| Wednesday October 20 - Salle Stravinsky | |||||||||||||||
| Session 1: Creation : Tools and Realizations | 10:00 | New approaches of theatre and opera directly inspired by interactive data-mining | Alain Bonardi | Université Paris 8, Maison des Sc. de l'Homme Paris Nord | Rousseaux Francis | Ircam, Université de Reims | 36 | ||||||||
| 10:20 | Composition and improvisation on the Net | Georg Hajdu | Hochschule für Musik und Theater Hamburg | 3 | |||||||||||
| 10:40 | The Realtime-Score: A Missing Link in Computer Music Performance | Gerhard E. Winkler | Composer | 7 | |||||||||||
| 11:00 | Architecture and Experiments in Networked Complementary Audio/Graphic Rendering with Virtual Choreographer | Christian Jacquemin | LIMSI-CNRS, Université Paris 11 | 18 | |||||||||||
| 11:20 | COFFEE BREAK | ||||||||||||||
| 11:40 | Cybersongosse 7Mi | Christian Clozier | IMEB | Jean-Claude Le Duc | IMEB | Alexander Mihalic | 7 | ||||||||
| 12:00 | Soliloque sur [X, X, X ET X], Musical Commentaries From a Computer About a Concert Misunderstood By It | Fabien Lévy | Composer, Hanns-Eisler Conservatory, Berlin | Thomas Seelig | Electronic Studio TU-Berlin | 23 | |||||||||
| 12:20 | Playing Integrated Music Knowledge With Artificial Neural Network | Frederic Voisin | CIRM | Robin Meier | CIRM | 93 | |||||||||
| 12:40 | Virtual Voices on Hands: Prominent Applications on the Synthesis and Control of the Singing Voice | Anastasia Georgaki | University of Athens, Music Department | 80 | |||||||||||
| Thursday October 21 - Espace de Projection | |||||||||||||||
| Session 2: Symbolic Music Representations & Formalization. | 10:00 | Control Search using Rules, Tests and Measures / Logical Representation of musical Concepts | Somnuk Phon-Amnuaisuk | Multimedia University, Cyberjaya, Malaysia | Alan Smaill | The University of Edinburgh, Edinburgh, Scotland | 19/20 | ||||||||
| 10:20 | Extending a Network-of-Elaborations Representation to Polyphonic Music: Schenker and Species Counterpoint | Alan Marsden | Lancaster University | 45 | |||||||||||
| 10:40 | A Pregroup Grammar for Chord Sequences | Richard Terrat | LIRMM & IRCAM | 73 | |||||||||||
| 11:00 | Specification of Temporal Relations Between Interactive Events | Myriam Desainte-Catherine | SCRIME, LaBRI, University of Bordeaux | Antoine Allombert | SCRIME, LaBRI, University of Bordeaux | 68 | |||||||||
| 11:20 | Coffee Break | ||||||||||||||
| 11:50 | Recent Developments in ENP-score-notation / PWGL Editors: 2D-Editor as a Case Study | Mika Kuuskankare | Sibelius Academy | Mikael Laurson | Sibelius Academy | 74/75 | |||||||||
| 12:10 | Open Source Tools for Music Representation and Notation / IMUTUS an Interactive Music Tuition System | Dominique Fober | Grame | Stephane Letz | Grame | Yann Orlarey | Grame | A. Askenfeld | KTH | K. Falkenberg Hansen | KTH | E. Schoonderwaldt | KTH | 31-32 | |
| 12:30 | IanniX Aesthetical/Symbolic Visualisations For Hypermedia Composition | Thierry Coduys | La kitchen | Guillaume Ferry | La kitchen | 77 | |||||||||
| 12:50 | Lunch Break | ||||||||||||||
| Session 3 : Music Information Retrieval, Classification & Style | 14:30 | Using Patterns to Generate Rhythmic Accompaniment for Guitar | Marcio Dahia | CIn - UFPE | Hugo Santana | CIn - UFPE | Ernesto Trajano | CIn - UFPE | Carlos Sandroni | DM - UFPE | Giordano Cabral | LIP6 | Geber Ramalho | CIn - UFPE | 78 |
| 14:50 | An Adaptive and Multi-Parametric Approach For Motivic Pattern Discovery | Olivier Lartillot | Department of Music, University of Jyväskylä, Finland | 24 | |||||||||||
| 15:10 | Classification into Musical Genres Using a Rhythmic Kernel | Gustavo Frederico | University of Ottawa | 62 | |||||||||||
| 15:30 | Melody Classification using a Similarity Metric based on Kolmogorov Complexity | Ming Li | UEA, NORWICH, UK | Ronan Sleep | UEA, NORWICH, UK | 71 | |||||||||
| 15:50 | Style Recognition through Statistical Event Models | Carlos Pèrez-Sancho | Universidad de Alicante, Spain | José M. Inesta | Universidad de Alicante, Spain | Jorge Calera-Rubio | Universidad de Alicante, Spain | 91 | |||||||
| 16:10 | Coffee Break | ||||||||||||||
| 16:40 | Music Retrieval Algorithms for Lead Sheet Music | D. Byrd | Indiana University, USA | R. Clifford | King's College, London, UK | R. Groult | University of Rouen | C. S. Iliopoulos | King's College, London, UK | 29 | |||||
| 17:00 | Influence of Musical Similarity on Melodic Segmentation: Representations and Algorithms. | Emilios Cambouropoulos | Aristotle Univ. of Thessaloniki | Costas Tsougras | Aristotle Univ. of Thessaloniki | 43 | |||||||||
| 17:20 | Messiaen's Regard IV: Automatic Segmentation using the Spiral Array | Elaine Chew | University of Southern California | 92 | |||||||||||
| 17:40 | Coffee Break | ||||||||||||||
| Session 4 : Architecture & Programming | 18:00 | The AGNULA/DeMuDi Distribution: GNU/Linux and Free Software for the Pro Audio and Sound Research Domain | Nicola Bernardini | Media Innovation Unit - Firenze Tecnologia | Damien Cirotteau | Media Innovation Unit - Firenze Tecnologia | Free Ekanayaka | Media Innovation Unit - Firenze Tecnologia | Andrea Glorioso | Media Innovation Unit - Firenze Tecnologia | 63 | ||||
| 18:20 | Applying Aspect-Oriented Programming to Music Computing | Patrick Hill | The Open University | Simon Holland | The Open University | Robin C Laney | The Open University | 64 | |||||||
| 18:40 | Jack Audio Server: MacOSX Port and Multi-Processor Version | Stéphane Letz | Grame | Paul Davis | Linux Audio Systems | Dominique Fober | Grame | Yann Orlarey | Grame | 86 | |||||
| 19:00 | End | ||||||||||||||
| Friday October 22 - Espace de Projection | |||||||||||||||
| Session 5 : Real Time Interaction & Improvisation | 10:00 | Improvising Computer Music: an Approach | Leonello Tarabella | cART project of ISTI/CNR - Pisa, Italy | 13 | ||||||||||
| 10:20 | Interactively Determined Generative Sound Design for Sensate Environments | Kirsty Beilharz | Key Centre of Design Computing and Cognition, University of Sydney | 25 | |||||||||||
| 10:40 | Strategies for Continuous Pitch and Amplitude Tracking in Realtime Interactive Improvisation Software | Christopher Dobrian | University of California, Irvine | 51 | |||||||||||
| 11:00 | Pattern Anchoring, Identity and Signatures in Sound, Time and Space | Ozgur Izmirli | Ammerman Center for Arts and Technology, Connecticut College | Noel Zahler | Ammerman Center for Arts and Technology, Connecticut College | 14 | |||||||||
| 11:20 | Coffee Break | ||||||||||||||
| 11:50 | Etheraction: Playing a Musical Piece Using Graphical interfaces | Jean-Michel Couturier | CNRS LMA | 56 | |||||||||||
| 12:10 | On Onsets On-the-Fly: Real-time Event Segmentation and Categorisation as a Compositional Effect | Nick Collins | University of Cambridge | 21 | |||||||||||
| 12:30 | A real-time beat tracker for unrestricted audio signals | Zoia Giorgio | EPFL | Nicolas Scaringella | EPFL | 26 | |||||||||
| 12:50 | Lunch Break | ||||||||||||||
| Session 6 : Gesture & Expression | 14:30 | Three-Dimensional Gestural Controller Based on Eyecon Motion Capture System | Bertrand Merlier | Université Lumière Lyon 2 | 22 | ||||||||||
| 14:50 | Expressive Gestural Control of Sound and Visual Output in Multimodal Interactive Systems | Antonio Camurri | InfoMus Lab - DIST - University of Genova | Barbara Mazzarino | InfoMus Lab - DIST - University of Genova | Gualtiero Volpe | InfoMus Lab - DIST - University of Genova | 67 | |||||||
| 15:10 | Gestural Control of Singing Voice, a Musical Instrument | Loïc Kessous | LMA-CNRS | 42 | |||||||||||
| 15:30 | Developing a non-Visual Output Device for Musical Performers | Homei MIYASHITA | Japan Advanced Institute of Science and Technology, Hokuriku | Kazushi NISHIMOTO | Japan Advanced Institute of Science and Technology, Hokuriku | 49 | |||||||||
| 15:50 | Expressiveness Detection of Musical Performances in the Kinematics Energy space | Luca Mion | CSC-DEI University of Padua | Giovanni De Poli | CSC-DEI University of Padua | 65 | |||||||||
| 16:10 | Understanding Expressive Transformations in Monophonic Musical Phrases | Rafael Ramirez | Pompeu Fabra University | Amaury Hazan | Pompeu Fabra University | Emilia Gomez | Pompeu Fabra University | Esteban Maestre | Pompeu Fabra University | 44 | |||||
| 16:30 | Coffee Break | ||||||||||||||
| Session 7 : Perception | 17:00 | Composing In the Flesh: Perceptually-Informed Harmonic Syntax | Sean Ferguson | McGill University | Richard Parncutt | University of Graz | 48 | ||||||||
| 17:20 | A Role of Metrical Structure in Implicit Memory of Rhythm Perception: Toward a Computational Modeling of Perception Process of Metrical Structure | Yasuhiro Goto | Faculty of Psychology and Applied Communication, Hokusei Gakuen University | 50 | |||||||||||
| 17:40 | Tying Semantic Labels to Computational Descriptors of Similar Timbres | Rosemary A. Fitzgerald | Lancaster University | Adam T. Lindsay | Lancaster University | 38 | |||||||||
| Session 8 : Physical Modelling | 18:00 | Physical Modeling of Impacts: Theory and Experiments on Contact Time and Spectral Centroid | Federico Avanzini | Dept. of Information Engineering, University of Padova | Davide Rocchesso | Dept. of Computer Science, University of Verona | 79 | ||||||||
| 18:20 | Physical Modeling for Pure Data (pmpd) and Real Time Interaction with an Audio Synthesis | Cyrille Henry | 83 | ||||||||||||
| 18:40 End of SMC paper sessions | |||||||||||||||