Références:

Part I - Gestes:

Cadoz, C. - Instrumental gesture and musical composition, in Proc. Int. Computer Music Conf. (ICMC'88), pp. 1-12, 1988.
Cadoz, C. and Ramstein, C. - Capture, representation and «composition» of the instrumental gesture, in Proc. Int. Computer Music Conf. (ICMC'90), pp. 53-56, 1990.
Ramstein, C. - Analyse, Répresentation et Traitement du Geste Instrumental, Thèse de Doctorat, Institut National Polytechnique de Grenoble, Décembre 1991.
Cadoz, C. - Le geste canal de communication homme-machine. la communication «instrumentale»,'' Sciences Informatiques - Numéro Spécial: Interface Homme-Machine, vol. 13, no. 1, pp. 31-61, 1994.
Cassell, J. - A Framework for Gesture Generation and Interpretation. Cambridge University Press. in "Computer Vision in human-Machine Interaction", in press.
Mulder, A. - Hand gestures for HCI, tech. rep., Simon Fraser University, 1996. Hand Centered Studies of Human Movement Project.
Kurtenbach, G. and Hulteen, E. - Gestures in Human-Computer Communication, in Laurel (editor): "The Art of Human Computer Interface Design", Addison-Wesley, pp. 309-317, 1990.
Baecker,R., Grudin,J., Buxton, W. and Greenberg, S. Readings in Human-Computer Interaction: Toward the Year 2000. Morgan-Kauffmann, 2nd edition ed., 1995.

M. Waisvisz, The hands, a set of remote midi-controllers, in Proc. Int. Computer Music Conf. (ICMC'85), pp. 313-318, 1985.
R. Boie, M. Mathews, and A. Schloss, The radio drum as a synthesizer controller, in Proc. Int. Computer Music Conf. (ICMC'89), pp. 42-45, 1989.
C. Cadoz, L. Lisowski, and J. L. Florens, A modular feedback keyboard design, Computer Music J., vol. 14, no. 2, pp. 47-51, 1990.
D. Buchla, Lightning II midi controller. http://www.buchla.com/. Buchla and Associates' Homepage.
The Theremin Bibliography - Publications and Films - at: http://www.nashville.net/~theremin/TPubs.html
T. Machover and J. Chung, Hyperinstruments: Musically intelligent and interactive performance and creativity systems, in Proc. Int. Computer Music Conf. (ICMC'89), pp. 186-190, 1989.
T. Machover, Hyperinstruments - a progress report 1987 - 1991, tech. rep., Massachusetts Institut of Technology, 1992.
E. B. Egozy, Deriving musical control features from a real-time timbre analysis of the clarinet, Master's thesis, Massachusetts Institut of Technology, 1995.

Bowler, I.; Purvis, A.; Manning, P. and Bailey, N. - On Mapping N Articulation Parameters onto M Synthesiser-control Parameters, ICMC'90 , pp. 181-184.
Itagaki, T.; Manning, P. and Purvis, A. - Distributed Parallel Processing: Lessons learned from a 160-Transputer Network, CMJ, Vol 21, No. 4, Winter 1997, pp. 42-54.
Choi, I.; Bargar, R. and Goudeseune, C. - A Manifold Interface for a high dimensional control space, ICMC'95, pp. 385-392.
Choi, I. - Interactivity vs. Control, KANSEI, the Technology of Emotion Workshop, 1997, pp. .
Lee, M.; Freed, A. and Wessel, D. - Real-Time Neural Network Processing of Gestural and Acoustic Signals, ICMC'91, pp. 277-280.
Lee, M. and Wessel, D. - Connectionist Models for Real-Time Control of Synthesis and Compositional Algorithms, ICMC'92, pp. 288-280?.
Lee, M. and Wessel, D. - Real-Time Neuro-Fuzzy Systems for Adaptative Control of Musical Processes, ICMC'93, pp. 172-175.
Rovan, J.; Wanderley, M.; Dubnov, S. and Depalle, P. - Instrumental Mapping Strategies as Expressivity Determinants in Computer Music, KANSEI, the Technology of Emotion Workshop, 1997, pp. .

Haken, L.; Abdullah, R. and Smart, M. - The Continuum: A Continuous Music Keyboard, ICMC'92, pp. 81-84.
Haken, L. - Computational Methods for Real-Time Fourier Synthesis, IEEE Transactions on Signal Processing, Vol. 40, No. 9, Sept. 92, pp. 2327-2329.
Holloway, B. &nd Haken, L. - A Sinusoidal Algorithm for Generating Transitions between Notes, ICMC'92, pp. 14-17.
Tellman, E.; Haken, L. and Holloway, B. - Timbre Morphing using the Lemur Representation, ICMC'94, pp. 329-330.
Haken, L.; Fitz, K.; Tellman, E.; Wolfe, P. and Christensen, P. - A Continuous Polyphonic Keyboard Controlling Polyphonic Morphing using Bandwidht-Enhanced Oscillators, ICMC'97, pp. 375-378.

Schnell, N.; Rovan, J. and Wanderley, M. - ESCHER: a flexible FTS additive synthesis environment with applications to gestural control, Internal presentation, IRCAM, Jan. 98.

Meyer, J. - Acoustics and the Performance of Music, Verlag das Musikinstrument, Frankfurt/Main, 1978.
Benade, A. - Foundamentals of Musical Acoustics. Dover, 2nd edition, 1990.