NIME 06
IRCAM - Centre Pompidou, Paris, France
June 4-8, 2006
Paper and Poster Program
Monday, June 5 |
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Paper Session, Monday morning Mobile and Public |
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| Mobile Music Technology: Report on an Emerging Community Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka |
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| A Framework for Spatial Interaction in Locative Media Atau Tanaka, Petra Gemeinboeck |
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| CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking Michael Rohs, Georg Essl, Martin Roth |
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| Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4 Greg Schiemer, Mark Havryliv |
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| Interactive Public Sound Art: a case study David Birchfield, Kelly Phillips, Assegid Kidane, David Lorig |
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Poster Session, Monday Sensors, Interfaces and Mapping |
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| Building Collaborative Graphical interFaces in the Audicle Ge Wang, Ananya Misra, Perry Cook |
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| The Frequencyliator – Distributing Structures for Networked Laptop Improvisation Pedro Rebelo, Alain Renaud |
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| A VR Interface for Collaborative 3D Audio Performance Martin Naef, Daniel Collicott |
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| Using the Touch Screen as a Controller for Portable Computer Music Instruments Günter Geiger |
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| Using MIDI to Modify Video Game Content Jukka Holm, Juha Arrasvuori, Kai Havukainen |
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| Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression Takuro Lippit |
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| spinCycle: a Color-Tracking Turntable Sequencer Spencer Kiser |
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| The Chopping Board: Real-time Sample Editor Jason Lee |
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| A Tactile Closed-Loop Device for Musical Interaction Staas de Jong |
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| PETECUBE: a Multimodal Feedback Interface Peter Bennett |
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| The G-Spring Controller Denis Lebel, Joseph Malloch |
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| Orbophone: a new interface for radiating sound and image Damien Lock, Greg Schiemer |
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| the gluion, advantages of an FPGA-based sensor interface Sukandar Kartadinata |
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| Beyond 0-5V: Expanding Sensor Integration Architectures Adrian Freed, Rimas Avizienis, Matt Wright |
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| Timbre interfaces using adjectives and adverbs Colin Johnson, Alex Gounaropoulos |
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| SonicJumper composer D. Andrew Stewart |
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| Towards a catalog and software library of mapping methods Hans-Christoph Steiner |
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| LINE: Interactive Sound and Light Installation Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa |
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Paper Session, Monday afternoon Networked and Collaborative |
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| Decay in Collaborative Music Making Nick Bryan-Kinns, Patrick Healey |
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| JamSpace: Designing A Collaborative Networked Music Space for Novices Michael Gurevich |
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| Creating a Network of Integral Music Controllers Benjamin Knapp, Perry Cook |
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| Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces Matthew Burtner |
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| Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance Ryan Aylward, Joseph Paradiso |
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Tuesday, June 6 |
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Paper Session, Tuesday morning Real and Virtual, Spatial and Graphical |
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| The ZKM Klangdom Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer |
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| A framework for immersive spatial audio performance Mike Wozniewski, Zack Settel, Jeremy Cooperstock |
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| An Architectural Framework for Interactive Music Systems Alexandre Francois, Elaine Chew |
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| Transmodal Feedback as a New Perspective for Audio-visual Effects Christian Jacquemin, Serge de Laubier |
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| Screen-Based Musical Interfaces as Semiotic Machines Thor Magnusson |
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| Different Strokes: a Prototype Software System for Laptop Performance and Improvisation Mark Zadel, Gary Scavone |
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| TENORI-ON Yu Nishibori, Toshio Iwai |
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Poster Session, Tuesday Gesture Controlled Audio Systems |
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| Towards a Gesture Description Interchange Format Alexander Jensenius, Tellef Kvifte, Rolf Inge Godøy |
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| SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers Marcelo Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot |
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| A simple practical approach to a wireless data acquisition board Smilen Dimitrov, Stefania Serafin |
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| Mapping strategies in DJ scratching Kjetil Falkenberg Hansen, Roberto Bresin |
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| 'GXtar', an interface using guitar techniques Loic Kessous, Julien Castet, Daniel Arfib |
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| Visual Methods for the Retrieval of Guitarist Fingering Anne-Marie Burns, Marcelo Wanderley |
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| Combining accelerometer and video camera: Reconstruction of bow velocity profiles Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua |
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| Reflective Optical Pickup For Violin Nicolas Leroy, Emmanuel Flety, Frederic Bevilacqua |
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Poster Session, Tuesday Tables and Screens |
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| Mary had a little scoreTable* or the reacTable* goes melodic Sergi Jorda, Marcos Alonso |
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| Sound Rose: Creating Music and Images with a Touch Table Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa |
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| Synthesis and Control on Large Scale Multi-Touch Sensing Displays Philip Davidson, Jefferson Han |
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Paper Session, Tuesday afternoon Instrument Design |
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| Towards a Coherent Terminology and Model of Instrument Description and Design Tellef Kvifte, Alexander R. Jensenius |
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| Vibrotactile Feedback in Digital Musical Instruments Mark Marshall, Marcelo Wanderley |
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| Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors Rodolphe Koehly, Marcelo Wanderley, Denis Curtil |
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| Creating Ad Hoc Instruments with Pin&Play&Perform John Bowers, Nicolas Villar |
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| Synthesis and control of everyday sound reconstructing Russolo's Intonarumori Stefania Serafin, Amalia De Goetzen, Niels Böttcher, Steven Gelineck |
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Wednesday, June 7 |
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Paper Session, Wednesday morning Brain, Hands, and Expression |
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| Interactive Sonification of Neural Activity Gil Weinberg, Travis Thatcher |
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| Non haptic control of music by video analysis of hand movements : 14 years of experience with the «Caméra Musicale» Jacques Rémus |
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| MICON A Music Stand for Interactive Conducting Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser |
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| conga: A Framework for Adaptive Conducting Gesture Analysis Eric Lee, Ingo Gruell, Henning Kiel, Jan Borchers |
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| Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval |
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| GRASSP: Gesturally-Realized Audio, Speech and Song Performance Bob Pritchard, Sidney Fels |
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| The ‘E’ in NIME: Musical Expression with New Computer Interfaces Christopher Dobrian, Daniel Koppelman |
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Poster Session, Wednesday Instruments, Performances and Installations |
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| 32kg: Performance Systems for a Post-Digital Age John Richards |
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| Meta-Instrument 3: a look over 17 years of practice Serge De Laubier, Vincent Goudard |
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| The Case Study of An Application of The System, “BodySuit” and “RoboticMusic” - Its Introduction and Aesthetics Suguru Goto |
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| Modal Kombat: Competition and Choreography in Synesthetic Musical Performance David Hindman |
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| A “Ballet mécanique” for the 21st Century: Performing George Antheil’s Dadaist Masterpiece with Robots Paul Lehrman, Eric Singer |
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| Using the augmented trombone in "I will not kiss your f.ing flag" Serge Lemouton, Marco Stroppa, Benny Sluchin |
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| On making and playing an electronically-augmented saxophone Sébastien Schiesser, Caroline Traube |
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| Handheld Acoustic Filter Bank for Musical Control Tamara Smyth |
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| Real-Time Sound Source Spatialization as used in Challenging Bodies : Implementation and Performance JJ Nixdorf, David Gerhard |
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| Mapping with planning agents in the Max/MSP environment: the GO/Max language Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro |
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| Towards a Virtual Assistant for Performers and Stage Directors Alain Bonardi, Isis Truck, Herman Akdag |
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| Students' projects of interactive media-installations in SUAC Yoichi Nagashima |
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| An Acousmatic Composition Environment Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoeft |
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| Bioinformatic Feedback: performer bio-data as a driver for real-time composition Robert Hamilton |
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| The Light Matrix: An Interface for musical expression and performance Jonathan Pak |
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| GAINER: A reconfigurable I/O module and software libraries for education Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi |
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Paper Session, Wednesday afternoon Augmented Instruments and Accompaniment |
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| Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument Kirsty Beilharz, Joanne Jakovich, Sam Ferguson |
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| Adapting the trombone: a suite of electro-acoustic interventions for the piece Rouse Neal Farwell |
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| The Augmented Djembe Drum – Sculpting Rhythms Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva |
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| Children of Grainger: Leather Instruments for Free Music Stuart Favilla, Joanne Cannon |
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| Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment William Hsu |
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| Integrated Interactive Music Performance Environment Keith Hamel |
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| Learning Musical Instrument Skills Through Interactive Sonification Sam Ferguson |
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Thursday, June 8 |
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Paper Session, Thursday morning Digital Interfaces for the Violin Family |
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| Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going? Cornelius Poepel, Dan Overholt |
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| Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music Diana Young, Patrick Nunn, Artem Vassiliev |
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| The augmented violin project: research, composition and performance report Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet |
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| Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura Mari Kimura, Jean-Claude Risset |
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| Augmenting the Cello Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel |
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| Virtual Musical Instrument - Virtual Violin, The SuperPolm: Its Technological Aspects and The Application to A Composition Suguru Goto, Patrice Pierrot, Alain Terrier (additional presentation not included in the Proceedings) |
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| A sensors and sound analysis system for live improvisation and composition with violin, hurdy-gurdy and virtual instruments Stevie Wishart, Todor Todoroff (additional presentation not included in the Proceedings) |
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