Family name: ANDREATTA First name: Moreno Citizenship: Italian

Date and place of birth: 28.04.1971 Schaffhausen (Switzerland)

Address in Italy: Via Vitt. da Feltre, n°20, I-38043, Piazze di Bedollo (Trento)

Address in France: 130, Rue Amelot, 75011 Paris - Ph.: +33 (0)1 43574709

Professional address: IRCAM, 1 Place I. Stravinsky, 75004 Paris - Ph: +33 (0)1 44 78 16 49

E-mail: Moreno.Andreatta@ircam.fr

Present position: Coordinator of the maths/music activities inside of the Music Representation Team, IRCAM (Institut de Recherche et Coordination Acoustique/Musique)-CNRS UMR 9912 and teacher on twentieth-century music theory, formalization and analysis inside of the PhD program "History, Music, Society" co-organized by Ecole des Hautes Etudes en Sciences Sociales (EHESS), IRCAM, Ecole Normale Supérieure and the Conservatory of Paris (CNSMDP).

Musical and scientific studies:

• Sept.1985/July 1990: Liceo Scientifico " G. Galilei ", Trento.
• Nov.1990/May 1996: Collegio Ghislieri, Pavia. Faculty of Mathematics
• Dec.1993/June 1995: Composition and Conducting (with M° Francesco Valdambrini)
• Nov.1994/May 1995: Electronic music (with Prof. Goffredo Haus).
• June 1996: Summer Academy at IRCAM.
• Julyt 1996: Masterclass in composition (with Alessandro Solbiati) and improvisation with Martial Solal at Centre Acanthes (Chartreuse de Villeneuve-lez-Avignon)
• Oct.1996/June 1997: Visiting Student at the University of Sussex (Brighton). Composition classes (with Julian Johnson and David York), XIX^th and XX^th century Esthetics and Sociology of Music (with Prof. David Osmond-Smith) and advanced mathematics (with Prof. Roger Fenn).
• Nov.1997/June 1998: composition (with Alessandro Solbiati) and Electronic Music (with Prof. Alvise Vidolin) at the Civica Scuola di Musica of Milano.
• Oct.1998/Juin 1999: DEA (Master Program) in twentieth-century music and musicology (EHESS, IRCAM).
• Oct.2000/June 2001: DEA on Algebraic Methods, University of Paris VI (auditeur libre).
• 21-24 June 2003: Intensive course on transformational music theory (Mannes Institute, New York). With a financial support of CNRS UMR 9912.
• Oct.1999/Dec. 2003: PhD Program in twentieth-century music and musicology (EHESS, IRCAM, ENS, CNSMDP).

Diploma:

• July 1990: "Maturità scientifica", Liceo Scientifico " G. Galilei ", Trento. Results: 60/60.
• May 1996 : Laurea in Mathematics at the University of Pavia with a dissertation on algebraic methods applied to music. Results: 110/110.
• Sept.1998: Piano Diploma at the Conservatory of Novara, Italy.
• June 1999: DEA in twentieth-century music and musicology ("The mathematical music theory of Guerino Mazzola and the rhythmic canons", supervised by Hugues Dufourt and Marc Chemillier). Results: "très bien".
• December 2003: PhD in computational musicology ("Algebraic methods in twentieth-century music and musicology: theoretical, analytical and compositional aspects", supervised by Alain Poirier). Results: "mention très honorable et félicitations du jury".

Scholarships and awards:

• Summer 1995: Scholarship at St. John’s College (Cambridge) and Category Theory Classes.
• July 1995: " O. Giulotto " Piano Competition Award and concert given at the Festival Pavia Musica 1995.
• Year 1998-1999: Three-month Scholarship of the French Government and nine-month Scholarship Maria Rossi of the Collegio Ghislieri of Pavia.
• Year 1999-2000: Scholarship of University of Padova (Italy).
• Year 2000-2001: " Marcel Bleustein-Blanchet " Foundation Award (European Scholarship for researches on mathematics and music).

Research and teaching positions. Organization of International Colloquia

• Since 1999: Researcher in the field of relationships between music and mathematics inside of the Music Representation Team IRCAM-CNRS UMR 9912 (temporary contracts).
• From 2001 to the present: Co-organization and coordination of the IRCAM MaMuX Seminars (Mathematics/Music and relationship to other fields): http://www.ircam.fr/equipes/repmus/mamux/
• Year 2002-2003: Teacher of the course "New theories, formalization and analysis I and II", as part of the PhD program "Music, History, Society" .
• Co-chair and coordinator of the International Colloquium Around Set Theory, Ircam, 15-16 October 2003. In collaboration with the French Society of Music Analysis and the Conservatory of Paris: http://resonances.ircam.fr/
• Year 2003-2004: Teacher of the course "New theories, formalization and analysis I and II", as part of the PhD program "Music, History, Society". http://www.ircam.fr/equipes/repmus/MHS/programme.html

Presentations and invited talks:

• "Armonie matemusicali: canoni non canonici e sonorità frattali", Collegio Ghislieri, Pavia, June 1996
• "Nastri, Orologi e Ciambelle: dalle scale musicali alle matematiche di Iannis Xenakis", Conservatory of Cuneo, March 1997.
• "La théorie mathématique de la musique et le modèle algébrique des canons rythmiques", Mathematics/Music day, IRCAM, May 1999 (organised by Gérard Assayag and Marc Chemillier).
• "Génération de canons rythmiques musicaux à l’aide de contraintes", Seminar AFPLC, Jussieu, November 1999 (in collaboration with Carlos Agon, computer-scientist).
• "The Minkowski-Hajós problem as a ‘mathemusical’ problem", invited talk at CERFIM (Research Center for Mathematics and Physics), Locarno, Switzerland.
• "The Minkowski/Hajós Problem and the Rhythmic Musical Canons", invited talk at CELC (Centro de Estruturas Lineares e Combinatórias), University of Lisbon, May 2000.
• Journée d’étude autour du compositeur roumain Anatol Vieru. Organization and talk as a special session of the MaMuPhi Seminar "Mathematics, Music and Philosophy", IRCAM, 2 December 2000.
• "Méthodes algébriques en musique: aspects théoriques, compositionnels et analytiques", Seminar Recherche/Création, IRCAM, May 16^th 2001.
• "Musical Experimentswith Canons in OpenMusic", Second International Seminar on Mathematical Music Theory, July 22^th -29^th 2001, Sauen, Germany.
• "Vuza-canons and low-level composition processes", MaMuX Seminar (Mathematics, Music and relationship to other fields), session on "Tiling Problems on music", IRCAM, February 2002 (in collaboration with George Bloch, composer).
• "La Set Theory américaine. Parcours introductif assisté par l'ordinateur", MaMuX Seminar, session on "American Set Theory and diatonic theories", IRCAM, March, 2002).
• "De la généralisation comme catégorie compositionnelle ou l’au-delà de la musique symbolique", MaMuX Seminar, special session on Iannis Xenakis, IRCAM, April 2002.
• "Modélisation de Nomos Alpha en OpenMusic". Talk given to the members of the Working group Outils pour l’analyse (Tools for music analysis), IRCAM, May 2002.
• "Méthodes algébriques en musique : théorie et implémentations", 17^th Meeting of the International Society of Musicology, Leuven, August 2002.
• "A Trinity of Composers: Milton Babbitt, Anatol Vieru, and Iannis Xenakis", Third International Seminar on Mathematical Music Theory, Zurich, Switzerland, Octobre 24^th-26^th, 2002.
• "Mathemusique. Y a-t-il un lien secret entre les mathématiques et la musique?", Invited Talk-Workshop organised by the Club CNRS Sciences et Citoyens of Bobigny, January 21^th, 2003.
• "Mathemusique, an introductory seminar to algebraic methods in music and musicology", Maison des Jeunes et de la Culture Daniel André, Drancy, Juillet 21^th-25^th, 2003.
• "The basic principles of Set Theory: an introduction", International Colloquium Around Set Theory, IRCAM, October 15^th 2003, IRCAM (with Stephan Schaub)
• "State of the art of Analysis tools", Music Analysis Tools Day, Festival Resonances, G. Pompidou Center, October 16^th (with Gérard Assayag)
• "Mathémusique: Evolution de la théorie musicale et de la composition en rapport avec les mathématiques", Tremblay-en-France, Sciences en Fête, Octobre 18^th 2003.
• "Outils informatiques pour la classification et la notation des structures micro-intervalliques", MaMuX Seminar, session on Micro-tonality and modal systematics, IRCAM, November 8^th, 2003 (avec Carlos Agon).
• "Applying Denotator Theory to the Case of Klumpenhouwer and Related Transformational Networks", MaMuX Seminar, session on Formalization and Representation of Musical Structures, IRCAM, December 13^th, 2003 (with Guerino Mazzola).
• "A Computer-aided exploration of the transformational process in Xenakis’ Nomos Alpha", invited talk from the American Mathematical Society, AMS and MAA Joint-Meeting, Special Session on Mathematical Techniques in Musical Analysis, Phoenix, AZ (USA), January 7^th-10^th, 2004.

Unpublished papers:

• Gruppi di Hajós, Canoni e Composizioni, Tesi di laurea, University of Pavia, 1996.
• Formalizing musical structure: from Information to Group Theory, Dissertation in Aesthetics and Sociology of Music, University of Sussex, 1997.
• Group-theoretical methods applied to music, Independent Study Dissertation, University of Sussex, 1997.
• La Théorie Mathématique de la musique de Guerino Mazzola et les canons rythmiques, DEA Dissertation, EHESS-IRCAM, 1999.
• Méthodes algébriques dans la musique et musicologie du XXème siècle: aspects théoriques, analytiques et compositionnels, PhD, EHESS/IRCAM, 2003.

Review Board Publications

• " Nastri, Orologi e Ciambelle : spunti per riflessioni matemusicali ", Il Monocordo, Vol.2, January 1997, pp.5-32.
• " Logica simbolica, teoria dei gruppi e crivelli musicali nel pensiero di Iannis Xenakis : un punto di vista " (1^a parte), Il Monocordo, Vol. 3/4, May-September 1997, pp. 3-14.
• " Logica simbolica, teoria dei gruppi e crivelli musicali nel pensiero di Iannis Xenakis : un punto di vista " (2^a parte), Il Monocordo, Vol. 5, May 1998, pp. 3-30.
• " Elementi di teoria matematica della musica e problema della classificazione di canoni regolari complementari di categoria massimale ", Il Monocordo, Vol. 6/7, 1999.
• " On some properties of periodic sequences in Anatol Vieru's modal theory " (with Dan Tudor Vuza), Tatra Mountains Mathematical Publications, Vol. 23, 2001, pp. 1-15.
• " Une introduction à la Set Theory: les concepts à la base des théories d’Allen Forte et de David Lewin " (with Stephan Schaub), Musurgia, Vol.X/1, 2003, pp.73-92.
• "Formal aspects of Iannis Xenakis’ Symbolic Music: a computer-aided exploration of some compositional processes", Journal of New Music Research (Special Issue on Iannis Xenakis), forthcoming.

Chapters of books:

• " Group-theoretic methods in compositions and theory ", in G. Mazzola: Topos of Music, Birkhäuser Verlag, 2002.
• "Note su alcune tendenze compositive contemporanee", in R. Cresti (éd.), L’arte Innocente. Le vie eccentrice della musica contemporanea italiana, Ruggimenti, Gennaio 2004.
• " Anatol Vieru : formalisation algébrique et enjeux esthétiques " (with Costin Cazaban, Carlos Agon and Dan T. Vuza). To be published in Musique et Mathématique (Ircam/Harmattan). Draft version online: http://www.ircam.fr/equipes/repmus/RMPapers/
• " On group-theoretical methods applied to music: some compositional and implementational aspects ", à paraître dans G. Mazzola et T. Noll (éd.), Perspectives in Mathematical Music Theory, EpOs, Université d’Osnabrück.

Review Board Conference Proceedings

• "OpenMusic et le problème de la construction de canons musicaux rythmiques " (with Carlos Agon and Marc Chemillier), Actes des sixièmes Journées d’Informatique Musicale, Paris 1999, pp. 179-185.
• " The Geometrical Groove: rhythmic canons between Theory, Implementation and Musical Experiments " (with Thomas Noll, Carlos Agon, Gérard Assayag and Dan Tudor Vuza), Actes des Journées d’Informatique Musicale, Bourges, 2001, pp. 93-98. Online: http://www.ircam.fr/equipes/repmus/RMPapers/
• "Analyse et implémentation de certaines techniques compositionnelles chez Anatol Vieru " (with Carlos Agon and Dan Tudor Vuza), Actes des Journées d’Informatique Musicale, Marseille, 2002, pp. 167-176. Online: http://www.ircam.fr/equipes/repmus/RMPapers/
• " Tiling problems in music composition: Theory and Implementation ", Proceedings ICMC 2002, 156-163.
• " Formalisation algébrique des structures musicales à l'aide de la Set-Theory : aspects théoriques et analytiques " (with Carlos Agon), Actes des Journées d’Informatique Musicale, Montbeliard, 2003.
• " Implementing algebraic methods in OpenMusic ", Proceedings ICMC, Singapore, 2003.

Reviews of books:

• Luigi Verdi: Organizzazione delle altezze nello spazio sonoro temperato (Ensemble ‘900, Treviso 1998, pp. 382), Analisi, Ricordi, N. 34, January 2001, 28-31. A French different Version has been published in Musurgia Vol. VIII n.3-4, 2001, pp. 147-150.
• Pozzi Escot: The Poetics of simple mathematics in music (Publication Contact International, 24 Avon Hill, Cambridge, Massachusetts, 1999, pp.124), Spectrum, Rivista di Analisi e Pedagogia musicale, Curci, Vol 2/3, May/September 2002, pp.68-71.

Translations:

• Milton Babbitt: " Invarianti dodecafonici come determinanti compositivi ", dans Il Monocordo, Vol. 5, 1998, pp. 20-30 (Orig. in english : " Twelve-Tone Invariants as Compositional Determinants ", The Musical Quarterly, Vol. XLVI, 1960, pp. 246-259).
• François Nicolas: " Questions of Logic: Writing, Dialectics and Musical Strategies ", in Gérard Assayag et al. (editors), Mathematics and Music. A Diderot Mathematical Forum, Springer Verlag, 2002, pp.89-111 (Orig. in French).