Équipe Analyse/Synthèse

KANSEI - Transcription of Selected Paper Abstracts

Next we transcribe the abstracts of some selected papers from both conference in order to provide an overview of the works concerning gestural research.

Abstracts

• Kansei as the third target of information processing and related topics in Japan, by S. Hashimoto
• Toward KANSEI evaluation of movement and gesture in music/dance interactive multimodal environments, by A. Camurri et al.
• Gesture controlled music performance in a real-time network, by I. Zannos, P. Modler and K. Naoi
• Performance with refractions: Understanding musical gestures for interactive performance, by N. Orio and C. de Pirro
• Empty-handed gesures analysis in MAX/FTS, by A. Mulder et al.
• Interactivity vs. control: human-machine performance basis of emotion, by I. Choi
• Wearable piezoresistive fabrics for monitoring human body kinematics, by D. de Rossi, A. Della Santa, A. Mazzoldi and V. Tinucci
• Emotional aspects of gesture recognition by a neural network, using dedicated input devices, by P. Modler and I. Zannos
• An architecture for multimodal environment agents, by A. Camurri et al.
• Music Composition, improvisation and performance through body movements, by R. Manzaneras and E. Morales
• Instrumental gestural mapping strategies as expressivity determinants in computer music performance, by B. Rovan, M. Wanderley, S. Dubnov and Ph. Depalle
• Musical structure and expressive intentions as sources of deviations in violin performance: a sonological analysis, by G. de Poli, A. Rodá and A. Vidolin
• Generating Expressive Musical Performances with SaxEx, by J. Arcos, R. Mantaras and X. Serra
• A computational model of artificial emotions, by A. Camurri, P. Ferrentino and R. Dapello
• Authoring Intelligent sound for Synchronous Human-Computer Interaction, by R. Bargar

Marcelo M. Wanderley - Dec. 1997