From measurements (see [2]) and dimensionless analysis
(see [5]), we show that nonlinear propagation (at
high amplitude of playing) as well as visco-thermal boundary-layer
effects must be taken into account to describe acoustic propagation in
the slide of a trombone. Neglecting high order contributions (such as
nonlinear interactions in the main flow or nonlinearities in the
boundary-layers), the solution in the cylindrical pipe may be
described as a linear combination of an incoming and an outgoing plane
waves where both waves are submitted to the viscothermal losses and
the nonlinear distortion during the propagation. Neglecting the
viscothermal losses, the nonlinear distortion of a simple wave is
described in [6] equation (Eq. 1) with the propagation speed c being
a function of the fluid velocity u ( being the linear sound
speed,
the ratio of the specific heats for gases):
Fig. 7 displays the model we used to demonstrate some of the effects that nonlinear propagation introduces in a waveguide system simulating a wind-instrument, such as a trombone. This model includes a one-mass lips model as nonlinear excitator, two linear/nonlinear delay-lines for propagating the incoming and outgoing waves, and a low-pass filter for the linear modelling of the bell (see [5]). Comparisons are made based on simulations of the two systems including linear or nonlinear propagation driven by the same parameters.
Figure 8: Comparison of the amplitudes of the first ten harmonics:
linear propagation vs. nonlinear propagation
It appears clearly (Fig. 8) that the nonlinear
propagation produces high frequency components which makes the sound
brassier. It seems also that the nonlinear
propagation plays a rather subtle role for low frequencies (here lower
than 800Hz) corresponding to the
reflexion function bandwidth of the bell. But the simulations show
that, even if the motion of the lips is perturbed, the
frequency-spectrum of the input incoming wave is not modified
much. That would support [2] where it is supposed that
the nonlinear propagation has a rather small effect on the self
oscillation process at steady-state, compared to the effect on the
radiated sound.