Ircam - Centre Georges-Pompidou Équipe Analyse/Synthèse

Marcelo M. Wanderley - Publications

  • Book
  • Chapters in books
  • Articles in conference proceedings
  • Articles in (non-reviwed) magazines
  • Abstracts in conference proceedings
  • Technical reports


    • Book (co-editor):
  • Trends in Gestural Control of Music

    • M. Wanderley and M. Battier (eds)
    Ircam - Centre Pompidou, 2000.
    Chapters in Books:
  • Gesture-Music

    • Claude Cadoz & Marcelo M. Wanderley
    in M. Wanderley and M. Battier (eds): Trends in Gestural Control of Music- Ircam - Centre Pompidou, 2000.
     
  • Non-obvious Performer Gestures in Instrumental Music

    • Marcelo M. Wanderley
    in A. Braffort et al. (eds): Gesture-Based Communication in Human-Computer Interaction- Springer Verlag, 1999.
     
  • Controle gestuel de la synthese sonore

    • Marcelo M. Wanderley & Philippe Depalle
    in H. Vinet and F. Delalande(eds): Interfaces Homme-Machine et Creation Musicale- Hermes Science Publishing, 1999.
    Articles in Conference Proceedings:
  • Gesturally Controled Digital Audio Effects

    • Marcelo M. Wanderley and Philippe Depalle
    To appear in the Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx-01) - Limerick, Ireland - December 2001.
     
  • Gestural Control of Music

    • Marcelo M. Wanderley
    International Workshop Human Supervision and Control in Engineering and Music - Kassel, Germany - September 2001.
     
  • Gestural Control at IRCAM

    • Marcelo M. Wanderley, Marie-Hélène Serra, Marc Battier and Xavier Rodet
    Proc. International Computer Music Conference, ICMC2001 - Havana, Cuba - September 2001.
     
  • Quantitative Analysis of Performer Non-Obvious Gestures

    • Marcelo M. Wanderley
    Presented at the IV Gesture Workshop - London, UK - April 2001.
     
  • Input Devices for Musical Expression: Borrowing Tools from HCI

    • Nicola Orio, Norbert Schnell & Marcelo M. Wanderley
    Presented at the New Interfaces for Musical Expression Workshop (NIME) during ACM CHI 2001 - Seattle, USA - April 2001.
     
  • On the Choice of Transducer Technologies for Specific Musical Functions

    • Marcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart & Xavier Rodet
    Proc. International Computer Music Conference, ICMC2000 - Berlin, Germany.
     
  • Towards a Model for Instrumental Mapping in Expert Musical Interaction

    • Andy Hunt, Marcelo M. Wanderley & Ross Kirk
    Proc. International Computer Music Conference, ICMC2000 - Berlin, Germany.
     
  • Improving Instrumental Sound Synthesis by Modeling the Effect of Performer Gestures

    • Marcelo M. Wanderley, Philippe Depalle & Olivier Warusfel
    Proc. International Computer Music Conference, ICMC99 - Beijing, China.
     
  • Gestural Control of a Physical Model of a Bowed String Instrument

    • Stefania Serafin, Richard Dudas, Marcelo M. Wanderley & Xavier Rodet
    Proc. International Computer Music Conference, ICMC99 - Beijing, China.
     
  • Escher - Modeling and Performing Composed Instruments in Real-time (abstract)

    • Marcelo M. Wanderley, Norbert Schnell & Joseph Butch Rovan
    IEEE Symposium on Systems, Man and Cybernetics - SMC98 - San Diego, CA - USA, October, 14-17, 1998.
     
  • Gestural Research at Ircam: A Progress Report

    • Marcelo M. Wanderley et al.
    Journées d'Informatique Musicale - JIM98 - La Londe-les-Maures - France, May 5-7, 1998.
     
  • Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance - html version

    • Joseph Butch Rovan, Marcelo M. Wanderley, Shlomo Dubnov & Philippe Depalle
    Kansei- The Technology of Emotion Workshop - Genova - Italia, Oct. 3/4, 1997.
     
  • 3D Position Signals Acquisition System with Application to Real-Time Processing

    • ICSPAT'96 - Boston, MA - USA, October 7-10, 1996
     
  • Dance-Music Interface based on Ultrasound Sensors

    • III Brazilian Symposium on Computer Music - Recife, PE - Brazil, July, 4-7, 1996


    Articles in Magazines (non-reviewed):

  • Instruments Virtuels

    • Philippe Depalle, Stéphan Tassart & Marcelo M. Wanderley
    Résonance, n. 12 - IRCAM - Sept. 1997.
    Abstracts in Conference Proceedings:
  • Detailed Study on the Expressive Movements of Acoustic Instrument Performers with Applications to Human-Computer Interaction in Complex Multiparametric Contexts

    • Marcelo M. Wanderley and Thomas Hélie
    3rd Conference on Sensorimotor Controls in Men and Machines - Marseille, France - October 2001.
     
  • Towards an analysis of interaction in sound generating systems

    • Marcelo M. Wanderley, Nicola Orio and Norbert Schnell
    ISEA 2000 - Forum des Images/UNESCO - Paris, France - December 2000.
     
  • Gestural Controllers: Strategies for Expressive Application (abstract)

    • Joseph Butch Rovan & Marcelo M. Wanderley
    SEAMUS'98 - Dartmouth College - Hanover, NH - USA, April, 16-18, 1998.
    Technical Reports:
  • On the Choice of Transducer Technologies for Specific Musical Functions: A study on gestural control applied to sound synthesis

    • J-Ph. Viollet, F. Isart, M. M. Wanderley and X. Rodet
    Analysis-Synthesis Team, Ircam, Sept. 1999.
     
  • Gesture - Sensor - Feedback

    • Marcelo M. Wanderley
    Analysis-Synthesis Team, Ircam, June 1998.
     
  • Report on Kansei, The Technology of Emotion Workshop

    • Marcelo M. Wanderley
    Analysis-Synthesis Team, Ircam, January 1998.
     
  • Report on Les Nouveaux Gestes de la Musique - Colloque International (in French)

    • Marcelo M. Wanderley
    Analysis-Synthesis Team, Ircam, May1997.
    Last updated on August 8th, 2001.