Publications of Emmanuel Bigand

2002

• Bigand, E., D'Adamo, D., Madurell, F., Poulin, B. (2002) "A preliminary investigation of the perceptual structure of musical materials in The Angel of Death", 7th International Conference on Music Perception and Cognition: Causal Productions, Adelaide [CD-ROM], Sydney. [Bigand02b]
• Bigand, E., Vieillard, S., Madurell, F., McAdams, S., Poulin, B. (2002) "Effects of instrumentation on the memorization of musical materials", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [Bigand02a]
• McAdams, S., Bigand, E., Vieillard, S. (2002) "Composition et cognition musicales: Création, perception, appréciation", Programme Cognitique, MENRT (Rapport de fin de recherche). [McAdams02h]
• McAdams, S., Smith, B. K., Vieillard, S., Bigand, E., Reynolds, R. (2002) "Real-time perception of a contemporary musical work in a live concert setting", 7th International Conference on Music Perception and Cognition: Causal Productions, Adelaide [CD-ROM], Sydney. [McAdams02f]
• Vieillard, S., Bigand, E., Madurell, F., McAdams, S., Reynolds, R. (2002) "Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [Vieillard02b]

  2001

• McAdams, S., Bigand, E., Vieillard, S. (2001) "Composition et cognition musicales: Création, perception, appréciation", Programme Cognitique, MENRT (Rapport intermédiaire). [McAdams01d]

  2000

• Bigand, E., McAdams, S., Forêt, S. (2000) "Divided attention in music", International Journal of Psychology 35, 270-278. [Bigand00a]

  1998

• Bigand, E., Madurell, F., McAdams, S. (1998) "Quelques commentaires psychologiques sur le commentaire d'écoute", Musurgia 5, 71-81.

  1994

• Bigand, E., McAdams, S., Forêt, S. (1994) "Divided attention in polyphonic listening", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 237-238.
• McAdams, S. (1994) "Reconnaissance de sources et d'événements sonores", In: Penser les sons : Psychologie cognitive de l'audition, Edited by: McAdams, S., Bigand, E., Paris: Presses Universitaires de France, 157-214.
• McAdams, S., Bigand, E. (1994) "Penser les sons: Psychologie cognitive de l1audition", Paris: Presses Universitaires de France.
• McAdams, S., Bigand, E. (1994) "Introduction à la cognition auditive", In: Penser les sons : Psychologie cognitive de l'audition, Edited by: McAdams, S., Bigand, E., Paris: Presses Universitaires de France, 1-10.
• McAdams, S., Winsberg, S., Murail, T., Fineberg, J., Bigand, E., Drake, C. (1994) "Dissonance: Allegories of the concept and Disintegrations of the preconceptions", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 317-318.

  1993

• McAdams, S. (1993) "Recognition of sound sources and events", In: Thinking in Sound: The Cognitive Psychology of Human Audition, Edited by: McAdams, S., Bigand, E., Oxford: Oxford University Press, 146-198.
• McAdams, S., Bigand, E. (1993) "Thinking in Sound: The Cognitive Psychology of Human Audition", Oxford: Oxford University Press.
• McAdams, S., Bigand, E. (1993) "Introduction to auditory cognition", In: Thinking in Sound: The Cognitive Psychology of Human Audition, Edited by: McAdams, S., Bigand, E., Oxford: Oxford University Press, 1-9.
• McAdams, S., Bigand, E., Drake, C. (1993) "Processus perceptifs et cognitifs dans l'écoute et dans l'interprétation musicales", Paris: Direction de la Musique et de la Danse, Minstère de la Culture (Rapport de fin de contrat).