The second item may be compared to what have been proposed by Cadoz in [10] according to the morphology of gestural transducers in gestural units (groups of channels), channels (one gestural channel corresponds to a uni or multidimensional gesture) and lanes (essentially, a gestural lane corresponds to one degree of freedom) [20].
Item 7 has been discussed when we talked about mapping. Others have to do with the context in which the interface will be used, i.e., it has been designed to profit from the massive corpus of technique of acoustic instruments techniques and thus designed to capture a kind of "expert" gesture[12], or it has been invented from scratch and intends to capture non-traditional instrumental gestures, such as natural gestures. (item 8)
Item 9 is referenced in other papers, such as [1]. Items 3, 6 and 10 depend mainly on the type of application envisaged.
Finally, these items provide good guidelines for the design of gestural
capture interfaces and should be considered carefully. They shall be further
discussed in another text, due to space and time constraints.