The OM Composer's Book .1

Table of contents

  • Preface
    Miller Puckette

  • Introduction
    Carlos Agon

  • Writing a Homage to Mersenne: Tombeau de Marin Mersenne for Theorbo and Synthesiser
    Michel Amoric

  • Electronics in Kaija Saariaho's Opera L'amour de loin
    Marc Battier and Gilbert Nouno

  • Vuza Canons into the Museum
    Georges Bloch

  • TimeSculpt in OpenMusic
    Karim Haddad

  • The Genesis of Mauro Lanza's Aschenblume and the Role of Computer-Aided Composition Software in the Formalisation of Musical Processes
    Juan Camilo Hernández Sánchez

  • Composing the Qualitative, on Encore Composition
    Jean-Luc Hervé and Frédéric Voisin

  • Navigation of Structured Material in Second Horizon for Piano and Orchestra
    Johannes Kretz

  • Generating Melodic, Harmonic and Rhythmic Processes in K..., an Opera by Philippe Manoury
    Serge Lemouton

  • When the Computer Enables Freedom from the Machine (On an Outline of the Work Hérédo-Ribotes)
    Fabien Lévy

  • Some Applications of OpenMusic in Connection with Modalys
    Paola Livorsi

  • Fractals and Writing, Six Fractal Contemplations
    Mikhail Malt

  • Algorithmic Strategies in A Collection of Caprices
    Paul Nauert

  • Sculpted Implosions: Some Algorithms in the Waterscape of Musique Concrète
    Ketty Nez

  • Strette
    Hèctor Parra

  • Klangspiegel
    Luís Antunes Pena

  • Kalejdoskop for Clarinet, Viola and Piano
    Orjan Sandred

  • Flexible Time Flow, Set Theory and Constraints
    Killian Sprotte

  • To Touch the Inner Sound, Before it Becomes Music; to Dream About Dreams, Before they Become Real
    Elaine Thomazi-Freitas

  • Appendix: OpenMusic