Creation : Tools and Realizations
New Approaches of Theatre and Opera Directly Inspired by Interactive Data-Mining
Alain Bonardi and Francis Rousseaux
Composition and improvisation on the Net
Georg Hajdu
The Realtime-Score. A Missing Link in Computer-Music Performance
Gerhard E. Winkler
Architecture and Experiments in Networked Complementary Audio/Graphic Rendering with Virtual Choreographer
Christian Jacquemin
Cybersongosse 7Mi
Christian Clozier, Jean-Claude Le Duc and Alexander Mihalic
Soliloque sur [X, X, X ET X], Musical Commentaries From a Computer About a Concert Misunderstood By It
Fabien Lévy and Thomas Seelig
Playing Integrated Music Knowledge With Artificial Neural Network
Frederic Voisin and Robin Meier
Virtual Voices on Hands: Prominent Applications on the Synthesis and Control of the Singing Voice
Anastasia Georgaki
Symbolic Music Representations & Formalization
Control Search using Rules, Tests and Measures (its applications in the Harmonisation of Bach’s Chorales)
Somnuk Phon-Amnuaisuk and Alan Smaill
Logical Representation of musical Concepts (for Analysis and Composition Tasks Using Computers)
Somnuk Phon-Amnuaisuk
Extending a Network-of-Elaborations Representation to Polyphonic Music: Schenker and Species Counterpoint
Alan Marsden
A Pregroup Grammar for Chord Sequences
Richard Terrat
Specification of Temporal Relations Between Interactive Events
Myriam Desainte-Catherine and Antoine Allombert
Recent Developments in ENP-score-notation
Mika Kuuskankare and Mikael Laurson
PWGL Editors: 2D-Editor as a Case Study
Mikael Laurson and Mika Kuuskankare
Open Source Tools for Music Representation and Notation
Dominique Fober, Stephane Letz and Yann Orlarey
IMUTUS an Interactive Music Tuition System
Dominique Fober, Stephane Letz, Yann Orlarey, A. Askenfeld, K. Falkenberg Hansen and E. Schoonderwaldt
IanniX Aesthetical/Symbolic Visualisations For Hypermedia Composition
Thierry Coduys and Guillaume Ferry
Music Information Retrieval, Classification & Style
Using Patterns to Generate Rhythmic Accompaniment for Guitar
Marcio Dahia, Hugo Santana, Ernesto Trajano, Carlos Sandroni, Giordano Cabral and Geber Ramalho
An Adaptive Multi-Parametric and Redundancy-Filtering Approach For Motivic Pattern Discovery
Olivier Lartillot
Classification into Musical Genres Using a Rhythmic Kernel
Gustavo Frederico
Melody Classification using a Similarity Metric based on Kolmogorov Complexity
Ming Li and Ronan Sleep
Style Recognition through Statistical Event Models
Carlos Pèrez-Sancho, José M. Iñesta and Jorge Calera-Rubio
Music Retrieval Algorithms for Lead Sheet Music
R. Clifford, R. Groult, C. S. Iliopoulos and D. Byrd
Influence of Musical Similarity on Melodic Segmentation: Representations and Algorithms
Emilios Cambouropoulos and Costas Tsougras
Messiaen's Regard IV: Automatic Segmentation using the Spiral Array
Elaine Chew
Architecture & Programming
The AGNULA/DeMuDi Distribution: GNU/Linux and Free Software for the Pro Audio and Sound Research Domain
Nicola Bernardini, Damien Cirotteau, Free Ekanayaka and Andrea Glorioso
Applying Aspect-Oriented Programming to Music Computing
Patrick Hill, Simon Holland and Robin C Laney
Jack Audio Server: MacOSX Port and Multi-Processor Version
Stéphane Letz, Dominique Fober, Yann Orlarey and Paul Davis
Real Time Interaction & Improvisation
Improvising Computer Music: an Approach
Leonello Tarabella
Interactively Determined Generative Sound Design for Sensate Environments
Kirsty Beilharz
Strategies for Continuous Pitch and Amplitude Tracking in Realtime Interactive Improvisation Software
Christopher Dobrian
Pattern Anchoring, Identity and Signatures in Sound, Time and Space
Özgür Izmirli and Noel Zahler
Etheraction: Playing a Musical Piece Using Graphical interfaces
Jean-Michel Couturier
On Onsets On-the-Fly: Real-time Event Segmentation and Categorisation as a Compositional Effect
Nick Collins
A Real-Time Beat Tracker for Unrestricted Audio Signals
Nicolas Scaringella and Zoia Giorgio
Gesture & Expression
Three-Dimensional Gestural Controller Based on Eyecon Motion Capture System
Bertrand Merlier
Expressive Gestural Control of Sound and Visual Output in Multimodal Interactive Systems
Antonio Camurri, Barbara Mazzarino and Gualtiero Volpe
Gestural Control of Singing Voice, a Musical Instrument
Loic Kessous
Developing a non-Visual Output Device for Musical Performers
Homei Miyashita and Kazushi Nishimoto
Expressiveness Detection of Musical Performances in the Kinematics Energy Space
Luca Mion and Giovanni De Poli
Understanding Expressive Transformations in Saxophone Jazz Performances Using Inductive Machine Learning
Rafael Ramirez, Amaury Hazan, Emilia Gomez and Esteban Maestre
Perception
Composing In the Flesh: Perceptually-Informed Harmonic Syntax
Sean Ferguson and Richard Parncutt
Tying Semantic Labels to Computational Descriptors of Similar Timbres
Rosemary A. Fitzgerald and Adam T. Lindsay
Physical Modelling
Physical Modeling of Impacts: Theory and Experiments on Contact Time and Spectral Centroid
Federico Avanzini and Davide Rocchesso
Physical Modeling for Pure Data (PMPD) and Real Time Interaction with an Audio Synthesis
Cyrille Henry