role of spectral envelope in the segregation of sound sources
%I IRCAM
%P 75-92
%9 Rapport annuel
%1 9
%2 3

%0 Journal Article
%A Marin, C.M.H.
%A McAdams, S.
%D 1990
%T Interactions among cues contributing to concurrent sound segregation
%B Journal of the Acoustical Society of America
%V 88
%P S146(A)
%1 5
%2 3

%0 Journal Article
%A Marin, Cécile M.H.
%A McAdams, Stephen
%D 1991
%T Segregation of concurrent sounds II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width
%B Journal of the Acoustical Society of America
%V 89
%P 341-351
%1 1
%2 3

%0 Journal Article
%A Marin, Cécile M.H.
%A McAdams, Stephen
%D 1996
%T The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds
%B Journal of the Acoustical Society of America
%V 100
%P 1736-1753
%1 1
%2 3

%0 Conference Proceedings
%A Marin, C.M.H.
%A McAdams, S.
%A Liénard, J.S.
%D 1989
%T The role of beats in concurrent sound segregation based on frequency modulation cues
%B Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics
%C Cassis
%I ISP
%P 120-125
%1 7
%2 3

%0 Journal Article
%A Marin, C.M.H.
%A McAdams, S.
%A Liénard, J.S.
%D 1990
%T Le rôle des battements sur la séparation perceptive de sources sonores simultanées due à l'indice de modulation de fréquence
%B Journal de Physique
%V 2
%N C2
%P 167-170
%1 5
%2 3

%0 Journal Article
%A Marin, C.M.H.
%A McAdams, S.
%A Liènard, J.S.
%D 1990
%T The role of beats in the segregation of concurrent sounds based on frequency modulation coherence
%B Journal of the Acoustical Society of America
%V 87
%P S157(A)
%1 5
%2 3

%0 Journal Article
%A Marozeau, J.
%A de Cheveigné, A.
%A McAdams, S.
%A Winsberg, S.
%D 2001
%T The perceptual interaction between the pitch and timbre of musical sound
%B Journal of the Acoustical Society of America
%V 109
%P 2288 (A)
%1 1
%2 3
%F Marozeau01a
%K 5

%0 Journal Article
%A Marozeau, J.
%A de Cheveigné, A.
%A McAdams, S.
%A Winsberg, S.
%D 2001
%T The perceptual interaction between pitch and timbre of musical sound
%B J. Acoust. Soc. Am.
%V 109
%P 2288
%1 5
%2 3
%F Marozeau01b

%0 Journal Article
%A Marozeau, J.
%A de Cheveigné, A.
%A McAdams, S.
%A Winsberg, S.
%D 2003
%T The dependency of timbre on fundamental frequency
%B Journal of the Acoustical Society of America
%V 114
%P 2946-2957
%1 1
%F Marozeau03a

%0 Conference Proceedings
%A Matzkin, D
%A McAdams, S.
%D 2000
%T Similarity perception of variations of tonal and twelve-tone melodies
%B 6th ICMPC Conference
%C Keele (UK)
%I ICMPC
%P cd-rom
%1 6
%2 3
%F Matzkin00a

%0 Journal Article
%A McAdams, S.
%D 1981
%T The effects of spectral fusion on the perception of pitch for complex tones
%B Journal of the Acoustical Society of America
%V 68
%N S109(A)
%1 5
%2 3

%0 Book Section
%A McAdams, S.
%D 1982
%T Spectral fusion and the creation of auditory images
%E Clynes, M.
%B Music, Mind and Brain: The Neuropsychology of Music
%C New York
%I Plenum Press
%P 278-298
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1982
%T Contributions of sub-audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones
%B Journal of the Acoustical Society of America
%V 72
%P S11(A)
%1 5
%2 3

%0 Book Section
%A McAdams, S.
%D 1983
%T Les fondements de l'acoustique
%E Battier, M.
%E Bernard, P.
%E Charbonneau, G.
%B Musique et ordinateur
%C Orsay
%I Université de Paris-Orsay
%P 67-91
%1 10
%2 3

%0 Conference Proceedings
%A McAdams, S.
%D 1983
%T Acoustic cues contributing to spectral fusion
%B 1983 International Congress of Acoustics
%C Paris
%V 3
%P 127-130
%1 6
%2 3

%0 Thesis
%A McAdams, S.
%D 1984
%T Spectral Fusion, Spectral Parsing, and the Formation of Auditory Images
%B Hearing and Speech Sciences
%C Stanford
%I Stanford University
%9 Thèse de Doctorat
%1 8
%2 1

%0 Book Section
%A McAdams, S.
%D 1984
%T The auditory image: A metaphor for musical and psychological research on auditory organization
%E Crozier, W. R.
%E Chapman, A. J.
%B Cognitive Processes in the Perception of Art
%C Amsterdam
%I North-Holland
%P 289-323
%1 4
%2 3

%0 Edited Book
%A McAdams, S.
%D 1987
%T Music and Psychology: A Mutual Regard
%B Contemporary Music Review
%V 2(1)
%1 3
%2 3

%0 Journal Article
%A McAdams, S.
%D 1987
%T Music: A science of the mind?
%B Contemporary Music Review
%V 2
%N 1
%P 1-61
%1 1
%2 3

%0 Magazine Article
%A McAdams, S.
%D 1987
%T Les formes du plaisir musical
%B Science et Vie
%V 158
%P 116-121
%1 10
%2 3

%0 Journal Article
%A McAdams, S.
%D 1988
%T Review of Sound Color by Wayne Slawson
%B Journal of the Acoustical Society of America
%V 84
%P 1957-1958(B)
%1 11
%2 3

%0 Journal Article
%A McAdams, S.
%D 1988
%T Perception et intuition : Calculs tacites
%B InHarmoniques
%V 3
%P 86-103
%1 10
%2 3

%0 Journal Article
%A McAdams, S.
%D 1989
%T Segregation of concurrent sounds. I: Effects of frequency modulation coherence
%B Journal of the Acoustical Society of America
%V 86
%P 2148-2159
%1 1
%2 3

%0 Journal Article
%A McAdams, S.
%D 1989
%T Review of Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, edited by John A. Sloboda
%B Music Perception
%V 7
%P 195-201(B)
%1 11
%2 3

%0 Journal Article
%A McAdams, S.
%D 1989
%T Psychological constraints on form-bearing dimensions in music
%B Contemporary Music Review
%V 4
%N 1
%P 181-198
%1 1
%2 3

%0 Conference Proceedings
%A McAdams, S.
%D 1989
%T Music and psychoacoustics
%B Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics
%C Cassis
%I ISP
%P 1-4
%1 7
%2 3

%0 Book Section
%A McAdams, S.
%D 1989
%T Les nombreux visages de la cognition humaine dans la recherche et la pratique musicales
%E McAdams, S.
%E Deliège, I.
%B La musique et les sciences cognitives
%C Bruxelles
%I Editions Pierre Mardaga
%P 11-20
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1989
%T Introduction: The many faces of human cognition in musical research and practice
%B Contemporary Music Review
%V 4
%N 1
%P 1-7
%1 1
%2 3

%0 Book Section
%A McAdams, S.
%D 1989
%T Contraintes psychologiques sur les dimensions porteuses de forme en musique
%E McAdams, S.
%E Deliège, I.
%B La musique et les sciences cognitives
%C Bruxelles
%I Editions Pierre Mardaga
%P 257-284
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1990
%T Reply to "Comments on S. McAdams' review of Sound Color" [J. Acoust. Soc. Am. 86, 2469-2471 (1989)]
%B Journal of the Acoustical Society of America
%V 86
%P 2471(B)
%1 11
%2 3

%0 Report
%A McAdams, S.
%D 1990
%T L'organisation perceptive du monde sonore
%C Paris
%I Fondation Fyssen
%9 Rapport scientifique
%1 9
%2 3

%0 Book Section
%A McAdams, S.
%D 1991
%T Pertseptivnaya organizatsiya akusticheskoy sryedy [L'organisation perceptive du monde sonore]
%E Nosulenko, V.
%B Problemy ekologicheskoy psykhoakustiki [Problèmes de psychoacoustique écologique]
%C Moscow
%I Institut de Psychologie
%P 28-50
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1992
%T Perception and memory of musical timbre
%B International Journal of Psychology
%V 27
%N 3-4
%P 146(A)
%1 5
%2 3

%0 Report
%A McAdams, S.
%D 1992
%T Aspects cognitifs de l'audition humaine
%C Paris
%I DRET
%@ Rapport de fin de contrat
%1 9
%2 3

%0 Book Section
%A McAdams, S.
%D 1993
%T Recognition of sound sources and events
%E McAdams, S.
%E Bigand, E.
%B Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%P 146-198
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1993
%T L'utopie d'une psychoacoustique musicale
%B Les Cahiers de l'IRCAM
%V 4
%P v
%1 10
%2 3

%0 Journal Article
%A McAdams, S.
%D 1993
%T Analyse de Auditory Scene Analysis de Albert S. Bregman
%B L'Année Psychologique
%V 93
%P 609
%1 11
%2 3

%0 Journal Article
%A McAdams, S.
%D 1994
%T Review of Auditory Scene Analysis by Albert S. Bregman
%B Journal of the Acoustical Society of America
%V 95
%P 1177-1178
%1 11
%2 3

%0 Book Section
%A McAdams, S.
%D 1994
%T Reconnaissance de sources et d'événements sonores
%E McAdams, S.
%E Bigand, E.
%B Penser les sons : Psychologie cognitive de l'audition
%C Paris
%I Presses Universitaires de France
%P 157-214
%1 4
%2 3

%0 Conference Proceedings
%A McAdams, S.
%D 1994
%T Big sister Pitch's little brother Timbre comes of age
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 41-45
%1 6
%2 3

%0 Book Section
%A McAdams, S.
%D 1994
%T Audition: physiologie, perception et cognition
%E Richelle, M.
%E Requin, J.
%E Robert, M.
%B Traité de psychologie expérimentale
%C Paris
%I Presses Universitaires de France
%V 1
%P 283-344
%1 4
%2 3

%0 Book Section
%A McAdams, S.
%D 1996
%T Stratégies d'écoute: L'auditeur et la musique électroacoustique
%E Borio, M.
%E Sauvageot, A.
%B Les cinq sens de la création
%C Seyssel
%I Editions Champ Vallon
%P 70-76
%1 10
%2 3

%0 Magazine Article
%A McAdams, S.
%D 1996
%T Perception des sources sonores
%B BIO : Lettres du Département des Sciences de la Vie, CNRS
%V 62
%P 5
%1 10
%2 3

%0 Thesis
%A McAdams, S.
%D 1996
%T Organisation et représentation perceptives en audition
%B Psychologie
%C Paris
%I Université René Descartes (Paris V)
%9 Habilitation à Diriger des Recherches
%1 8
%2 1

%0 Journal Article
%A McAdams, S.
%D 1996
%T L'organisation perceptive du monde sonore
%B Médecine des Arts
%V 18
%P 15-17
%1 10
%2 3

%0 Book Section
%A McAdams, S.
%D 1996
%T Audition: Cognitive psychology of music
%E Llinás, R.
%E Churchland, P.
%B The Mind-Brain Continuum
%C Cambridge, MA
%I MIT Press
%P 251-279
%1 4
%2 3

%0 Book Section
%A McAdams, S.
%D 1997
%T L'organisation perceptive de l'environnement sonore
%E Christen, Y.
%E Collet, L.
%E Droy-Lefaix, M.-T.
%B Rencontres IPSEN en ORL
%C Boulogne
%I Editions Irvinn
%P 91-102
%1 4
%2 3

%0 Journal Article
%A McAdams, S.
%D 1999
%T Perspectives on the contribution of timbre to musical structure
%B Computer Music Journal
%V 23
%N 2
%P 96-113
%1 1
%2 3
%F McAdams99a

%0 Journal Article
%A McAdams, S.
%D 1999
%T Basic and applied psychoacoustics in France
%B Acustica
%V 85
%P 636-638
%1 10
%2 3
%F McAdams99e

%0 Journal Article
%A McAdams, S.
%D 2000
%T The psychomechanics of real and simulated sound sources
%B Journal of the Acoustical Society of America
%V 107
%P 2792(A)
%1 5
%2 3
%F McAdams00b

%0 Conference Proceedings
%A McAdams, S.
%D 2000
%T La psychoméchanique des sources sonores simples
%B Actes du 5ème Congrès Français d'Acoustique
%C Lausanne
%I Ecole Polytechnique de Lausanne
%P XXI
%1 6
%2 3
%F McAdams00c

%0 Book Section
%A McAdams, S.
%D 2001
%T Psychology of music: Perception/Cognition: Timbre
%E Sadie, S.
%E Tyrell, J.
%B The New Grove Dictionary of Music and Musicians, 2nd ed.
%C London
%I Grove Music
%V 20
%P 538-539
%1 10
%2 3
%F McAdams01a
%U http://www.grovemusic.com/

%0 Magazine Article
%A McAdams, S.
%D 2001
%T Le concert des sens reste sous le joug du biologique
%B Revue du Palais de la Découverte
%V 284
%P 53
%1 10
%2 3
%F McAdams01b

%0 Conference Proceedings
%A McAdams, S.
%D 2002
%T Musical similarity and dynamic processing in musical contexts
%B International Symposium on Musical Acoustics
%C Mexico City
%I ENM/UNAM, Mexico City [CD-ROM]
%1 6
%2 3
%F McAdams02g

%0 Journal Article
%A McAdams, S.
%D 2003
%T Perceptual characterization of real and simulated sound sources
%B Journal of the Acoustical Society of America
%V 107 (à paraître)
%1 5
%2 3
%F McAdams03b

%0 Journal Article
%A McAdams, S.
%D 2003
%T Perception of musical timbre
%B Bulletin of Psychology and the Arts
%V 4
%P 39-42
%1 10
%F McAdams03b

%0 Report
%A McAdams, S.
%D 2003
%T Qualification du typage sonore
%9 Rapport final, consultation auprès de PSA Peugeot-Citroën
%1 9
%F McAdams03d

%0 Journal Article
%A McAdams, S.
%D 2004
%T Problem-solving strategies in music composition: A case study
%B Music Perception
%V 21
%N 3
%P (à paraître)
%1 1
%F McAdams04a

%0 Journal Article
%A McAdams, S.
%A Beauchamp, J.
%A Meneguzzi, S.
%D 1999
%T Discrimination of of musical instrument sounds resynthesized with simplified spectrotemporal parameters
%B Journal of the Acoustical Society of America
%V 105
%P 882-897
%1 1
%2 3
%F McAdams99d

%0 Journal Article
%A McAdams, S.
%A Bertoncini, J.
%D 1997
%T Organization and discrimination of repeating sound sequences by newborn infants
%B Journal of the Acoustical Society of America
%V 102
%P 2945-2953
%1 1
%2 3

%0 Journal Article
%A McAdams, S.
%A Bertoncini, J.
%A Bobrow, J.
%D 1990
%T Organization and discrimination of repeating sound sequences by newborn infants
%B Journal of the Acoustical Society of America
%V 88
%P S91(A)
%1 5
%2 3

%0 Journal Article
%A McAdams, S.
%A Bharucha, J. J.
%D 1996
%T Cognitive processing of musical structure
%B International Journal of Psychology
%V 31
%N 3-4
%P 148(A)
%1 5
%2 3

%0 Edited Book
%A McAdams, S.
%A Bigand, E.
%D 1993
%T Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%1 3
%2 3

%0 Book Section
%A McAdams, S.
%A Bigand, E.
%D 1993
%T Introduction to auditory cognition
%E McAdams, S.
%E Bigand, E.
%B Thinking in Sound: The Cognitive Psychology of Human Audition
%C Oxford
%I Oxford University Press
%P 1-9
%1 4
%2 3

%0 Edited Book
%A McAdams, S.
%A Bigand, E.
%D 1994
%T Penser les sons: Psychologie cognitive de l1audition
%C Paris
%I Presses Universitaires de France
%1 3
%2 3

%0 Book Section
%A McAdams, S.
%A Bigand, E.
%D 1994
%T Introduction à la cognition auditive
%E McAdams, S.
%E Bigand, E.
%B Penser les sons : Psychologie cognitive de l'audition
%C Paris
%I Presses Universitaires de France
%P 1-10
%1 4
%2 3

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Drake, C.
%D 1993
%T Processus perceptifs et cognitifs dans l'écoute et dans l'interprétation musicales
%C Paris
%I Direction de la Musique et de la Danse, Minstère de la Culture
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Vieillard, S.
%D 2001
%T Composition et cognition musicales: Création, perception, appréciation
%I Programme Cognitique, MENRT
%9 Rapport intermédiaire
%1 9
%2 3
%F McAdams01d

%0 Report
%A McAdams, S.
%A Bigand, E.
%A Vieillard, S.
%D 2002
%T Composition et cognition musicales: Création, perception, appréciation
%I Programme Cognitique, MENRT
%9 Rapport de fin de recherche
%1 9
%2 3
%F McAdams02h

%0 Conference Proceedings
%A McAdams, S.
%A Botte, M.-C.
%A Banide, F.
%A Durot, X.
%A Drake, C.
%D 1994
%T The computation of loudness in the auditory continuity phenomenon
%B ATR Workshop on "A Biological Framework for Speech Perception and Production
%C Kyoto
%I ATR Technical Report
%V TR-H-121
%P 81-86
%1 6
%2 3

%0 Journal Article
%A McAdams, S.
%A Botte, M.-C.
%A Drake, C.
%D 1994
%T Le phénomène de la continuité auditive et la répartition de la sonie entre flux auditifs
%B Journal de Physique
%V 4
%N C5
%P 383-386
%1 5
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Botte, M-C.
%A Drake, C.
%D 1995
%T The partitioning of loudness in the auditory continuity phenomenon
%B Fechner Day 95. 11th Annual Meeting of the International Society for Psychophysics
%C Cassis
%I ISP
%P 109-114
%1 7
%2 3

%0 Journal Article
%A McAdams, S.
%A Botte, M.-C.
%A Drake, C.
%D 1998
%T Auditory continuity and loudness computation
%B Journal of the Acoustical Society of America
%V 103
%P 1580-1591
%1 1
%2 3

%0 Journal Article
%A McAdams, S.
%A Bregman, A. S.
%D 1979
%T Hearing musical streams
%B Computer Music Journal
%V 3
%N 4
%P 26-43
%1 1
%2 3

%0 Journal Article
%A McAdams, S.
%A Caclin, A.
%A Smith, B.
%D 2002
%T A confirmatory analysis of four acoustic correlates of timbre space
%B Journal of the Acoustical Society of America
%V 112
%P 2239 (A)
%1 5
%2 3
%F McAdams02d

%0 Journal Article
%A McAdams, S.
%A Chaigne, A.
%A Roussarie, V.
%D 2004
%T The psychomechanics of simple sound sources: Material properties of impacted bars
%B Journal of the Acoustical Society of America
%V 115
%P 1306-1320
%1 1
%F McAdams04b

%0 Report
%A McAdams, S.
%A Clarke, E.
%D 1989
%T Bases psychologiques de l'exécution musicale experte
%C Paris
%I Formation 95699, Programme Franco-britannique, CNRS
%9 Rapport Final
%1 9
%2 3

%0 Journal Article
%A McAdams, S.
%A Cunibile, J.C.
%D 1992
%T Perception of timbral analogies
%B Philosophical Transactions of the Royal Society, London, series B
%V 336
%P 383-389
%1 1
%2 3

%0 Report
%A McAdams, S.
%A de Cheveigné, A.
%D 1995
%T Processus d'organisation auditive: Expérimentation psychologique et modélisation informatique
%C Paris
%I Action concertée "Sciences de la Cognition", Ministère de l'Enseignement Supérieur et de la Recherche
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Edited Book
%A McAdams, S.
%A Deliège, I.
%D 1989
%T Music and the Cognitive Sciences
%B Contemporary Music Review
%V 4(1)
%1 3
%2 3

%0 Edited Book
%A McAdams, S.
%A Deliège, I.
%D 1989
%T La musique et les sciences cognitives
%C Bruxelles
%I Editions Pierre Mardaga
%1 3
%2 3

%0 Edited Book
%A McAdams, S.
%A Deliège, I.
%D 1990
%T Special issue
%B Psychology of Music
%V 18(1)
%1 3
%2 3

%0 Book Section
%A McAdams, S.
%A Depalle, P.
%A Clarke, E.
%D 2003
%T Analysing musical sounds (à paraître)
%E Clarke, E.
%E Cook, N.
%B Empirical Musicology: Aims, Methods, Prospects
%C Oxford
%I Oxford University Press
%1 4
%2 3
%F McAdams03a

%0 Report
%A McAdams, S.
%A Donnadieu, S.
%A Roussarie, V.
%A Houix, O.
%D 1997
%T Représentation auditive des sons émis par les structures vibrantes. Tome II: Etude psychoacoustique des sons réels et des sons de synthèse
%I Ministère de l'Environnement
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Report
%A McAdams, S.
%A Drake, C.
%D 1998
%T Intensité subjective des sources sonores multiples : Rôle des mécanismes perceptifs d'organisation en flux auditifs
%C Paris
%I Ministère de l'Environnement
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Book Section
%A McAdams, S.
%A Drake, C.
%D 2002
%T Auditory perception and cognition
%E Pashler, H.
%E Yantis, S.
%B Stevens' Handbook of Experimental Psychology: Vol. 1. Sensation and Perception
%C New York
%I Wiley
%P 397-452
%7 3rd
%1 4
%2 3
%F McAdams02a

%0 Conference Proceedings
%A McAdams, S.
%A Gladkoff, S.
%A Keller, J.-P.
%D 1985
%T AISE: A prototype laboratory for musical research and the development of conceptual tools
%B 1984 International Computer Music Conference
%C Paris
%I Computer Music Association
%P 143-162
%1 6
%2 3

%0 Journal Article
%A McAdams, S.
%A Kudo, K.
%A Kirchner, H.
%D 1998
%T Perceptual interaction of exciter and resonator properties in percussive instrument sounds
%B Journal of the Acoustical Society of America
%V 103
%P 2966(A)
%1 5
%2 3

%0 Journal Article
%A McAdams, S.
%A Marin, C.M.H.
%D 1990
%T Within- and cross-channel mechanisms in the detection of frequency modulation coherence and incoherence
%B Journal of the Acoustical Society of America
%V 87
%P S157(A)
%1 5
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Marin, C. M. H.
%D 1990
%T Auditory processing of frequency modulation coherence
%B Fechner Day 90. 6th Annual Meeting of the International Society for Psychophysics
%C Würzburg
%I ISP
%P 175-180
%1 7
%2 3

%0 Journal Article
%A McAdams, S.
%A Matzkin, D.
%D 2001
%T Similarity, invariance and musical variation
%B Annals of the New York Academy of Sciences
%V 930
%P 62-76
%1 1
%2 3
%F McAdams01c
%K 1

%0 Book Section
%A McAdams, S.
%A Matzkin, D.
%D 2002
%T The roots of musical variation in perceptual similarity and invariance
%E Peretz, I.
%E Zatorre, R.
%B The Biological Foundations of Music
%C Oxford
%I Oxford University Press
%P 80-94
%1 4
%2 3
%F McAdams02b

%0 Book Section
%A McAdams, S.
%A Matzkin, D.
%D 2003
%T The roots of musical variation in perceptual similarity and invariance
%E Peretz, I.
%E Zatorre, R.
%B The Cognitive Neuroscience of Music
%C Oxford
%I Oxford University Press
%P 79-94
%1 4
%F McAdams03c

%0 Conference Proceedings
%A McAdams, S.
%A Misdariis, N.
%D 1999
%T Perceptual-based retrieval in large musical sound databases
%E Lenca, P.
%B Human Centred Processes '99
%C Brest
%I ENST Bretagne
%P 445-450
%1 6
%2 3
%F McAdams99b

%0 Journal Article
%A McAdams, S.
%A Pressnitzer, D.
%D 1996
%T Psychoacoustic factors contributing to musical tension in Western non-tonal music
%B International Journal of Psychology
%V 31
%N 3-4
%P 148(A)
%1 5
%2 3
%F McAdams96a

%0 Report
%A McAdams, S.
%A Pressnitzer, D.
%D 1996
%T L'approche de la psychoacoustique musicale et de la psychologie cognitive de la musique
%C Paris
%I Bibliothèque nationale de France
%9 Rapport du groupe Ecoute Interactive de la Musique
%1 9
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Reynolds, R.
%D 2002
%T Problem-solving strategies in the composition of The Angel of Death
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 6
%2 3
%F McAdams02e

%0 Journal Article
%A McAdams, S.
%A Rodet, X.
%D 1984
%T The coupling of sub-audio amplitude and frequency modulations and the perception of spectral envelope characteristics
%B Journal of the Acoustical Society of America
%V 76
%P S13(A)
%1 5
%2 3

%0 Book Section
%A McAdams, S.
%A Rodet, X.
%D 1988
%T The role of FM-induced AM in dynamic spectral profile analysis
%E Duifhuis, H.
%E Horst, J.W.
%E Wit, H.P.
%B Basic Issues in Hearing
%C London
%I Academic Press
%P 359-369
%1 4
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Saariaho, K.
%D 1985
%T Qualities and functions of musical timbre
%B 1985 International Computer Music Conference
%C Vancouver
%I Computer Music Association
%P 367-374
%1 6
%2 3

%0 Report
%A McAdams, S.
%A Saariaho, K.
%D 1985
%T Processus perceptifs et cognitifs
%C Paris
%I IRCAM
%P 22-23
%9 Rapport Annuel
%1 9
%2 3

%0 Book Section
%A McAdams, S.
%A Saariaho, K.
%D 1991
%T Qualités et fonctions du timbre musical
%E Barrière, J.B.
%B Le timbre : Métaphores pour la composition
%C Paris
%I Editions Christian Bourgois
%P 164-181
%1 4
%2 3

%0 Book Section
%A McAdams, S.
%A Smith, B.K.
%A Maillot, M.
%A Frachet, B.
%D 1997
%T Sélectivité fréquentielle et identification de voyelles simultanées chez des auditeurs normo-entendants et malentendants
%E Christen, Y.
%E Collet, L.
%E Droy-Lefaix, M.-T.
%B Rencontres IPSEN en ORL
%C Boulogne
%I Editions Irvinn
%P 131-145
%1 4
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Smith, B. K.
%A Vieillard, S.
%A Bigand, E.
%A Reynolds, R.
%D 2002
%T Real-time perception of a contemporary musical work in a live concert setting
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Causal Productions, Adelaide [CD-ROM]
%1 6
%2 3
%F McAdams02f

%0 Conference Proceedings
%A McAdams, S.
%A Susini, P.
%D 1998
%T Caractérisation perceptive des bruits de véhicules
%B Actes du Congrès SIA/SFA
%C Paris, France
%2 3

%0 Journal Article
%A McAdams, S.
%A Susini, P.
%A Krimphoff, J.
%A Misdariis, N.
%A Smith, B.
%D (en préparation)
%T A meta-analysis of timbre space. II: Psychophysical quantification of common dimensions
%B Journal of the Acoustical Society of America
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Susini, P.
%A Misdariis, N.
%A Winsberg, S.
%D 1998
%T Multidimensional characterisation of perceptual and preference judgements of vehicle and environmental noises
%B Proceedings of Euro-Noise 98
%C Munich, Allemagne
%V 1
%P 561-566
%2 3

%0 Report
%A McAdams, S.
%A Susini, P.
%A Winsberg, S.
%D 1995
%T Perception acoustique des sons de véhicules
%C Paris
%I GIE PSA/Renault
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Wessel, D.
%D 1981
%T A general synthesis package based on principles of auditory perception
%B 1981 International Computer Music Conference
%C Denton, Texas
%I Computer Music Association
%P 308(A)
%1 6
%2 3

%0 Journal Article
%A McAdams, S.
%A Wightman, F.
%D 1978
%T Subharmonic pitch extraction or pitch memory?
%B Journal of the Acoustical Society of America
%V 64
%N S39-S40(A)
%1 5
%2 3

%0 Journal Article
%A McAdams, S.
%A Winsberg, S.
%D 1999
%T Multidimensional scaling of musical timbre constrained by physical parameters
%B Journal of the Acoustical Society of America
%V 105
%P 1273(A)
%1 5
%2 3
%F McAdams99c

%0 Book Section
%A McAdams, S.
%A Winsberg, S.
%D 2000
%T Psychophysical quantification of individual differences in timbre perception
%E Schick, A.
%E Meis, M.
%E Reckhardt, C.
%B Contributions to Psychological Acoustics: Results of the 8th Oldenburg Symposium on Psychological Acoustics
%C Oldenburg
%I Bis
%P 165-182
%1 4
%2 3
%F McAdams00a

%0 Journal Article
%A McAdams, S.
%A Winsberg, S.
%A Donnadieu, S.
%A De Soete, G.
%A Krimphoff, J.
%D 1995
%T Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes
%B Psychological Research
%V 58
%P 177-192
%1 1
%2 3

%0 Conference Proceedings
%A McAdams, S.
%A Winsberg, S.
%A Murail, T.
%A Fineberg, J.
%A Bigand, E.
%A Drake, C.
%D 1994
%T Dissonance: Allegories of the concept and Disintegrations of the preconceptions
%E Deliège, I.
%B 3rd International Conference on Music Perception and Cognition
%C Liège
%I ESCOM
%P 317-318
%1 6
%2 3

%0 Journal Article
%A Menon, V.
%A Levitin, D. J.
%A Smith, B. K.
%A Lembke, A.
%A Kraznow, B.
%A Glazer, D.
%A Glover, G. H.
%A McAdams, S.
%D 2002
%T Neural correlates of timbre change in harmonic sounds
%B Neuroimage
%V 17
%P 1742-1754
%1 1
%2 3
%F Menon02a

%0 Report
%A Misdariis, N.
%A McAdams, S.
%A Winsberg, S.
%D 1997
%T Caractérisation perceptive des bruits de passage de véhicules de transport
%I SNCF
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Journal Article
%A Misdariis, N.
%A Smith, B.
%A Pressnitzer, D.
%A Susini, P.
%A McAdams, S.
%D 1998
%T Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres
%B Journal of the Acoustical Society of America
%V 103
%P 3005
%2 3
%F misdariis98

%0 Journal Article
%A Nosulenko, V.N.
%A Samoylenko, E.S.
%A McAdams, S.
%D 1994
%T L'analyse de descriptions verbales dans l'étude des comparaisons de timbres musicaux
%B Journal de Physique
%V 4
%N C5
%P 637-640
%1 5
%2 3

%0 Conference Proceedings
%A Paraskeva, S.
%A McAdams, S.
%D 1997
%T Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of tension/relaxation schemas of musical phrases
%B 1997 International Computer Music Conference
%C Thessaloniki
%I ICMA
%P 438-441
%1 6
%2 3

%0 Conference Proceedings
%A Peeters, G.
%A McAdams, S.
%A Herrera, P.
%D 2000
%T Instrument sound description in the context of MPEG-7
%B Proceedings of the 2000 International Computer Music Conference
%C Berlin
%P 166 -169
%1 6
%2 3
%F Peeters00a

%0 Patent
%A Peeters, G.
%A McAdams, S.
%A Susini, P.
%A Misdariis, N.
%A Krimphoff, J.
%A Smith, B.K.
%D 2001
%T Procédé de caractérisation du timbre d'un signal sonore selon au moins un descripteur
%B Dossier de demande de brevet 016091.FR-FT170 (en cours de déposition)
%C USA
%I CNRS, Ircam, France Télécom
%1 12
%2 3
%F Peeters01a
%K 12

%0 Edited Book
%A Pressnitzer, D.
%A de Cheveigné, A.
%A McAdams, S.
%A Collet, L.
%D 2004
%T Auditory Signal Processing: Psychophysics, Physiology and Modeling
%C New York
%I Springer-Verlag
%1 3
%F Pressnitzer04a

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%D 1997
%T Influence of phase effects on roughness modelling
%B Proceedings of the International Computer Music Conference
%C Thessaloniki
%P 31-34
%2 3
%F pressnitzer97icmc

%0 Conference Proceedings
%A Pressnitzer, D.
%A McAdams, S.
%D 1997
%T Influence of phase effects on roughness modeling and control
%B 1997 International Computer Music Conference
%C Thessaloniki
%I ICMA
%P 31-34
%1 6
%2 3

%0 Conference Proceedings
%A Pressnitzer, D.
%A McAdams, S.
%D 1997
%T Influence de la phase sur la perception de rugosité de sons complexes
%B 4e Congrès Français d'Acoustique
%C Marseille
%I Teknea
%V 1
%P 535-538
%1 6
%2 3

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%D 1998
%T Phase effects in roughness perception
%E A. Rees, A. Q. Summerfield, A. R. Palmer and R. Meddis
%B Psychophysical and Physiological Advances in Hearing
%C London
%I Whurr Publishers
%P 286-292
%1 4
%2 3
%F pressnitzer97c

%0 Journal Article
%A Pressnitzer, D.
%A McAdams, S.
%D 1999
%T Two phase effects on roughness perception
%B Journal of the Acoustical Society of America
%V 105
%N 5
%P 2773-2782
%1 1
%2 3
%F Pressnitzer99d
%U <A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-roughness_phase.pdf">PDF</A>

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%D 1999
%T Summation of roughness across frequency regions
%E T. Dau, V. Hohmann and B. Kollmeier
%B Temporal processing in the auditory system: Psychophysics, physiology and models of hearing
%C Singapore
%I World Scientific Publishing
%P 105-108
%1 4
%2 3
%F Pressnitzer99e
%U <A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-roughness\_summation.pdf">PDF</A>

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%D 1999
%T An effect of the coherence between envelopes across frequency regions on the perception of roughness
%E Dau, T.
%E Hohmann, V.
%E Kollmeier, B.
%B Psychophysics, Physiology and Modesl of Hearing
%C London
%I World Scientific
%P 105-108
%1 4
%2 3
%F Pressnitzer99a

%0 Journal Article
%A Pressnitzer, D.
%A McAdams, S.
%D 2000
%T Acoustics, psychoacoustics and spectral music
%B Contemporary Music Review
%V 19
%N 2
%P 33-60
%J Contemporary Music Review
%1 1
%2 3
%F Pressnitzer00b
%U <A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-1999-spectral\_music.pdf">PDF</A>

%0 Conference Proceedings
%A Pressnitzer, D.
%A McAdams, S.
%A Winsberg, S.
%A Fineberg, J.
%D 1996
%T Tension musicale et rugosité psychoacoustique dans la musique non-tonale
%B Journées d'Informatique Musicale
%C Caen
%P 147-156
%1 7
%2 3

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%A Winsberg, S.
%A Fineberg, J.
%D 1996
%T Tension et rugosité dans une musique non tonale.
%B Acte des Journées d'Informatique Musicale
%C Caen
%P 147-156
%2 3
%F pressnitzer96jim

%0 Book Section
%A Pressnitzer, D.
%A McAdams, S.
%A Winsberg, S.
%A Fineberg, J.
%D 1996
%T Roughness and tension of orchestral timbres
%B Proceedings of the 4th International Conference on Music Perception and Cognition
%C Montreal
%I McGill University
%P 85-90
%2 3
%F pressnitzer96icmpc

%0 Conference Proceedings
%A Pressnitzer, D.
%A McAdams, S.
%A Winsberg, S.
%A Fineberg, J.
%D 1996
%T Roughness and musical tension of orchestral timbres
%B 4th International Conference on Music Perception and Cognition
%C Montréal
%I Faculty of Music, McGill University
%P 85-90
%1 6
%2 3

%0 Journal Article
%A Pressnitzer, D.
%A McAdams, S.
%A Winsberg, S.
%A Fineberg, J.
%D 2000
%T Perception of musical tension for non-tonal orchestral timbres and its relation to psychoacoustic roughness
%B Perception and Psychophysics: Human Perception and Performance
%V 62
%N 1
%P 66-80
%1 1
%2 3
%F Pressnitzer99c
%U <A HREF="http://www.ircam.fr/pcm/pdf/pressnitzer-2000-orchestral_timbres.pdf">PDF</A>

%0 Book
%A Reynolds, R.
%D 2002
%T Form and Method: Composing Music (The Rothschild Essays)
%E McAdams, S.
%C New York
%I Routledge
%1 3
%2 3
%F Reynolds02a

%0 Generic
%A Reynolds, R.
%D 2003
%T Form and Method: Composing Music (à paraître)
%E (Ed.), S. McAdams
%C London
%I Contemporary Music Studies, Harwood Academic Press
%1 3
%2 3
%F Reynolds03a

%0 Conference Proceedings
%A Roussarie, V.
%A McAdams, S.
%A Chaigne, A.
%D 1998
%T Perceptual analysis of vibrating bars synthesized with a physical model
%B 16th International Congress on Acoustics
%C Seattle
%P 2227-2228
%1 6
%2 3
%O CECI N'EST PAS UN DOUBLON!!!!!

%0 Journal Article
%A Samoylenko, E. S.
%A McAdams, S.
%A Nosulenko, V. N.
%D 1996
%T Systematic analysis of verbalizations produced in comparing musical timbres
%B International Journal of Psychology
%V 31
%P 255-278
%1 1
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1997
%T Revue bibliographique des méthodes de jugement perceptif continu de sons non stationnaires
%C Paris
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1997
%T Méthode d'appariement inter-modal
%C Paris
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1997
%T Jugements instantanés et jugement global de l'intensité acoustique d'un son dynamique de 1000 Hz en utilisant deux méthods
%C Paris
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3

%0 Journal Article
%A Susini, P.
%A McAdams, S.
%D 1998
%T Global and continuous judgments of sounds with time-varying intensity: Cross-modal matching with a proprioceptive input device
%B Journal of the Acoustical Society of America
%V 103
%P 2812(A)
%1 5
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1998
%T Evaluation de la sonie de sons extraits de l'environnement urbain par appariement inter-modal
%C Paris
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1998
%T Application de la méthode d'évaluation de l'intensité perçue par appareiement inter-modal aux sons d'accélération de voitures
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3

%0 Report
%A Susini, P.
%A McAdams, S.
%D 1999
%T Contrôle et évaluation des caractéristiques temporelles de montée en régime moteur
%C Paris
%I GIE PSA/Renault
%9 Rapport intermédiaire
%1 9
%2 3
%F susini99e

%0 Conference Proceedings
%A Susini, P.
%A McAdams, S.
%D 2000
%T Effet de récence dans une tâche de jugement de la sonie
%B 5ème Congrès français d'acoustique
%C Lausanne, Suisse
%1 6
%2 3
%F Susini00a

%0 Report
%A Susini, P.
%A McAdams, S.
%D 2000
%T L'approche psychoacoustique de la qualité sonore
%C France
%I Prédit - Ministère de l'aménagement du territoire et de l'environnement
%P 1 - 38
%9 Rapport intermédiare
%1 9
%2 3
%F Susini00d

%0 Journal Article
%A Susini, P.
%A McAdams, S.
%D 2000
%T Psychophysical validation of a proprioceptive device by cross-modal matching of loudness
%B Acustica
%V 86
%P 515-525
%1 1
%2 3
%F Susini00e

%0 Conference Proceedings
%A Susini, P.
%A McAdams, S.
%D 2002
%T Influence of sound-directed attentional focus on overall loudness ratings
%B Forum Acusticum
%C Sevilla, Spain
%I S. Hirzel Verlag
%1 6
%2 3
%F Susini02b

%0 Conference Proceedings
%A Susini, P.
%A McAdams, S.
%D 2004
%T Temporal asymetry in loudness
%B CFA/DAGA
%C Strasbourg, France
%F Susini04b

%0 Report
%A Susini, P.
%A McAdams, S.
%A Perry, I.
%A Rodet, X.
%D 1999
%T Etude psychoacoustique de bruits d'unités intérieures de climatisation
%C Paris
%I EDF
%9 Rapport intermédiaire
%1 9
%2 3

%0 Journal Article
%A Susini, P. 
%A McAdams, S. 
%A Smith, B.
%D 2002
%T Global and continuous loudness estimation of time-varying levels
%B ACUSTICA - acta acustica
%V 88
%P 536-548
%2 3
%F Susini02a

%0 Report
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 1996
%T Perception acoustique des sons de véhicules égalisés en sonie
%I GIE PSA/Renault
%9 Rapport de fin de contrat
%1 9
%2 3

%0 Conference Proceedings
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 1997
%T Perceptual characterisation of vehicules noises
%B EEA Symposium: Psychoacoustic in Industry and Universities
%C Eindhoven, The Netherlands
%2 3

%0 Conference Proceedings
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 1997
%T Caractérisation perceptive des bruits de véhicules
%B 4e Congrès Français d'Acoutique
%C Marseille
%I Teknea
%V 1
%P 543-546
%1 6
%2 3

%0 Journal Article
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 1999
%T A multidimensional technique for sound quality assessment
%B Acustica
%V 85
%P 650-656
%1 1
%2 3
%F Susini99a

%0 Report
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%D 2000
%T Etude psychoacoustique de bruits d'unités intérieures de climatisation
%9 Rapport final, contrat d'association avec EDF, LNE & Inra
%1 9
%2 3
%F susini00c
%K 9

%0 Journal Article
%A Susini, P.
%A McAdams, S.
%A Winsberg, S.
%A Perry, I.
%A Vieillard, S.
%A Rodet, X.
%D 2004
%T Characterising the sound quality of air-conditiong noise
%B Applied Acoustics
%P (à paraître)
%1 1
%F Susini04a

%0 Journal Article
%A Susini, P.
%A Misdariis, N.
%A Winsberg, S.
%A McAdams, S.
%D 1998
%T Caractérisation perceptive de bruits
%B Acoustique et Techniques
%V 13
%P 11-15
%2 3

%0 Conference Proceedings
%A Susini, P.
%A Perry, I.
%A Vieillard, S.
%A Winsberg, S.
%A McAdams, S.
%A Rodet, X.
%D 2001
%T Sensory evaluation of air-conditioning noise: Sound design and psychoacoustic evaluation
%B 17th International Congress on Acoustics
%C Rome
%V III, session 6_09
%P 20-21 [CD-ROM]
%2 3
%F Susini01a
%K 6

%0 Report
%A Susini, P.
%A Slama, M.
%A McAdams, S.
%D 2000
%T Etude psychoacoustique de bruits parasites à l'intérieur d'un habitacle de voiture
%9 Rapport intermédiaire, PREDIT projet SQUAD, Ministère de l'Aménagement du Territoire et de l'Environnement
%1 9
%2 3
%F susini00b
%K 9

%0 Report
%A Susini, P.
%A Vieillard, S.
%A McAdams, S.
%A Smith, B.
%D 2001
%T Elaboration d'un modèle de détection automatique et d'un estimateur de désagrément de bruits parasites.
%I PREDIT - Ministère de l'éducation nationale, de la recherche et de la technologie.
%1 9
%2 3
%F susini01g

%0 Journal Article
%A Tillmann, B.
%A McAdams, S.
%D 2004
%T Implicit learning of musical timbre sequences: Statistical regularities confronted with acoustical (dis)similarities
%B Journal of Experimental Psychology: Learning, Memory and Cognition
%P (à paraître)
%1 1
%F Tillmann04a

%0 Journal Article
%A Tillmann, B.
%A McAdams, S.
%D 2004
%T Apprentissage implicite en modalité auditive : Statistique et acoustique
%B Neuropsychologie
%P (à paraître)
%1 1
%F Tillmann04b

%0 Report
%A Topalovic, N.
%A Smith, B.
%A McAdams, S.
%D 1999
%T Prévision du bruit rayonné par des structures en vue d'une évaluation perceptive. Tome III. Etudes psychoacoustiques
%C Paris
%I PREDIT, Ministère de l'Aménagement du Territoire et de l'Environnement
%9 Rapport de fin de contrat
%1 9
%2 3
%F topalovie99a

%0 Conference Proceedings
%A Turgeon, M.
%A McAdams, S.
%A Drake, C
%A Samson, Y.
%D 2000
%T The relative contribution of the visual and auditory signals to the dynamic reproduction of a rhythmic pattern
%B 8th International Workshop on Rhythm Perception and Production
%C Castleton, UK.
%P 38-39
%1 6
%2 3
%F Turgeon00c

%0 Conference Proceedings
%A Vieillard, S.
%A Bigand, E.
%A Madurell, F.
%A McAdams, S.
%A Reynolds, R.
%D 2002
%T Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 6
%2 3
%F Vieillard02b

%0 Conference Proceedings
%A Vieillard, S.
%A McAdams, S.
%A Houix, O.
%A Reynolds, R.
%D 2002
%T Perceptual and cognitive criteria used in the categorization of thematic excerpts from a contemporary musical piece
%E Stevens, C.
%E Burnham, D.
%E McPherson, G.
%E Schubert, E.
%E Renwick, J.
%B 7th International Conference on Music Perception and Cognition
%C Sydney
%I Adelaide: Causal Productions [CD-ROM]
%1 6
%2 3
%F Vieillard02a

%0 Journal Article
%A Wightman, F.
%A McAdams, S.
%D 1978
%T Pitch perception of complex tones for normal and hearing-impaired listeners
%B Journal of the Acoustical Society of America
%V 64
%N S39(A)
%1 5
%2 3