next up previous
Next: About this document Up: A framework to integrate Previous: Conclusion

References

AR93
G. Assayag and C. Rueda. The music representation project at Ircam. In Proceedings of the Int. Computer Music Conference, Tokyo, Japan, 1993. Int. Computer Music Association.

Ass96
G. Assayag. OpenMusic. In Proceedings of the Int. Computer Music Conference, Hong Kong, 1996. Int. Computer Music Association.

Bat95
M. Battier. In Les Cahiers de l'Ircam: Instruments, Paris, France, 1995. Editions Ircam - Centre Georges-Pompidou.

BS95
A. Baird-Smith. Distribution et Interpretation dans les Interfaces Homme-Machine. PhD thesis, Universite Paris VI, Paris, France, 1995.

Cot74
J. Cott. Stockhausen: Conversations with the Composer. Picador (Pan Books Ltd.), London, 1974. ISBN 0-33024165-6.

DP93
G. De Poli. Audio signal processing by computer. In G. Haus, editor, Music Processing. Oxford University Press, 1993. BN 0-19-816372-X.

EGA94
G. Eckel and R. Gonzalez-Arroyo. Musically salient control abstractions for sound synthesis. In Proceedings of the Int. Computer Music Conference, Aarhus, Danmark, 1994. Int. Computer Music Association.

Gar95
B. Garton. The CMIX Home Page, 1995.
URL: http://www.music.princeton.edu/winham/cmix.html.

Gri87
G. Grisey. Tempus ex machina: A composer's reflection on musical time. Contemporary Music Review, 2:239-275, 1987. Harwood Academic Publishers.

Ler87
F. Lerdahl. Timbral hierarchies. Contemporary Music Review, 2:135-160, 1987. Harwood Academic Publishers.

MA93
J.D. Morrison and J.-M. Adrien. Mosaic: A framework for modal synthesis. Computer Music Journal, 17(1), Spring 1993. MIT Press.

Mat63
M.V. Mathew. The digital computer as a musical instrument. Science, 142:553-557, November 1963. Am. Ass. for the Advancement of Science.

McA94
S McAdams. Audition: physiologie, perception et cognition. In Traite de psychologie experimentale 1. ed. Richelle, Requin and Robert, Presses Universitaire de France, 1994.

Mir93
E.R. Miranda. From symbols to sound: Artificial intelligence investigation of sound synthesis. DAI Research Paper 640, Dept. of AI, University of Edinburgh, UK, 1993.

MMR74
M.V. Mathew, F.R. Moore, and J.C Risset. Computers and future music. Science, 183:263-268, January 1974. Am. Ass. for the Advancement of Science.

MWD tex2html_wrap_inline505 95
S. McAdams, S. Winsberg, S. Donnadieu, G. De Soete, and J. Krimphoff. Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychol. Res., 58:117-192, 1995. Springer-Verlag.

Opp96
D. Oppenheim. DMIX: A multi faceted environment for composing and performing computer music. Mathematics and Computers, 1996.

Puc91
M. Puckette. Combining events and signal processing in the max graphical programming environment. Computer Music Journal, 15(3), Fall 1991. MIT Press.

RC84
X. Rodet and P. Cointe. FORMES: Composition and scheduling of processes. In C. Roads, editor, The Music Machine, Cambridge Massachusetts, 1984. MIT Press.

Ris93
J.-C. Risset. Synthèse et matériau sonore. In Les Cahiers de l'Ircam: La Synthèse Sonore, Paris, France, 1993. Editions Ircam - Centre Georges-Pompidou.

RP95
P.Y. Rolland and F. Pachet. A framework for representing knowledge about synthesizer programming. Publication LAFORIA, LAFORIA-IBP, Univ. Paris 6, France, 1995.

Sca89
C. Scaletti. The Kyma/Platypus computer music workstation. Computer Music Journal, 13(2):23-38, Summer 1989. MIT Press.

Tau91
H. Taube. Common music: A music composition language in Common Lisp and CLOS. Computer Music Journal, 15(2), Summer 1991. MIT Press.

Ver86
B. Vercoe. Csound: A Manual for the Audio Processing System and Supporting Programs with Tutorials. Media Lab, MIT, 1986.

Wes79
D. Wessel. Timbre space as a musical control structure. Computer Music Journal, 3(2):45-52, 1979. MIT Press.

Wes92
D. Wessel. Connectionist models for real-time control of synthesis and compositional algorithms. In Proceedings of the Int. Computer Music Conference, San Jose, California, 1992. Int. Computer Music Association.



Peter Hanappe
jeu 5 jun 13:03:16 MET DST 1997