Publications of Stephen McAdams

2004

• Ayari, M., McAdams, S. (2004) "Polysémie et multidimensionnalité du phénomène de l'improvisation instrumentale arabe", In: Les pratiques d'écoute individuelles, Edited by: Madurell, F., Paris: Université de Paris-Sorbonne, (à paraître). [Ayari04a]
• Lemaitre, G., Susini, P., Winsberg, S., McAdams, S. (2004) "A method to assess the ecological validity of laboratory-recorded car horn sounds", CFA/DAGA, Strasbourg, France. [Lemaitre04a]
• McAdams, S. (2004) "Problem-solving strategies in music composition: A case study", Music Perception 21, (à paraître). [McAdams04a]
• McAdams, S., Chaigne, A., Roussarie, V. (2004) "The psychomechanics of simple sound sources: Material properties of impacted bars", Journal of the Acoustical Society of America 115, 1306-1320. [McAdams04b]
• Pressnitzer, D., de Cheveigné, A., McAdams, S., Collet, L. (2004) "Auditory Signal Processing: Psychophysics, Physiology and Modeling", New York: Springer-Verlag. [Pressnitzer04a]
• Susini, P., McAdams, S. (2004) "Temporal asymetry in loudness", CFA/DAGA, Strasbourg, France. [Susini04b]
• Susini, P., McAdams, S., Winsberg, S., Perry, I., Vieillard, S., Rodet, X. (2004) "Characterising the sound quality of air-conditiong noise", Applied Acoustics, (à paraître). [Susini04a]
• Tillmann, B., McAdams, S. (2004) "Implicit learning of musical timbre sequences: Statistical regularities confronted with acoustical (dis)similarities", Journal of Experimental Psychology: Learning, Memory and Cognition, (à paraître). [Tillmann04a]
• Tillmann, B., McAdams, S. (2004) "Apprentissage implicite en modalité auditive : Statistique et acoustique", Neuropsychologie, (à paraître). [Tillmann04b]

  2003

• Ayari, M., McAdams, S. (2003) "Aural analysis of arabic improvised instrumental Music (taqsîm)", Music Perception 21, 159-216. [Ayari03a]
• Bey, C. , McAdams, S. (2003) "Post-recognition of interleaved melodies as an indirect measure of auditory stream formation", Journal of Experimental Psychology: Human Perception and Performance à paraître.. [Bey03a]
• Lemaitre, G., Susini, P., Winsberg, S., McAdams, S. (2003) "Perceptively based design of new car horns sounds", International Conference on Auditory Display: the Boston University Publications Production Department, University of Boston, 47-50. [Lemaitre03a]
• Marozeau, J., de Cheveigné, A., McAdams, S., Winsberg, S. (2003) "The dependency of timbre on fundamental frequency", Journal of the Acoustical Society of America 114, 2946-2957. [Marozeau03a]
• McAdams, S. (2003) "Qualification du typage sonore" (Rapport final, consultation auprès de PSA Peugeot-Citroën). [McAdams03d]
• McAdams, S. (2003) "Perceptual characterization of real and simulated sound sources", Journal of the Acoustical Society of America 107 (à paraître). [McAdams03b]
• McAdams, S. (2003) "Perception of musical timbre", Bulletin of Psychology and the Arts 4, 39-42. [McAdams03b]
• McAdams, S., Depalle, P., Clarke, E. (2003) "Analysing musical sounds (à paraître)", In: Empirical Musicology: Aims, Methods, Prospects, Edited by: Clarke, E., Cook, N., Oxford: Oxford University Press. [McAdams03a]
• McAdams, S., Matzkin, D. (2003) "The roots of musical variation in perceptual similarity and invariance", In: The Cognitive Neuroscience of Music, Edited by: Peretz, I., Zatorre, R., Oxford: Oxford University Press, 79-94. [McAdams03c]
• Reynolds, R. (2003) "Form and Method: Composing Music (à paraître)". [Reynolds03a]

  2002

• Ayari, M., McAdams, S. (2002) "Le schéma cognitif culturel de l'improvisation: forme musicale et analyse perceptive (Psychologie expérimentale et problème d'universalisation de données)", 2e colloque international d'épistémologie musicale (colloque organisé par la SFAM, l'IRCAM et l'Université Paris X), IRCAM, Paris. [Ayari02b]
• Ayari, M., McAdams, S. (2002) "Le schéma cognitif culturel de l'improvisation modale: Forme musicale et analyse perceptive", In: Observation, analyse, modèle. Peut-on parler d'art avec les outils de la science ?, Edited by: Lévy, F., Chouvel, J.-M., Paris: Harmattan, 395-418. [Ayari02a]
• Belin, P., McAdams, S., Thivard, L., Smith, B., Savel, S., Zilbovicius, M., Samson, S., Samson, Y. (2002) "The neuroanatomical substrate of sound duration discrimination", Neuropsychologia 40, 1956-1964. [Belin02a]
• Bey, C., McAdams, S. (2002) "Schema-based processing in auditory scene analysis", Perception and Psychophysics 64, 844-854. [Bey02a]
• Bigand, E., Vieillard, S., Madurell, F., McAdams, S., Poulin, B. (2002) "Effects of instrumentation on the memorization of musical materials", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [Bigand02a]
• Caclin, A., Brattico, E., Smith, B., Ternaviemi, M., Giard, M.-H., McAdams, S. (2002) "Electrophysiological correlates of musical timbre perception", Journal of the Acoustical Society of America 112, 2240 (A). [Caclin02a]
• Caclin, A., Brattico, E., Smith, B., Ternaviemi, M., Toiviainen, P., Näätänen, R., Giard, M.-H., McAdams, S. (2002) "Musical timbre perception: A combined psychophysical and electrophysiological study", ICON8, Porquerolles, 70. [Caclin02b]
• Lemaitre, G., Susini, P., McAdams, S., Winsberg, S. (2002) "Etude de la perception du timbre des avertisseurs sonores (Rapport intermédiaire)", Contrat Klaxon-Ircam-Université du Maine (Technical Report). [Lemaitre02b]
• Lemaitre, G., Susini, P., Winsberg, S., McAdams, S. (2002) "Perception of the timbre of car horns", Acta Acustica 88, S123 (A). [Lemaitre02c]
• Lemaitre, G., Susini, P., Winsberg, S., McAdams, S. (2002) "Perception of the timbre of car horns", Forum Acusticum: S. Hirzel Verlag [CD-ROM], Sevilla, Spain. [Lemaitre02a]
• Levitin, D., McAdams, S., Adams, R. (2002) "Control parameters for musical instruments: A foundation for new mappings of gesture to sound", Organised Sound 7, 171-189. [Levitin02a]
• McAdams, S. (2002) "Musical similarity and dynamic processing in musical contexts", International Symposium on Musical Acoustics: ENM/UNAM, Mexico City [CD-ROM], Mexico City. [McAdams02g]
• McAdams, S., Bigand, E., Vieillard, S. (2002) "Composition et cognition musicales: Création, perception, appréciation", Programme Cognitique, MENRT (Rapport de fin de recherche). [McAdams02h]
• McAdams, S., Caclin, A., Smith, B. (2002) "A confirmatory analysis of four acoustic correlates of timbre space", Journal of the Acoustical Society of America 112, 2239 (A). [McAdams02d]
• McAdams, S., Drake, C. (2002) "Auditory perception and cognition", In: Stevens' Handbook of Experimental Psychology: Vol. 1. Sensation and Perception, Edited by: Pashler, H., Yantis, S., New York: Wiley, 397-452. [McAdams02a]
• McAdams, S., Matzkin, D. (2002) "The roots of musical variation in perceptual similarity and invariance", In: The Biological Foundations of Music, Edited by: Peretz, I., Zatorre, R., Oxford: Oxford University Press, 80-94. [McAdams02b]
• McAdams, S., Reynolds, R. (2002) "Problem-solving strategies in the composition of The Angel of Death", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [McAdams02e]
• McAdams, S., Smith, B. K., Vieillard, S., Bigand, E., Reynolds, R. (2002) "Real-time perception of a contemporary musical work in a live concert setting", 7th International Conference on Music Perception and Cognition: Causal Productions, Adelaide [CD-ROM], Sydney. [McAdams02f]
• Menon, V., Levitin, D. J., Smith, B. K., Lembke, A., Kraznow, B., Glazer, D., Glover, G. H., McAdams, S. (2002) "Neural correlates of timbre change in harmonic sounds", Neuroimage 17, 1742-1754. [Menon02a]
• Reynolds, R. (2002) "Form and Method: Composing Music (The Rothschild Essays)", Edited by: McAdams, S., New York: Routledge. [Reynolds02a]
• Susini, P. , McAdams, S. , Smith, B. (2002) "Global and continuous loudness estimation of time-varying levels", ACUSTICA - acta acustica 88, 536-548. [Susini02a]
• Susini, P., McAdams, S. (2002) "Influence of sound-directed attentional focus on overall loudness ratings", Forum Acusticum: S. Hirzel Verlag, Sevilla, Spain. [Susini02b]
• Vieillard, S., Bigand, E., Madurell, F., McAdams, S., Reynolds, R. (2002) "Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [Vieillard02b]
• Vieillard, S., McAdams, S., Houix, O., Reynolds, R. (2002) "Perceptual and cognitive criteria used in the categorization of thematic excerpts from a contemporary musical piece", 7th International Conference on Music Perception and Cognition: Adelaide: Causal Productions [CD-ROM], Sydney. [Vieillard02a]

  2001

• Brown, J., Houix, O., McAdams, S. (2001) "Feature dependence in the automatic identification of musical woodwind instruments", Journal of the Acoustical Soceity of America 109, 1064-1072. [Brown01a]
• Dufournet, D., Susini, P., Slama, M., McAdams, S. (2001) "An annoyance meter for squeak-and-rattle diagnostics", 17th International Congress on Acoustics, Rome, 38-39 [CD-ROM]. [Dufournet01a]
• Faure, A., McAdams, S. (2001) "Des sons aux mots : comment parle-t-on du timbre musical ?", In: Langage et pensée: 10ème Séminaire Jean-Louis Signoret, Edited by: Viader, F., Eustache, F., Brussels: De Boeck. [Faure01a]
• Lemaitre, G., Susini, P., McAdams, S., Winsberg, S. (2001) "Etude de l'effet du mode de fixation des avertisseurs sonores automibles sur la perception du son" (Rapport intermédiaire, contrat Klaxon-Ircam-Université du Maine). [Lemaitre01a]
• Marozeau, J., de Cheveigné, A., McAdams, S., Winsberg, S. (2001) "The perceptual interaction between pitch and timbre of musical sound", J. Acoust. Soc. Am. 109, 2288. [Marozeau01b]
• Marozeau, J., de Cheveigné, A., McAdams, S., Winsberg, S. (2001) "The perceptual interaction between the pitch and timbre of musical sound", Journal of the Acoustical Society of America 109, 2288 (A). [Marozeau01a]
• McAdams, S. (2001) "Le concert des sens reste sous le joug du biologique", Revue du Palais de la Découverte 284, 53. [McAdams01b]
• McAdams, S. (2001) "Psychology of music: Perception/Cognition: Timbre", In: The New Grove Dictionary of Music and Musicians, 2nd ed., Edited by: Sadie, S., Tyrell, J., London: Grove Music 20, 538-539. [http://www.grovemusic.com/] [McAdams01a]
• McAdams, S., Bigand, E., Vieillard, S. (2001) "Composition et cognition musicales: Création, perception, appréciation", Programme Cognitique, MENRT (Rapport intermédiaire). [McAdams01d]
• McAdams, S., Matzkin, D. (2001) "Similarity, invariance and musical variation", Annals of the New York Academy of Sciences 930, 62-76. [McAdams01c]
• Peeters, G., McAdams, S., Susini, P., Misdariis, N., Krimphoff, J., Smith, B.K. (2001) "Procédé de caractérisation du timbre d'un signal sonore selon au moins un descripteur", USA: CNRS, Ircam, France Télécom (Patent). [Peeters01a]
• Susini, P., Perry, I., Vieillard, S., Winsberg, S., McAdams, S., Rodet, X. (2001) "Sensory evaluation of air-conditioning noise: Sound design and psychoacoustic evaluation", 17th International Congress on Acoustics, Rome, 20-21 [CD-ROM]. [Susini01a]
• Susini, P., Vieillard, S., McAdams, S., Smith, B. (2001) "Elaboration d'un modèle de détection automatique et d'un estimateur de désagrément de bruits parasites.", PREDIT - Ministère de l'éducation nationale, de la recherche et de la technologie. (Technical Report). [susini01g]

  2000

• Bigand, E., McAdams, S., Forêt, S. (2000) "Divided attention in music", International Journal of Psychology 35, 270-278. [Bigand00a]
• Houix, O., McAdams, S., Caussé, R. (2000) "Structures vibrantes et catégorisation auditive", 5ème Congrès Français d'Acoustique, Lausanne, 437-440. [Houix01a]
• Matzkin, D, McAdams, S. (2000) "Similarity perception of variations of tonal and twelve-tone melodies", 6th ICMPC Conference: ICMPC, Keele (UK), cd-rom. [Matzkin00a]
• McAdams, S. (2000) "La psychoméchanique des sources sonores simples", Actes du 5ème Congrès Français d'Acoustique: Ecole Polytechnique de Lausanne, Lausanne, XXI. [McAdams00c]
• McAdams, S. (2000) "The psychomechanics of real and simulated sound sources", Journal of the Acoustical Society of America 107, 2792(A). [McAdams00b]
• McAdams, S., Winsberg, S. (2000) "Psychophysical quantification of individual differences in timbre perception", In: Contributions to Psychological Acoustics: Results of the 8th Oldenburg Symposium on Psychological Acoustics, Edited by: Schick, A., Meis, M., Reckhardt, C., Oldenburg: Bis, 165-182. [McAdams00a]
• Peeters, G., McAdams, S., Herrera, P. (2000) "Instrument sound description in the context of MPEG-7", Proceedings of the 2000 International Computer Music Conference, Berlin, 166 -169. [Peeters00a]
• Pressnitzer, D., McAdams, S. (2000) "Acoustics, psychoacoustics and spectral music", Contemporary Music Review 19, 33-60. [PDF] [Pressnitzer00b]
• Pressnitzer, D., McAdams, S., Winsberg, S., Fineberg, J. (2000) "Perception of musical tension for non-tonal orchestral timbres and its relation to psychoacoustic roughness", Perception and Psychophysics: Human Perception and Performance 62, 66-80. [PDF] [Pressnitzer99c]
• Susini, P., McAdams, S. (2000) "Effet de récence dans une tâche de jugement de la sonie", 5ème Congrès français d'acoustique, Lausanne, Suisse. [Susini00a]
• Susini, P., McAdams, S. (2000) "L'approche psychoacoustique de la qualité sonore", France: Prédit - Ministère de l'aménagement du territoire et de l'environnement, 1 - 38 (Rapport intermédiare). [Susini00d]
• Susini, P., McAdams, S. (2000) "Psychophysical validation of a proprioceptive device by cross-modal matching of loudness", Acustica 86, 515-525. [Susini00e]
• Susini, P., McAdams, S., Winsberg, S. (2000) "Etude psychoacoustique de bruits d'unités intérieures de climatisation" (Rapport final, contrat d'association avec EDF, LNE & Inra). [susini00c]
• Susini, P., Slama, M., McAdams, S. (2000) "Etude psychoacoustique de bruits parasites à l'intérieur d'un habitacle de voiture" (Rapport intermédiaire, PREDIT projet SQUAD, Ministère de l'Aménagement du Territoire et de l'Environnement). [susini00b]
• Turgeon, M., McAdams, S., Drake, C, Samson, Y. (2000) "The relative contribution of the visual and auditory signals to the dynamic reproduction of a rhythmic pattern", 8th International Workshop on Rhythm Perception and Production, Castleton, UK., 38-39. [Turgeon00c]

  1999

• Brochard, R., Drake, C., Botte, M.-C., McAdams, S. (1999) "Perceptual organization of complex auditory sequences: Effect of number of simultaneous subsequences and frequency separation", Journal of Experimental Psychology: Human Perception and Performance 25, 1742-1759. [Brochard99a]
• Drake, C., McAdams, S. (1999) "The continuity illusion: Role of temporal sequence structure", Journal of the Acoustical Society of America 106, 3529-3538. [Drake99a]
• Houix, O., McAdams, S., Caussé, R. (1999) "Auditory categorization of sound sources", In: Studies in Perception and Action, Edited by: Grealy, M. A., Thomson, J. A., Mahwah, NJ: Lawrence Erlbaum Associates V, 47-51. [Houix99a]
• McAdams, S. (1999) "Perspectives on the contribution of timbre to musical structure", Computer Music Journal 23, 96-113. [McAdams99a]
• McAdams, S. (1999) "Basic and applied psychoacoustics in France", Acustica 85, 636-638. [McAdams99e]
• McAdams, S., Beauchamp, J., Meneguzzi, S. (1999) "Discrimination of of musical instrument sounds resynthesized with simplified spectrotemporal parameters", Journal of the Acoustical Society of America 105, 882-897. [McAdams99d]
• McAdams, S., Misdariis, N. (1999) "Perceptual-based retrieval in large musical sound databases", Human Centred Processes '99: ENST Bretagne, Brest, 445-450. [McAdams99b]
• McAdams, S., Winsberg, S. (1999) "Multidimensional scaling of musical timbre constrained by physical parameters", Journal of the Acoustical Society of America 105, 1273(A). [McAdams99c]
• Pressnitzer, D., McAdams, S. (1999) "Two phase effects on roughness perception", Journal of the Acoustical Society of America 105, 2773-2782. [PDF] [Pressnitzer99d]
• Pressnitzer, D., McAdams, S. (1999) "Summation of roughness across frequency regions", In: Temporal processing in the auditory system: Psychophysics, physiology and models of hearing, Edited by: T. Dau, V. Hohmann and B. Kollmeier, Singapore: World Scientific Publishing, 105-108. [PDF] [Pressnitzer99e]
• Pressnitzer, D., McAdams, S. (1999) "An effect of the coherence between envelopes across frequency regions on the perception of roughness", In: Psychophysics, Physiology and Modesl of Hearing, Edited by: Dau, T., Hohmann, V., Kollmeier, B., London: World Scientific, 105-108. [Pressnitzer99a]
• Susini, P., McAdams, S. (1999) "Contrôle et évaluation des caractéristiques temporelles de montée en régime moteur", Paris: GIE PSA/Renault (Rapport intermédiaire). [susini99e]
• Susini, P., McAdams, S., Perry, I., Rodet, X. (1999) "Etude psychoacoustique de bruits d'unités intérieures de climatisation", Paris: EDF (Rapport intermédiaire).
• Susini, P., McAdams, S., Winsberg, S. (1999) "A multidimensional technique for sound quality assessment", Acustica 85, 650-656. [Susini99a]
• Topalovic, N., Smith, B., McAdams, S. (1999) "Prévision du bruit rayonné par des structures en vue d'une évaluation perceptive. Tome III. Etudes psychoacoustiques", Paris: PREDIT, Ministère de l'Aménagement du Territoire et de l'Environnement (Rapport de fin de contrat). [topalovie99a]

  1998

• Belin, P., McAdams, S., Smith, B., Savel, S., Thivard, L., Samson, S., Samson, Y. (1998) "The functional anatomy of sound intensity discrimination", Journal of Neuroscience 18, 6388-6394.
• Bey, C., McAdams, S. (1998) "Perception de mélodies intercalées : Implication des processus descendants dans l'organisation auditive", VIIe Colloque de l'Association pour la Recherche Cognitive, Paris, 255-260.
• Bey, C., McAdams, S. (1998) "Implication of top-down processes in auditory streaming", 39th Meeting of the Psychonomic Society, Dallas, 25(A).
• Bigand, E., Madurell, F., McAdams, S. (1998) "Quelques commentaires psychologiques sur le commentaire d'écoute", Musurgia 5, 71-81.
• Faure, A., McAdams, S. (1998) "Du percept au concept : comment parle-t-on du timbre des instruments de musique ?", 6ième colloque du l'école doctorale Neurobiologie & Comportement, Paris, C9.
• McAdams, S., Botte, M.-C., Drake, C. (1998) "Auditory continuity and loudness computation", Journal of the Acoustical Society of America 103, 1580-1591.
• McAdams, S., Drake, C. (1998) "Intensité subjective des sources sonores multiples : Rôle des mécanismes perceptifs d'organisation en flux auditifs", Paris: Ministère de l'Environnement (Rapport de fin de contrat).
• McAdams, S., Kudo, K., Kirchner, H. (1998) "Perceptual interaction of exciter and resonator properties in percussive instrument sounds", Journal of the Acoustical Society of America 103, 2966(A).
• McAdams, S., Susini, P. (1998) "Caractérisation perceptive des bruits de véhicules", Actes du Congrès SIA/SFA, Paris, France.
• McAdams, S., Susini, P., Misdariis, N., Winsberg, S. (1998) "Multidimensional characterisation of perceptual and preference judgements of vehicle and environmental noises", Proceedings of Euro-Noise 98, Munich, Allemagne, 561-566.
• Misdariis, N., Smith, B., Pressnitzer, D., Susini, P., McAdams, S. (1998) "Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres", Journal of the Acoustical Society of America 103, 3005. [misdariis98]
• Pressnitzer, D., McAdams, S. (1998) "Phase effects in roughness perception", In: Psychophysical and Physiological Advances in Hearing, Edited by: A. Rees, A. Q. Summerfield, A. R. Palmer and R. Meddis, London: Whurr Publishers, 286-292. [pressnitzer97c]
• Roussarie, V., McAdams, S., Chaigne, A. (1998) "Perceptual analysis of vibrating bars synthesized with a physical model", 16th International Congress on Acoustics, Seattle, 2227-2228.
• Susini, P., McAdams, S. (1998) "Application de la méthode d'évaluation de l'intensité perçue par appareiement inter-modal aux sons d'accélération de voitures", GIE PSA/Renault (Rapport intermédiaire).
• Susini, P., McAdams, S. (1998) "Global and continuous judgments of sounds with time-varying intensity: Cross-modal matching with a proprioceptive input device", Journal of the Acoustical Society of America 103, 2812(A).
• Susini, P., McAdams, S. (1998) "Evaluation de la sonie de sons extraits de l'environnement urbain par appariement inter-modal", Paris: GIE PSA/Renault (Rapport intermédiaire).
• Susini, P., Misdariis, N., Winsberg, S., McAdams, S. (1998) "Caractérisation perceptive de bruits", Acoustique et Techniques 13, 11-15.

  1997

• Beauchamp, J. W., McAdams, S., Meneguzzi, S. (1997) "Perceptual effects of simplifying musical instrument sound time-frequency representations", Journal of the Acoustical Society of America 101, 3167(A).
• Bey, C., McAdams, S. (1997) "Implication des processus descendants dans la formation des flux auditifs", La perception: Du natural à l'artificiel, Journées Internationales d'Orsay sur les Sciences Cognitives 1997, Orsay, 29-32.
• Bey, C., McAdams, S. (1997) "Etudes des processus de formation des flux auditifs par une méthode objective", 4e Congrès Français d'Acoustique: Teknea, Marseille, 531-534.
• Botte, M.-C., Drake, C., Brochard, R., McAdams, S. (1997) "Perceptual attenuation of non-focused auditory streams", Perception and Psychophysics 59, 419-425.
• de Cheveigné, A., McAdams, S., Marin, C. (1997) "Concurrent vowel identification II: Effects of phase, harmonicity and task", Journal of the Acoustical Society of America 101, 2848-2856. [abstract] [deCh97-JASA2]
• Faure, A., McAdams, S. (1997) "Comparaison de profils sémantiques et de l'espace perceptif des timbres musicaux", 4eme Congrès Français d'Acoustique: Teknea, Marseille, France, 625-628.
• Lakatos, S., McAdams, S., Caussé, R. (1997) "The representation of auditory source characteristics: Simple geometric form", Perception & Psychophysics 59, 1180-1190.
• McAdams, S. (1997) "L'organisation perceptive de l'environnement sonore", In: Rencontres IPSEN en ORL, Edited by: Christen, Y., Collet, L., Droy-Lefaix, M.-T., Boulogne: Editions Irvinn, 91-102.
• McAdams, S., Bertoncini, J. (1997) "Organization and discrimination of repeating sound sequences by newborn infants", Journal of the Acoustical Society of America 102, 2945-2953.
• McAdams, S., Donnadieu, S., Roussarie, V., Houix, O. (1997) "Représentation auditive des sons émis par les structures vibrantes. Tome II: Etude psychoacoustique des sons réels et des sons de synthèse", Ministère de l'Environnement (Rapport de fin de contrat).
• McAdams, S., Smith, B.K., Maillot, M., Frachet, B. (1997) "Sélectivité fréquentielle et identification de voyelles simultanées chez des auditeurs normo-entendants et malentendants", In: Rencontres IPSEN en ORL, Edited by: Christen, Y., Collet, L., Droy-Lefaix, M.-T., Boulogne: Editions Irvinn, 131-145.
• Misdariis, N., McAdams, S., Winsberg, S. (1997) "Caractérisation perceptive des bruits de passage de véhicules de transport", SNCF (Rapport de fin de contrat).
• Paraskeva, S., McAdams, S. (1997) "Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of tension/relaxation schemas of musical phrases", 1997 International Computer Music Conference: ICMA, Thessaloniki, 438-441.
• Pressnitzer, D., McAdams, S. (1997) "Influence de la phase sur la perception de rugosité de sons complexes", 4e Congrès Français d'Acoustique: Teknea, Marseille, 535-538.
• Pressnitzer, D., McAdams, S. (1997) "Influence of phase effects on roughness modeling and control", 1997 International Computer Music Conference: ICMA, Thessaloniki, 31-34.
• Pressnitzer, D., McAdams, S. (1997) "Influence of phase effects on roughness modelling", In: Proceedings of the International Computer Music Conference, Thessaloniki, 31-34. [pressnitzer97icmc]
• Susini, P., McAdams, S. (1997) "Méthode d'appariement inter-modal", Paris: GIE PSA/Renault (Rapport intermédiaire).
• Susini, P., McAdams, S. (1997) "Revue bibliographique des méthodes de jugement perceptif continu de sons non stationnaires", Paris: GIE PSA/Renault (Rapport intermédiaire).
• Susini, P., McAdams, S. (1997) "Jugements instantanés et jugement global de l'intensité acoustique d'un son dynamique de 1000 Hz en utilisant deux méthods", Paris: GIE PSA/Renault (Rapport intermédiaire).
• Susini, P., McAdams, S., Winsberg, S. (1997) "Caractérisation perceptive des bruits de véhicules", 4e Congrès Français d'Acoutique: Teknea, Marseille, 543-546.
• Susini, P., McAdams, S., Winsberg, S. (1997) "Perceptual characterisation of vehicules noises", EEA Symposium: Psychoacoustic in Industry and Universities, Eindhoven, The Netherlands.

  1996

• Beauvois, M. W., McAdams, S. (1996) "Stimulus intensity and auditory stream formation", Acustica 82, S85(A).
• Brochard, R., Drake, C., McAdams, S., Botte, M.-C. (1996) "Effect of the number of distracting streams on the focusing of attention on one auditory stream", Journal of the Acoustical Society of America 99, 2597(A).
• Donnadieu, S., McAdams, S. (1996) "Effects of context change on dissimilarity, discrimination, and categorisation tasks on timbre perception", Fechner Day 96. 12th Annual Meeting of the International Society for Psychophysics: ISP, Padova, 239-244.
• Donnadieu, S., McAdams, S., Winsberg, S. (1996) "Categorization, discrimination, and context effects in the perception of natural and interpolated timbres", 4th International Conference on Music Perception and Cognition: Faculty of Music, McGill University, Montréal, 73-78.
• Faure, A., McAdams, S., Nosulenko, V. (1996) "Verbal correlates of perceptual dimensions of timbre", 4th International Conference on Music Perception and Cognition: Faculty of Music, McGill University, Montréal, 79-84.
• Lakatos, S., McAdams, S., Caussé, R. (1996) "Perception of auditory source characteristics: Simple geometric form", Journal of the Acoustical Society of America 100, 2719(A).
• Marin, C., McAdams, S. (1996) "The role of frequency modulation, polyperiodicity, and auditory beats in the recognition of spectrally embedded complex target sounds", Journal of the Acoustical Society of America 100, v.
• Marin, Cécile M.H., McAdams, Stephen (1996) "The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds", Journal of the Acoustical Society of America 100, 1736-1753.
• McAdams, S. (1996) "Perception des sources sonores", BIO : Lettres du Département des Sciences de la Vie, CNRS 62, 5.
• McAdams, S. (1996) "Stratégies d'écoute: L'auditeur et la musique électroacoustique", In: Les cinq sens de la création, Edited by: Borio, M., Sauvageot, A., Seyssel: Editions Champ Vallon, 70-76.
• McAdams, S. (1996) "L'organisation perceptive du monde sonore", Médecine des Arts 18, 15-17.
• McAdams, S. (1996) "Organisation et représentation perceptives en audition", Thesis: Université René Descartes (Paris V), Psychologie, Paris (Habilitation à Diriger des Recherches).
• McAdams, S. (1996) "Audition: Cognitive psychology of music", In: The Mind-Brain Continuum, Edited by: Llinás, R., Churchland, P., Cambridge, MA: MIT Press, 251-279.
• McAdams, S., Bharucha, J. J. (1996) "Cognitive processing of musical structure", International Journal of Psychology 31, 148(A).
• McAdams, S., Pressnitzer, D. (1996) "L'approche de la psychoacoustique musicale et de la psychologie cognitive de la musique", Paris: Bibliothèque nationale de France (Rapport du groupe Ecoute Interactive de la Musique).
• McAdams, S., Pressnitzer, D. (1996) "Psychoacoustic factors contributing to musical tension in Western non-tonal music", International Journal of Psychology 31, 148(A). [McAdams96a]
• Pressnitzer, D., McAdams, S., Winsberg, S., Fineberg, J. (1996) "Tension musicale et rugosité psychoacoustique dans la musique non-tonale", Journées d'Informatique Musicale, Caen, 147-156.
• Pressnitzer, D., McAdams, S., Winsberg, S., Fineberg, J. (1996) "Roughness and tension of orchestral timbres", In: Proceedings of the 4th International Conference on Music Perception and Cognition, Montreal: McGill University, 85-90. [pressnitzer96icmpc]
• Pressnitzer, D., McAdams, S., Winsberg, S., Fineberg, J. (1996) "Tension et rugosité dans une musique non tonale.", In: Acte des Journées d'Informatique Musicale, Caen, 147-156. [pressnitzer96jim]
• Pressnitzer, D., McAdams, S., Winsberg, S., Fineberg, J. (1996) "Roughness and musical tension of orchestral timbres", 4th International Conference on Music Perception and Cognition: Faculty of Music, McGill University, Montréal, 85-90.
• Samoylenko, E. S., McAdams, S., Nosulenko, V. N. (1996) "Systematic analysis of verbalizations produced in comparing musical timbres", International Journal of Psychology 31, 255-278.
• Susini, P., McAdams, S., Winsberg, S. (1996) "Perception acoustique des sons de véhicules égalisés en sonie", GIE PSA/Renault (Rapport de fin de contrat).

  1995

• Beauchamp, J., Horner, A., McAdams, S. (1995) "Musical sounds, data reduction, and perceptual control parameters", SMPC95 Conference: SMPC, Berkeley, 8-9(A).
• Botte, M.C., McAdams, S., Drake, C. (1995) "La perception des sons et de la musique", In: Perception et agnosies : Séminaire Jean-Louis Signoret, Edited by: Lechevalier, B., Eustache, F., Bruxelles: De Boeck, 55-99.
• Brochard, R., Drake, C., Botte, M-C., McAdams, S. (1995) "Focusing attention on one auditory stream does not depend on the number of simultaneous streams", Fechner Day 95. 11th Annual Meeting of the International Society for Psychophysics: ISP, Cassis, 155-160.
• de Cheveigné, A., McAdams, S., Laroche, J., Rosenberg, M. (1995) "Identification of concurrent harmonic and inharmonic vowels: A test of the theory of harmonic cancellation and enhancement", Journal of the Acoustical Society of America 97, 3736-3748.
• Donnadieu, S., McAdams, S., Winsberg, S. (1995) "Effects of context change on timbre perception", SMPC95 Conference: SMPC, Berkeley, 12(A).
• Lakatos, S., McAdams, S. (1995) "Scaling of harmonic and percussive timbres: Perceptual spaces and verbal attributes", SMPC95 Conference: SMPC, Berkeley, 10(A).
• McAdams, S., Botte, M-C., Drake, C. (1995) "The partitioning of loudness in the auditory continuity phenomenon", Fechner Day 95. 11th Annual Meeting of the International Society for Psychophysics: ISP, Cassis, 109-114.
• McAdams, S., de Cheveigné, A. (1995) "Processus d'organisation auditive: Expérimentation psychologique et modélisation informatique", Paris: Action concertée "Sciences de la Cognition", Ministère de l'Enseignement Supérieur et de la Recherche (Rapport de fin de contrat).
• McAdams, S., Susini, P., Winsberg, S. (1995) "Perception acoustique des sons de véhicules", Paris: GIE PSA/Renault (Rapport de fin de contrat).
• McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., Krimphoff, J. (1995) "Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes", Psychological Research 58, 177-192.

  1994

• Bigand, E., McAdams, S., Forêt, S. (1994) "Divided attention in polyphonic listening", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 237-238.
• Botte, M.-C., Drake, C., Brochard, R., McAdams, S., Argenti, A.-M. (1994) "Focalisation attentionelle appliquée aux flux auditifs. Premières mesures", Journal de Physique 4, 407-410.
• Botte, M.C., Drake, C., Brochard, R., McAdams, S., Argenti, A.M. (1994) "Preliminary measures of the focusing of attention on auditory streams", Journal of the Acoustical Society of America 95, 2965(A).
• de Cheveigné, A., McAdams, S., Laroche, J., Rosenberg, M. (1994) "Identification de voyelles simultanées harmoniques et inharmoniques", Journal de Physique 4, 533-536.
• Donnadieu, S., McAdams, S., Winsberg, S. (1994) "Context effects in "timbre space"", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 311-312.
• Donnadieu, S., McAdams, S., Winsberg, S. (1994) "Caractérisation du timbre des sons complexes. I : Analyse multidimensionnelle", Journal de Physique 4, 593-596.
• Fales, C., McAdams, S. (1994) "The fusion and layering of noise and tone: Implications for timbre in African instruments", Leonardo Music Journal 4, 69-77.
• Fales, C., McAdams, S. (1994) "Tone/noise fusion and timbre in African musical instruments", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 105-106.
• Krimphoff, J., McAdams, S., Winsberg, S. (1994) "Caractérisation du timbre des sons complexes. II: Analyses acoustiques et quantification psychophysique", Journal de Physique 4, 625-628.
• McAdams, S. (1994) "Audition: physiologie, perception et cognition", In: Traité de psychologie expérimentale, Edited by: Richelle, M., Requin, J., Robert, M., Paris: Presses Universitaires de France 1, 283-344.
• McAdams, S. (1994) "Big sister Pitch's little brother Timbre comes of age", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 41-45.
• McAdams, S. (1994) "Reconnaissance de sources et d'événements sonores", In: Penser les sons : Psychologie cognitive de l'audition, Edited by: McAdams, S., Bigand, E., Paris: Presses Universitaires de France, 157-214.
• McAdams, S. (1994) "Review of Auditory Scene Analysis by Albert S. Bregman", Journal of the Acoustical Society of America 95, 1177-1178.
• McAdams, S., Bigand, E. (1994) "Penser les sons: Psychologie cognitive de l1audition", Paris: Presses Universitaires de France.
• McAdams, S., Bigand, E. (1994) "Introduction à la cognition auditive", In: Penser les sons : Psychologie cognitive de l'audition, Edited by: McAdams, S., Bigand, E., Paris: Presses Universitaires de France, 1-10.
• McAdams, S., Botte, M.-C., Banide, F., Durot, X., Drake, C. (1994) "The computation of loudness in the auditory continuity phenomenon", ATR Workshop on "A Biological Framework for Speech Perception and Production: ATR Technical Report, Kyoto, 81-86.
• McAdams, S., Botte, M.-C., Drake, C. (1994) "Le phénomène de la continuité auditive et la répartition de la sonie entre flux auditifs", Journal de Physique 4, 383-386.
• McAdams, S., Winsberg, S., Murail, T., Fineberg, J., Bigand, E., Drake, C. (1994) "Dissonance: Allegories of the concept and Disintegrations of the preconceptions", 3rd International Conference on Music Perception and Cognition: ESCOM, Liège, 317-318.
• Nosulenko, V.N., Samoylenko, E.S., McAdams, S. (1994) "L'analyse de descriptions verbales dans l'étude des comparaisons de timbres musicaux", Journal de Physique 4, 637-640.

  1993

• McAdams, S. (1993) "Recognition of sound sources and events", In: Thinking in Sound: The Cognitive Psychology of Human Audition, Edited by: McAdams, S., Bigand, E., Oxford: Oxford University Press, 146-198.
• McAdams, S. (1993) "L'utopie d'une psychoacoustique musicale", Les Cahiers de l'IRCAM 4, v.
• McAdams, S. (1993) "Analyse de Auditory Scene Analysis de Albert S. Bregman", L'Année Psychologique 93, 609.
• McAdams, S., Bigand, E. (1993) "Introduction to auditory cognition", In: Thinking in Sound: The Cognitive Psychology of Human Audition, Edited by: McAdams, S., Bigand, E., Oxford: Oxford University Press, 1-9.
• McAdams, S., Bigand, E. (1993) "Thinking in Sound: The Cognitive Psychology of Human Audition", Oxford: Oxford University Press.
• McAdams, S., Bigand, E., Drake, C. (1993) "Processus perceptifs et cognitifs dans l'écoute et dans l'interprétation musicales", Paris: Direction de la Musique et de la Danse, Minstère de la Culture (Rapport de fin de contrat).

  1992

• Botte, M.C., McAdams, S. (1992) "Organisation perceptive dans l'audition", Les Cahiers de l'Audition 5, 22-26.
• Demany, L., McAdams, S. (1992) "L'audition organisatrice: Le système auditif humain est un organisateur de spectres", Le Courrier du CNRS 79, 43.
• McAdams, S. (1992) "Aspects cognitifs de l'audition humaine", Paris: DRET, Rapport de fin de contrat (Technical Report).
• McAdams, S. (1992) "Perception and memory of musical timbre", International Journal of Psychology 27, 146(A).
• McAdams, S., Cunibile, J.C. (1992) "Perception of timbral analogies", Philosophical Transactions of the Royal Society, London, series B 336, 383-389.

  1991

• Marin, Cécile M.H., McAdams, Stephen (1991) "Segregation of concurrent sounds II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width", Journal of the Acoustical Society of America 89, 341-351.
• McAdams, S. (1991) "Pertseptivnaya organizatsiya akusticheskoy sryedy [L'organisation perceptive du monde sonore]", In: Problemy ekologicheskoy psykhoakustiki [Problèmes de psychoacoustique écologique], Edited by: Nosulenko, V., Moscow: Institut de Psychologie, 28-50.
• McAdams, S., Saariaho, K. (1991) "Qualités et fonctions du timbre musical", In: Le timbre : Métaphores pour la composition, Edited by: Barrière, J.B., Paris: Editions Christian Bourgois, 164-181.

  1990

• Hartmann, W. M., McAdams, S., Smith, B. K. (1990) "Hearing a mistuned harmonic in an otherwise periodic complex tone", Journal of the Acoustical Society of America 88, 1712-1724.
• Marin, C.M.H., McAdams, S. (1990) "Interactions among cues contributing to concurrent sound segregation", Journal of the Acoustical Society of America 88, S146(A).
• Marin, C.M.H., McAdams, S., Liènard, J.S. (1990) "The role of beats in the segregation of concurrent sounds based on frequency modulation coherence", Journal of the Acoustical Society of America 87, S157(A).
• Marin, C.M.H., McAdams, S., Liénard, J.S. (1990) "Le rôle des battements sur la séparation perceptive de sources sonores simultanées due à l'indice de modulation de fréquence", Journal de Physique 2, 167-170.
• McAdams, S. (1990) "Reply to "Comments on S. McAdams' review of Sound Color" [J. Acoust. Soc. Am. 86, 2469-2471 (1989)]", Journal of the Acoustical Society of America 86, 2471(B).
• McAdams, S. (1990) "L'organisation perceptive du monde sonore", Paris: Fondation Fyssen (Rapport scientifique).
• McAdams, S., Bertoncini, J., Bobrow, J. (1990) "Organization and discrimination of repeating sound sequences by newborn infants", Journal of the Acoustical Society of America 88, S91(A).
• McAdams, S., Deliège, I. (1990) "Special issue" (Psychology of Music) 18(1).
• McAdams, S., Marin, C. M. H. (1990) "Auditory processing of frequency modulation coherence", Fechner Day 90. 6th Annual Meeting of the International Society for Psychophysics: ISP, Würzburg, 175-180.
• McAdams, S., Marin, C.M.H. (1990) "Within- and cross-channel mechanisms in the detection of frequency modulation coherence and incoherence", Journal of the Acoustical Society of America 87, S157(A).

  1989

• Bertoncini, J., Morais, J., Bijeljac-Babic, R., McAdams, S., Peretz, I., Mehler, J. (1989) "Dichotic perception and laterality in neonates", Brain and Langauge 37, 591-605.
• Marin, C.M.H., McAdams, S., Liénard, J.S. (1989) "The role of beats in concurrent sound segregation based on frequency modulation cues", Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics: ISP, Cassis, 120-125.
• McAdams, S. (1989) "Segregation of concurrent sounds. I: Effects of frequency modulation coherence", Journal of the Acoustical Society of America 86, 2148-2159.
• McAdams, S. (1989) "Psychological constraints on form-bearing dimensions in music", Contemporary Music Review 4, 181-198.
• McAdams, S. (1989) "Music and psychoacoustics", Fechner Day 89. 5th Annual Meeting of the International Society for Psychophysics: ISP, Cassis, 1-4.
• McAdams, S. (1989) "Les nombreux visages de la cognition humaine dans la recherche et la pratique musicales", In: La musique et les sciences cognitives, Edited by: McAdams, S., Deliège, I., Bruxelles: Editions Pierre Mardaga, 11-20.
• McAdams, S. (1989) "Introduction: The many faces of human cognition in musical research and practice", Contemporary Music Review 4, 1-7.
• McAdams, S. (1989) "Contraintes psychologiques sur les dimensions porteuses de forme en musique", In: La musique et les sciences cognitives, Edited by: McAdams, S., Deliège, I., Bruxelles: Editions Pierre Mardaga, 257-284.
• McAdams, S. (1989) "Review of Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, edited by John A. Sloboda", Music Perception 7, 195-201(B).
• McAdams, S., Clarke, E. (1989) "Bases psychologiques de l'exécution musicale experte", Paris: Formation 95699, Programme Franco-britannique, CNRS (Rapport Final).
• McAdams, S., Deliège, I. (1989) "La musique et les sciences cognitives", Bruxelles: Editions Pierre Mardaga.
• McAdams, S., Deliège, I. (1989) "Music and the Cognitive Sciences" (Contemporary Music Review) 4(1).

  1988

• McAdams, S. (1988) "Perception et intuition : Calculs tacites", InHarmoniques 3, 86-103.
• McAdams, S. (1988) "Review of Sound Color by Wayne Slawson", Journal of the Acoustical Society of America 84, 1957-1958(B).
• McAdams, S., Rodet, X. (1988) "The role of FM-induced AM in dynamic spectral profile analysis", In: Basic Issues in Hearing, Edited by: Duifhuis, H., Horst, J.W., Wit, H.P., London: Academic Press, 359-369.

  1987

• Marin, C., McAdams, S. (1987) "Rôle de l'enveloppe spectrale dans la séparation de sources sonores", Paris: IRCAM, pp. 75-92 (Rapport Annuel).
• Marin, Cécile M.H., McAdams, Stephen (1987) "The role of spectral envelope in the segregation of sound sources", IRCAM, 75-92 (Rapport annuel).
• McAdams, S. (1987) "Les formes du plaisir musical", Science et Vie 158, 116-121.
• McAdams, S. (1987) "Music: A science of the mind?", Contemporary Music Review 2, 1-61.
• McAdams, S. (1987) "Music and Psychology: A Mutual Regard" (Contemporary Music Review) 2(1).

  1986

• Hartmann, W.M., McAdams, S., Gerzso, A., Boulez, P. (1986) "The discrimination of spectral density", Journal of the Acoustical Society of America 79, 1915-1925.
• Hartmann, W.M., McAdams, S., Smith, B.K. (1986) "L'appariement de la hauteur d'un harmonique désaccordé dans un son complexe", Paris: IRCAM, 57-65 (Rapport Annuel).
• Hartmann, W.M., McAdams, S., Smith, B.K. (1986) "Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone", Journal of the Acoustical Society of America 80, S93(A).

  1985

• Hartmann, W.M., McAdams, S. (1985) "Discrimination of spectral density", Journal of the Acoustical Society of America 78, S46(A).
• McAdams, S., Gladkoff, S., Keller, J.-P. (1985) "AISE: A prototype laboratory for musical research and the development of conceptual tools", 1984 International Computer Music Conference: Computer Music Association, Paris, 143-162.
• McAdams, S., Saariaho, K. (1985) "Qualities and functions of musical timbre", 1985 International Computer Music Conference: Computer Music Association, Vancouver, 367-374.
• McAdams, S., Saariaho, K. (1985) "Processus perceptifs et cognitifs", Paris: IRCAM, 22-23 (Rapport Annuel).

  1984

• McAdams, S. (1984) "The auditory image: A metaphor for musical and psychological research on auditory organization", In: Cognitive Processes in the Perception of Art, Edited by: Crozier, W. R., Chapman, A. J., Amsterdam: North-Holland, 289-323.
• McAdams, S. (1984) "Spectral Fusion, Spectral Parsing, and the Formation of Auditory Images", Thesis: Stanford University, Hearing and Speech Sciences, Stanford (Thèse de Doctorat).
• McAdams, S., Rodet, X. (1984) "The coupling of sub-audio amplitude and frequency modulations and the perception of spectral envelope characteristics", Journal of the Acoustical Society of America 76, S13(A).

  1983

• McAdams, S. (1983) "Acoustic cues contributing to spectral fusion", 1983 International Congress of Acoustics, Paris, 127-130.
• McAdams, S. (1983) "Les fondements de l'acoustique", In: Musique et ordinateur, Edited by: Battier, M., Bernard, P., Charbonneau, G., Orsay: Université de Paris-Orsay, 67-91.

  1982

• McAdams, S. (1982) "Spectral fusion and the creation of auditory images", In: Music, Mind and Brain: The Neuropsychology of Music, Edited by: Clynes, M., New York: Plenum Press, 278-298.
• McAdams, S. (1982) "Contributions of sub-audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones", Journal of the Acoustical Society of America 72, S11(A).

  1981

• McAdams, S. (1981) "The effects of spectral fusion on the perception of pitch for complex tones", Journal of the Acoustical Society of America 68.
• McAdams, S., Wessel, D. (1981) "A general synthesis package based on principles of auditory perception", 1981 International Computer Music Conference: Computer Music Association, Denton, Texas, 308(A).

  1979

• McAdams, S., Bregman, A. S. (1979) "Hearing musical streams", Computer Music Journal 3, 26-43.

  1978

  In press

• McAdams, S., Susini, P., Krimphoff, J., Misdariis, N., Smith, B. ((en préparation)) "A meta-analysis of timbre space. II: Psychophysical quantification of common dimensions", Journal of the Acoustical Society of America.
• McAdams, S., Wightman, F. (1978) "Subharmonic pitch extraction or pitch memory?", Journal of the Acoustical Society of America 64.
• Wightman, F., McAdams, S. (1978) "Pitch perception of complex tones for normal and hearing-impaired listeners", Journal of the Acoustical Society of America 64.