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Preamble.
NIME 2006
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1
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Paper Session, Monday morning, June 5
Mobile and Public
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Mobile Music Technology: Report on an Emerging Community.
Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka
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22
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A Framework for Spatial Interaction in Locative Media.
Atau Tanaka, Petra Gemeinboeck
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26
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CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking.
Michael Rohs, Georg Essl, Martin Roth
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31
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Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4.
Greg Schiemer, Mark Havryliv
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37
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Interactive Public Sound Art: a case study.
David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig
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43
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Poster Session, Monday, June 5
Sensors, Interfaces, and Mapping
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Building Collaborative Graphical interFaces in the Audicle.
Ge Wang, Ananya Misra, Perry Cook
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49
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The Frequencyliator - Distributing Structures for Networked Laptop Improvisation.
Pedro Rebelo, Alain Renaud
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53
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A VR Interface for Collaborative 3D Audio Performance.
Martin Naef, Daniel Collicott
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57
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Using the Touch Screen as a Controller for Portable Computer Music Instruments.
Günter Geiger
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61
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Using MIDI to Modify Video Game Content.
Jukka Holm, Juha Arrasvuori, Kai Havukainen
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65
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Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression.
Takuro Lippit
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71
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spinCycle: a Color-Tracking Turntable Sequencer.
Spencer Kiser
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75
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The Chopping Board: Real-time Sample Editor.
Jason Lee
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77
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A Tactile Closed-Loop Device for Musical Interaction.
Staas de Jong
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79
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PETECUBE: a Multimodal Feedback Interface.
Peter Bennett
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81
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The G-Spring Controller.
Denis Lebel, Joseph Malloch
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85
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Orbophone: a new interface for radiating sound and image.
Damien Lock, Greg Schiemer
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89
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the gluion, advantages of an FPGA-based sensor interface.
Sukandar Kartadinata
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93
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Beyond 0-5V: Expanding Sensor Integration Architectures.
Adrian Freed, Rimas Avizienis, Matt Wright
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97
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Timbre interfaces using adjectives and adverbs.
Colin Johnson, Alex Gounaropoulos
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101
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SonicJumper composer.
D. Andrew Stewart
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103
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Towards a catalog and software library of mapping methods.
Hans-Christoph Steiner
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106
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LINE: Interactive Sound and Light Installation.
Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa
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110
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Paper Session, Monday afternoon, June 5
Network and Collaborative
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Decay in Collaborative Music Making.
Nick Bryan-Kinns, Patrick Healey
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114
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JamSpace: Designing A Collaborative Networked Music Space for Novices.
Michael Gurevich
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118
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Creating a Network of Integral Music Controllers.
Benjamin Knapp, Perry Cook
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124
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Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces.
Matthew Burtner
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129
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Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance.
Ryan Aylward, Joseph Paradiso
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134
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Paper Session, Tuesday morning, June 6
Real and Virtual, Spatial and Graphical
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The ZKM Klangdom.
Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer
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140
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A framework for immersive spatial audio performance.
Mike Wozniewski, Zack Settel, Jeremy Cooperstock
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144
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An Architectural Framework for Interactive Music Systems.
Alexandre Francois, Elaine Chew
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150
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Transmodal Feedback as a New Perspective for Audio-visual Effects.
Christian Jacquemin, Serge de Laubier
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156
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Screen-Based Musical Interfaces as Semiotic Machines.
Thor Magnusson
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162
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Different Strokes: a Prototype Software System for Laptop Performance and Improvisation.
Mark Zadel, Gary Scavone
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168
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TENORI-ON.
Yu Nishibori, Toshio Iwai
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172
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Poster Session, Tuesday, June 6
Gesture Controlled Audio Systems
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Towards a Gesture Description Interchange Format.
Alexander Jensenius, Tellef Kvifte, Rolf Inge Godøy
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176
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SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers.
Marcelo Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot
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180
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A simple practical approach to a wireless data acquisition board.
Smilen Dimitrov, Stefania Serafin
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184
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Mapping strategies in DJ scratching.
Kjetil Falkenberg Hansen, Roberto Bresin
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188
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'GXtar', an interface using guitar techniques.
Loic Kessous, Julien Castet, Daniel Arfib
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192
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Visual Methods for the Retrieval of Guitarist Fingering.
Anne-Marie Burns, Marcelo Wanderley
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196
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Combining accelerometer and video camera: Reconstruction of bow velocity profiles.
Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua
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200
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Reflective Optical Pickup For Violin.
Nicolas Leroy, Emmanuel Flety, Frederic Bevilacqua
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204
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Poster Session, Tuesday, June 6
Tables and Screens
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Mary had a little scoreTable* or the reacTable* goes melodic.
Sergi Jorda, Marcos Alonso
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208
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Sound Rose: Creating Music and Images with a Touch Table.
Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa
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212
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Synthesis and Control on Large Scale Multi-Touch Sensing Displays.
Philip Davidson, Jefferson Han
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216
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Paper Session, Tuesday afternoon, June 6
Instrument Design
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Towards a Coherent Terminology and Model of Instrument Description and Design.
Tellef Kvifte, Alexander R. Jensenius
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220
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Vibrotactile Feedback in Digital Musical Instruments.
Mark Marshall, Marcelo Wanderley
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226
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Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors.
Rodolphe Koehly, Marcelo Wanderley, Denis Curtil
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230
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Creating Ad Hoc Instruments with Pin&Play&Perform.
John Bowers, Nicolas Villar
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234
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Synthesis and control of everyday sound reconstructing Russolo's Intonarumori.
Stefania Serafin, Amalia De Goetzen, Niels Böttcher, Steven Gelineck
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240
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Paper Session, Wednesday Morning, June 7
Brain, Hands, and Expression
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Interactive Sonification of Neural Activity.
Gil Weinberg, Travis Thatcher
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246
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Non haptic control of music by video analysis of hand movements: 14 years of experience with the «Caméra Musicale».
Jacques Rémus
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250
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MICON: A Music Stand for Interactive Conducting.
Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser
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254
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conga: A Framework for Adaptive Conducting Gesture Analysis.
Eric Lee, Ingo Grüll, Henning Kiel, Jan Borchers
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260
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Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis.
Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval
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266
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GRASSP: Gesturally-Realized Audio, Speech and Song Performance.
Bob Pritchard, Sidney Fels
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272
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The 'E' in NIME: Musical Expression with New Computer Interfaces.
Christopher Dobrian, Daniel Koppelman
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277
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Poster Session, Wednesday, June 7
Instruments, Performances, and Installations
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32kg: Performance Systems for a Post-Digital Age.
John Richards
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283
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Meta-Instrument 3: a look over 17 years of practice.
Serge De Laubier, Vincent Goudard
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288
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The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics.
Suguru Goto
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292
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Modal Kombat: Competition and Choreography in Synesthetic Musical Performance.
David Hindman
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296
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A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots.
Paul Lehrman, Eric Singer
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300
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Using the augmented trombone in "I will not kiss your f.ing flag".
Serge Lemouton, Marco Stroppa, Benny Sluchin
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304
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On making and playing an electronically-augmented saxophone.
Sébastien Schiesser, Caroline Traube
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308
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Handheld Acoustic Filter Bank for Musical Control.
Tamara Smyth
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314
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Real-Time Sound Source Spatialization as used in Challenging Bodies: Implementation and Performance.
JJ Nixdorf, David Gerhard
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318
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Mapping with planning agents in the Max/MSP environment: the GO/Max language.
Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro
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322
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Towards a Virtual Assistant for Performers and Stage Directors.
Alain Bonardi, Isis Truck, Herman Akdag
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326
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Students' projects of interactive media-installations in SUAC.
Yoichi Nagashima
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330
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An Acousmatic Composition Environment.
Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoeft
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334
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Bioinformatic Feedback: performer bio-data as a driver for real-time composition.
Robert Hamilton
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338
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The Light Matrix: An Interface for musical expression and performance.
Jonathan Pak
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342
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GAINER: A reconfigurable I/O module and software libraries for education.
Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi
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346
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Paper Session, Wednesday Afternoon, June 7
Augmented Instruments and Accompaniment
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Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument.
Kirsty Beilharz, Joanne Jakovich, Sam Ferguson
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352
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Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse.
Neal Farwell
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358
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The Augmented Djembe Drum - Sculpting Rhythms.
Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva
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364
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Children of Grainger: Leather Instruments for Free Music.
Stuart Favilla, Joanne Cannon
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370
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Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment.
William Hsu
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376
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Integrated Interactive Music Performance Environment.
Keith Hamel
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380
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Learning Musical Instrument Skills Through Interactive Sonification.
Sam Ferguson
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384
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Special Session, Thursday morning, June 8
Digital Interfaces for the Violin Family
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Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?.
Cornelius Poepel, Dan Overholt
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390
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Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music.
Diana Young, Patrick Nunn, Artem Vassiliev
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396
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The augmented violin project: research, composition and performance report.
Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet
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402
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Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura.
Mari Kimura, Jean-Claude Risset
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407
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Augmenting the Cello.
Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel
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409
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Keynotes and Panel Discussion |
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Living with Creative Machines: A Composer Reflects.
Keynote George Lewis
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414
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Listening to the World: Information and Aesthetics.
Keynote William Gaver
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414
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Manager or Musician? - About virtuosity in live electronic music.
Panel Discussion moderated by Michel Waisvisz
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415
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Workshops |
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Improvisation and Computers.
Workshop
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416
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Choreographic Computations: Motion Capture and Analysis for Dance.
Workshop
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416
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Network Performance.
Workshop
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416
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Concert at IRCAM (Espace de Projection), Monday evening, June 5
NIME Performances
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Voice and Infrared Sensor Shirt.
Tomomi Adachi
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418
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Solo Performance for Indeterminate 'Dirty Electronics', 'Flickertron' and 'Pseudophone+'.
John Richards (aka kREEPA)
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418
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Pieces for Plants #7.
Miya Masaoka
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418
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Sight Sound -Phenakistoscope-.
Saburo Hirano
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419
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Mouseketier Praxis.
Mark Applebaum
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419
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Children of Grainger.
Bent Leather Band
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419
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Concert at the Triptyque, Monday night, June 5
Club NIME I
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Revelations.
Juraj Kojs
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420
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Hymn to Ampere.
The Breadboard Band
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420
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Modal Kombat.
David Hindman and Evan Drummond
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420
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scrambled?HaCkZ!.
Sven König
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421
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Audile.
Yutaka Makino and dj sniff
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421
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Invited Headline Club Performance.
eRikm
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421
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Concert at IRCAM (Espace de Projection), Tuesday night, June 6
NIME 06 Special Guests
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Vista, Tricot.
Mari Kimura
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422
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Trio Improvisation.
George Lewis and Alexander von Schlippenbach
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422
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Le Loup, Lifting, Crackle, Noise, Nevrose.
Sensors_Sonics_Sights
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423
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On composing the now.
Michel Waisvisz
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423
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Concert at the Point Éphémère, Wednesday night, June 7
Club NIME II
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Dual Airbags.
Ben Neill and Nicolas Collins
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424
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Circumference Cycles.
Chris Strollo, Tina Blaine, Robin Stanaway
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424
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reacTable*.
Sergi Jordà and Chris Brown
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424
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Connected Spaces.
Satoru Higa and Akihiro Kubota
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425
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backscatter.
Robin Fox
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425
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Performances at ArsLonga, Thursday evening, June 8
NIME Gallery
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Mandala 3 and Mandala 4.
Greg Schiemer
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426
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Bowl Chant.
Garth Paine and Michael Atherton
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426
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Live Fire.
Ximena Franco and Enrique Franco
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426
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Jam'aa.
Gil Weinberg
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427
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ATT.
Georg Holzmann
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427
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Concert at the Point Éphémère, Thursday night, June 8
Club NIME III
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piano works.
Antoine Schmitt
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428
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chdh.
Cyrille Henry and Nicolas Montgermont
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428
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I.D.L. (Icon of Desire Lost).
Alice Daquet
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429
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1ProVisTruments.
Cyrille Brissot, Emilie Simon, Olivier Pasquet, Cyril Hernandez
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429
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Installations |
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Acousmeaucorps.
Tom Mays
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430
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anemo.
Ryoho Kobayashi
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430
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Métier à Tisser Musical - The Musical Loom.
Kingsley Ng
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430
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16:9 intercreative sound installation.
Daniel Teige, Martin Rumori
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431
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codespace_<tag>.
jasch
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431
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LINE.
Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa
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432
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Audio Shaker.
Mark Hauenstein and Tom Jenkins
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432
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Sonobotanic plants.
Marije Baalman and Alberto de Campo
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432
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Transduction.2.
Marc Fournel
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433
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