The OM Composer's Book .1

Table of contents

• Preface
  Miller Puckette


• Introduction
  Carlos Agon



• Writing a Homage to Mersenne: Tombeau de Marin Mersenne for Theorbo and Synthesiser
  Michel Amoric


• Electronics in Kaija Saariaho's Opera L'amour de loin
  Marc Battier and Gilbert Nouno


• Vuza Canons into the Museum
  Georges Bloch


• TimeSculpt in OpenMusic
  Karim Haddad


• The Genesis of Mauro Lanza's Aschenblume and the Role of Computer-Aided Composition Software in the Formalisation of Musical Processes
  Juan Camilo Hernández Sánchez


• Composing the Qualitative, on Encore Composition
  Jean-Luc Hervé and Frédéric Voisin


• Navigation of Structured Material in Second Horizon for Piano and Orchestra
  Johannes Kretz


• Generating Melodic, Harmonic and Rhythmic Processes in K..., an Opera by Philippe Manoury
  Serge Lemouton


• When the Computer Enables Freedom from the Machine (On an Outline of the Work Hérédo-Ribotes)
  Fabien Lévy


• Some Applications of OpenMusic in Connection with Modalys
  Paola Livorsi


• Fractals and Writing, Six Fractal Contemplations
  Mikhail Malt


• Algorithmic Strategies in A Collection of Caprices
  Paul Nauert


• Sculpted Implosions: Some Algorithms in the Waterscape of Musique Concrète
  Ketty Nez


• Strette
  Hèctor Parra


• Klangspiegel
  Luís Antunes Pena


• Kalejdoskop for Clarinet, Viola and Piano
  Orjan Sandred


• Flexible Time Flow, Set Theory and Constraints
  Killian Sprotte


• To Touch the Inner Sound, Before it Becomes Music; to Dream About Dreams, Before they Become Real
  Elaine Thomazi-Freitas




• Appendix: OpenMusic